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#16 | |
Grand Sorcerer
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In tradpub, the publisher is in control. They choose what to publish, when, and how; they choose the editor and decide what amount of editing if any they'll demand; they choose the artist or stock art. The publisher is the boss. In the Indie workflow, control stays with the author. They hire the editor and decide what changes to accept, they hire the artist or buy the stock image. They decide if they're hiring a formatter or not. They're the boss: the book sinks or swim on their judgment. It is increasingly popular, especially with newcomers without a reputation, .who instead of spending years to get an agent and more time waiting for the agent to place the book and yet more time before the publisher assigns the book a release date, typically two years away. For many newcomers it can add to five years. Sometimes more, occasionally less. Versus clicking "upload". And if they really are good writers--a big if in any case--those are five years of building up a catalog and a brand instead of just waiting.i In either case, it all comes down to how good readers think the writer is. Workflow has little to do with that. |
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#17 | |
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My guess is that you see it mostly with older writers (Card is 68) who are slowing down a lot and whose name still has a lot of pull in the market. |
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#18 | |
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![]() I know about Card....plus he had a stroke a couple years ago. I hope he finds a better "more like OSC" writer to keep some of his series alive. I generally don't mind "large Author's Name on book, but written by someone else who's name is small at the bottom". To me I think "well, if the author is letting his name be large and in charge, then he's taking responsibility for the quality of the book, even if he doesn't write it". I've been immune for the most part...of feeling majorly let down. I read every new Clancy book, every new Bourne book. I can't possibly ready every James Patterson labeled book, but the series of his that I follow, I'm pleased with. I've like the Honor Harrington spin off's and collaborations - but at least those haven't been marketed "big author name"-style. But this time I was truly fooled. First....by falling for "Author's Name as Brand" at the top of the book cover without noticing the small "written by...." at the bottom. I just hadn't come to expect that from OSC. Then the story simply wasn't up to OSC writing ability. All the while I was reading, I thought "has the stroke ruined OSC's writing ability"? |
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#19 | |
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Maybe it was a contracted work in progress that needed finishing. Has he released anything newer? As for the Weber spinoffs and collaborations most read pretty much as the credits suggest. Which is to be expected considering the co-writers are well established authors in their own right with recognizable narrative voices. No disguising expected or likely. Plus Weber has been known to hold up a volume because of the cowriter's health issues. The evidence, until now, is that his collaborations are collaborations of equals. He even altered his long term Honorverse timeline because of the CROWN OF SLAVES books. The only exception is the latest, THE GORDIAN PROTOCOL, which reads like Weber editing/rewriting Holo, not like his other collaborations. It feels...off. It even lacks his signature infodumps. ![]() Last edited by fjtorres; 12-04-2019 at 12:16 PM. |
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#20 | |
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#21 |
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I haven't read the Gordian Protocol yet (didn't know it existed). I've got a bone to pick with Weber over his last book "Out of Darkness". It was a typical Weber book (not his best, perhaps, but in the pocket)....and then he ended it Deus Ex Machina style. I couldn't believe it. I felt betrayed.
But I have enjoyed all the Honor Harrington Spinoff Series. Eric Flint is another author that does great collaborations....particularly in the 1632 Series. But still....he doesn't market them with his own name the way we are speaking about with these "Author as Contractor" books. |
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#22 | |
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At least Jacob Holo's name is the same size....even though located at the bottom of the cover. Seeing a book cover like this....I generally would think "Ok, Weber is telling me that if I like his books, I should like this one"....I wouldn't expect it to be a "Weber book"....but a "Weber quality controlled" book. |
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#23 | |
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The good news is that he seems to have mostly come to have tied up most of the threads in his last Honor Harrington book. There are still some things unresolved, so the opening is there, but I would say that the main story has mostly concluded. |
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#24 | |
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But...I did read the latest Honor Harrington, I do believe it's meant to be the end of the series. At least of the main Honor Harrington character. |
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#25 | |
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Definitely not his best. I'm not terribly fond of his Safehold series, either. The setup screamed "generational saga" not an endless step by step slog. Gave up after the fourth... Flint's 163x /Grantville saga has evolved into a shared world series, ala Wild Cards or Thieves World. Flint has been honest that 1632 was meant as a one-and-done until Weber pointed out the sequel potential. Anthologies followed and then the Gazzette e-magazine. The thing has gotten so big he's indie publishing several volumes because BAEN can't keep up with the output. Even "just" editing he can't keep up himself. ![]() Good reads, though. Somebody ought to license the series for video. |
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#26 | |
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There's at least one volume hanging featuring Mike Henke and probably an entire arc about the Mesan conspiracy featuring Honor's adult kids. And he clearly has plans for Abigail Hearns and the Hexapuma kids. He actually meant to kill Honor several volumes back but CROWN OF SLAVES made him change the timeline. Either way, it's past time he focused on the other characters and settings. |
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