12-03-2007, 03:26 PM | #196 | |
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Before Michael Jackson's 'Thriller' became the first CD available, LPs were 19 CHF (Swiss Francs). CDs hit the store for 29 CHF a piece. The higher price being justified by Philips and the record companies as being the result of more expensive production costs. A good 20 years later and CDs never got any cheaper. While every John, Dick, Harry, Granny, Aunty and saliva driveling dog can burn CDs for less money than it costs to take a pee in a public toilet, the record companies earn 10 CHF on every CD without any justification whatsoever. |
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12-03-2007, 04:03 PM | #197 | |
eReader
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12-03-2007, 04:10 PM | #198 |
Gizmologist
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Were they really declining, or just dropping back to "normal" levels after the spikes? That's what I wonder.
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12-03-2007, 04:16 PM | #199 |
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They were declining relative to previous levels-- even if those levels were artificially inflated, and that was probably enough for at least some people in the industry.
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12-03-2007, 04:31 PM | #200 |
Wizard
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There was an item on the radio here yesterday about the Performing Rights Society (UK) writing to people saying they need to buy a licence if they play music in the office. Apparently you need a licence to play music anywhere outside your domestic environs.
http://www.mcps-prs-alliance.co.uk "Who has to have a PRS music licence? Any location or premises, outside of home, where music is played..." "whether the performance is played live or by such means as CD, radio, DVD, TV, karaoke etc, whether a charge is made for admission, or whether the performers are paid, a PRS Music Licence is still necessary." People have been listening to radio music in the workplace for decades - now they're being told they've got to pay for the privilege and they're not happy about it. Some people will turn their radios off; but I imagine most will just carry on listening and become 'criminals'. |
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12-04-2007, 12:17 AM | #201 | |
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In my home town, the Seattle Symphony would never have been able to record as much on LPs. On CDs, they have a rather large catalog. Similarly, I found a lot of recordings of more obscure music by good quality but lesser-known orchestras from Eastern Europe. My personal list of "must have standards" increased in several ways. So, I can say I've bought MUCH more music on CD that I ever contemplated on LPs. |
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12-04-2007, 01:39 AM | #202 |
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THE DECLINE OF CD SALES
After PAYING HIGH prices in the 80's and 90's for OVERpriced CDS..It is a PLEASURE to see sales od CDs reducing by 8 percent of more a year. I hope some of the companies go the way of the Dodo bird.
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01-23-2008, 12:56 PM | #203 | |
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Why do some people think that it's okay to steal from a rich person/company? Stealing is stealing, and stealing is wrong. Microsoft's property rights are not linked to the size of its bank account, and neither are peoples' ethics. If Microsoft has broken the law (and I disagree that it has... if you want to see a monopolistic company look at Airbus, or Apple), then it will be punished. Too many people want to sic the power of the state on Microsoft, though, not because Microsoft has done something wrong but because they've done something right (made products that people want to buy, and that make it hard for other companies to compete). |
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01-23-2008, 01:08 PM | #204 | |
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I'll ask another question: why is $14.95 or $17.95 or whatever too "high" of a price? Maybe it's higher than you want to pay, but that's the way the market works. If the consumer thinks that CDs cost too much, then sales go down. Companies respond by lowering their price, until they are selling as many CDs as they want at a price which is acceptable to both buyer and seller. Something else to think about: why is it that artists release albums instead of singles? In the 'old days' of records, artists would release an album, and then singles ('45s') would be released to get airplay for the album, to provide a source of music for jukeboxes, and to seed the market and create demand for the album. That model went away with the CD, although mini-CDs were tried (they didn't sell well, probably because they were too expensive, and consumers didn't want 4 or 5 songs, they wanted 1 or maybe 2 songs). I think that the iTunes model has been transformative in that it lets consumers pick, and pay for, only the music they want, instead of having to purchase an entire CD to get the few songs they want. As the iPod's popularity has grown, there is no reason to buy CDs anymore; people make their own playlists from a variety of artists' works to produce what they want instead of what the CD producer wants them to buy. I don't see this happening successfully in the reading market. Companies have tried to sell selected content, e.g., the New York Times setting a per-article price, but haven't been successful. IMO it's because news is no longer unique, and neither is news opinion. We have the WWW and blogs to thank for this! And, selling a single chapter out of a book makes no sense either. However, Amazon's allowing Kindle owners to download sample chapters in order to build interest in a book does work, in much the same way as listening to a single on the radio builds interest in an album. |
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01-23-2008, 01:40 PM | #205 |
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I concur with the original poster that DRM is good and neccessary. He hits the nail on the head that property rights are the cornerstone of a free republic. It is sad today the level of entitlement folks seem to feel about taking that which they have not earned.
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01-23-2008, 01:43 PM | #206 | |
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01-23-2008, 02:04 PM | #207 | |
Sir Penguin of Edinburgh
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Okay, what about the customer's property rights? PaperbackDigital went out of business, They used to sell DRMed ebooks. The device authorizations cannot be updated; eventually the customers will lose the ability to read the ebooks they purchased. What about the customer's property rights? There is a new problem with Quicktime. If you use Adobe After Affects to create a clip, Quicktime will pop up and tell you that you don't have permission to view that clip. What about the customer's property rights? Adobe DE 1.0 had DRM that prevented the customer from saving a copy of a legitimately purchased ebook. This was one of the things that was fixed in 1.5. What about the customer's property rights? At least twice this year, one of Microsoft's Windows DRM servers had a glitch, and decided all copies of Vista were illegal, so they stopped working. What about the customer's property rights? P.S. Each of these incidents affected only customers who legitimately purchased a product. They did not affect the pirates. How exactly did the DRM protect property rights? |
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01-23-2008, 02:20 PM | #208 |
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Intellectual property should be protected just as much as real property, particularly in this day and age. I realize people want to be able to leech off producers without having to pay for things so the producers need ways to try to prevent that. Stealing is stealing, whether it be intellectual property or real property.
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01-23-2008, 02:26 PM | #209 | ||
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The term "intellectual property" is something coined by the copyright maximalists to get people to think that ideas are property. Quote:
Or companies like Disney, who are still distributing movies made by people long dead? Oh, yes, these people are not leaching off of the producers. But "copyright violation" is not "stealing". |
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01-23-2008, 02:28 PM | #210 | |||
Sir Penguin of Edinburgh
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