12-15-2018, 02:45 PM | #46 | |
Grand Sorcerer
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I see no benefit other that making it politically possible. My two competing concerns are getting the author as much money as possible and making sure the books are widely available. I do think that the pendulum has gone way too far in the copyright holders direction and there needs to be a correction. I do like the idea of books going into a licensing arrangement after a given amount of time. There are no perfect solutions that everyone is going to agree on. I wish there were. |
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12-15-2018, 02:48 PM | #47 |
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Logic and law don't always mix. It's what you can convince a judge of, not what makes sense to a layman.
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12-15-2018, 06:33 PM | #48 | |
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12-15-2018, 07:29 PM | #49 | |
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I see. Nevermind. |
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12-16-2018, 02:06 AM | #50 |
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12-16-2018, 02:09 AM | #51 | |
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12-16-2018, 04:38 AM | #52 |
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12-16-2018, 05:09 AM | #53 | |
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At one time, the vast majority of books made sold most of what they were going to sell within the first several months of release. This was because of the limited shelf space in book stores. After a few months, any left got toss and the cover sent to the publisher for refund to make room for the next set of new books. I suspect that ebooks and Amazon changed that dynamics. Also, consider series. Would authors write series if they knew that by the time they finish the series that book 1 would be in PD? I personally like the idea of having a short period of automatic copyright protection followed by a much longer period where the copyright had to be renewed for a small fee on a yearly basis which is used to maintain a copyright database. I would also support the idea that to maintain a copyright after the short automatic period, the author has to provide an electronic copy of the work in a given format or formats. Once the work goes into PD, anyone can get a copy of that electronic copy. I would even throw in that all works of a given author would be renewed on the anniversary of the author's first work, so the author wouldn't have to remember a bunch of renewal dates. Of course, the real issue is that once someone has something, they are going to fight to keep it and there isn't really anyone fighting to take it from them. That's the political issue. |
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12-16-2018, 05:14 AM | #54 |
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I think the major problem with a variable copyright is how to know if a work is in copyright or not.
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12-16-2018, 02:18 PM | #55 |
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12-17-2018, 03:38 AM | #56 |
The Grand Mouse 高貴的老鼠
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When we leave the EU, we'll only be bound by the Berne convention, so we could change our copyright laws back to life + 50.
But (a) it seems unlikely that copyright reform will be high on any givernment's agenda (b) there would be large amounts of lobbying from 'big media' against it (c) copyright length might be a condition of trade deals, especially with USA. |
12-17-2018, 01:04 PM | #57 |
C L J
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Oh . . . did you have to burst my bubble?
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12-17-2018, 05:23 PM | #58 |
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Here in NZ we still have Life+50 but just about lost it when the original Trans Pacific Partnership (TPP) trade agreement was negotiated a couple of years back as the USA was one of the partners and demanded it. Fortunately Mr. Trump came into power and withdrew the USA from the proposed agreement before it was implemented so the new agreement, sans USA, allowed us to stay at +50.
For NZ the economic analysis for going from +50 to +70 showed that a net loss to the economy would occur; that outcome may be different in some other countries but many people do not realize that the economic effects of copyright are not always positive. Australia became +70 when they negotiated their trade agreement with the USA some years back and I suspect that the UK will likely have to stay with +70, even if it wanted to change, in its trade agreement with USA after Brexit. |
12-17-2018, 05:47 PM | #59 | |
Nameless Being
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I thought it might have been so |
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12-17-2018, 06:57 PM | #60 | |
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