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#16 | |
Gadget Geek
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Device: Paperwhite, Kindle 3 (retired), Skindle 1.2 (retired)
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#17 | |
PHD in Horribleness
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The problem that the RIAA faced then and is facing more than ever now is sites and concepts that bypass them in the business model. Artists can and have cut out the middle man. I have several albums I bought through that site that are still favorites. Most of them still don't work with the big labels. I often buy from artists directly - most recently purchasing Laura Dare's Boyhood Shadows album. Once artists are selling direct then the big players face downward price competition from artists who don't have to share a cut with the big publishers. This exact same dynamic is now being played out with print. |
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#18 | |
Sir Penguin of Edinburgh
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#19 | ||
Grand Sorcerer
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2) Copyright owners HAVE the right to take legal action. The problem is that they don't want to. They want to force other people to enforce their rights, instead of using the systems in place, because with the current systems, it's prohibitively expensive for them to claim their right to keep a monopoly on distribution. 3) The fact that it's prohibitively expensive to enforce a set of laws is a sign that the laws need reform, not a sign that the burden of enforcement should be turned over to private businesses, at the expense of innocent customers. Quote:
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#20 |
eBook Enthusiast
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I don't know what you mean by "was originally intended" - intended by whom? The first modern copyright law is generally regarded as being the "Statute of Queen Anne" in 1709 in Britain; this provided protection for 28 years, and was a successor to the "Licensing Act" of 1662 which established a "register" of licensed books, and protected the rights of a printer to print specific books.
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#21 | |
Grand Sorcerer
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"The statute of 1709 vested authors rather than printers with the monopoly on the reproduction of their works. It created a 21 year term for all works already in print at the time of its enactment and a fourteen year term for all works published subsequently". (http://en.wikipedia.org/wiki/Statute_of_Anne) Okay, I've now gone on a little further, from Wikipedia links, and have this scan and transcription of the Statute: http://www.copyrighthistory.com/anne.html This refers to the aforementioned twenty-one and fourteen years. I'll allow others to translate the transcription, and the applicability of each term. Cheers, Marc |
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#22 |
eBook Enthusiast
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Hi Mark,
Under the 1709 act, there was an initial term of 14 years, which could optionally be extended by the author for a further 14 years, for a total of 28 years. Cheers, |
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#23 |
Zealot
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are there any figures on the subject to say how much money is lost by the authors/publishers from people downloading books from p2p sites?
cheers mick. |
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#24 | |
Grand Sorcerer
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"For existing works, authors or their assigns were granted the exclusive right of publication for 21 years from the effective date of April 10, 1710. For new works, the right ran for 14 years from the date of publication; the author, if living at the expiration of such term, was granted the privilege of renewal for 14 more years." (Copyright Law & Practice, William F. Patry) Cheers, Marc |
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#25 |
zeldinha zippy zeldissima
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even assuming the maximum original term, or 28 years, it's pretty obvious that the current term (life of the author plus 70 (soon 90 ?) years) is so far from the original intent of copyright as to be unrecognisable. current copyright law should be in the dictionary as an example next to the word "travesty".
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#26 |
Fanatic
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The thread seems to be wandering a little far afield from its original message (not that this is a bad thing).
I'm curious what people think of the claims that the P2P researcher puts forward in his paper. Anyone else read the whole thing? I thought the definition of "peer to peer" he uses is a little broad (he lumps in Slashdot and Youtube as examples of "peer to peer" sites, which may be theoretically true in the sense that they're about peers interacting with peers, but less so in terms of the way the term is most commonly used) but he had some interesting points. If darknets finally achieve the same ease of use and selection as ordinary peer to peer, what implications could that have for the enforceability of copyright? |
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#27 | |
Sir Penguin of Edinburgh
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#28 | |
PHD in Horribleness
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I will concede there was one time renewal there also. |
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#29 | |
Wizard
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![]() There's no real way to measure it though. What you end up with is whichever side you're listening to making up numbers to try and spin the argument in their direction. |
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#30 | |
Wizard
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