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#3106 | ||
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ApK * I mention the unabridged version, because I accidently got, and listened to, the abridged version once, and it was awful. ** I loved the musical "Wicked." I found the book depressing, and a bit of a slog at times. It was thought provoking, but I was glad at how they changed it for Broadway! |
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#3107 |
(he/him/his)
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IME, if a particular book is less successful as an audio book than as a regular book, the most likely culprit is the narrator. Not all narrators are created equal (!), but even the very best narrators sometimes have duds, or books that they just aren't a good fit for. Saying you found a book less successful as an audio book should, therefore, include the name of the narrator(s). And I'd say it should include whether the book was abridged or unabridged but I rather doubt any of us here opt for unabridged by choice.
Last edited by CRussel; Yesterday at 07:15 PM. |
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#3108 | |
Can one read too much?
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#3109 | |
intelligent posterior
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I'm still blazing through Stirling's Emberverse/Change series. |
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#3110 | |
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Spoiler:
If you liked the general idea of Elphaba's story in the book, and like Broadway musicals, I highly recommend the play. ApK Last edited by ApK; Today at 10:33 AM. |
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#3111 |
Grand Sorcerer
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Finished up the White Wolf. Another very solid offering. Just the Swords of Night and Day to go in the series.
Started The Oblique Approach by David Drake and Eric Flint. I loved the paper/ebook, but so far I'm not loving the audiobook. The narrator has a Rod Stirling/Charlton Heston style voice, but IMPO, the book ( it's the first in a series) requires someone who is more of a voice actor, with a wide range of voices and most important, more of an over the top performance. |
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audible, audiobooks, recommendations |
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