06-23-2008, 05:05 PM | #31 |
curmudgeon
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06-23-2008, 05:26 PM | #32 |
zeldinha zippy zeldissima
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06-23-2008, 07:06 PM | #33 |
Sir Penguin of Edinburgh
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I was going to do a list of books, and that was on it. Another title would have been "Selected Recipes of the Sierra Nevadas" by George Donner. Also "The Uruguayan Air Force Cookbook". But then I decided to go for the simple and obscure. That's how my sense of humor works. Plus, some of the titles were unfair.
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06-23-2008, 07:51 PM | #34 | |
Holy S**T!!!
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06-23-2008, 11:14 PM | #35 | ||||
New York Editor
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______ Dennis |
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06-24-2008, 08:10 AM | #36 |
zeldinha zippy zeldissima
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oh, Raymond Chandler, yes please !!!
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06-24-2008, 08:48 AM | #37 |
Sir Penguin of Edinburgh
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A note about Doc Savage:
They are not in the public domain. The files had previously been hosted on PG Australia because the admin had turned a blind eye. |
06-24-2008, 09:51 AM | #38 | |
Grand Sorcerer
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Nate, this brings in a piece of copyright law that I'm not fully knowledgeable about. How do works for hire copyright length get set? Particularly in a life + 50 country? Since Laurence Donovan died in 1950, life + 50 should be 2000 (i.e.public domain in a life + 50 country). How is that being overridden? (anybody else who knows the answer, please chime in.) RSE |
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06-24-2008, 10:12 AM | #39 | |
Grand Sorcerer
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For an anonymous work, a pseudonymous work, or a work made for hire, the copyright endures for a term of 95 years from the year of its first publication or a term of 120 years from the year of its creation, whichever expires first. Other countries may be different. BOb |
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06-24-2008, 10:36 AM | #40 | |
Grand Sorcerer
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Thanks mucho, PilotBOb. The Mickey Mouse act of the late 90's suddenly became clear! 1999 - 70 was 1929, when Talkies first came available in Hollyweird. The pulps were just "collateral damage" for saving the copyrights on all the Talkies that hadn't accidentally fallen into the public domain due to their renewals not being properly filed.... |
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06-24-2008, 10:39 AM | #41 | |
Sir Penguin of Edinburgh
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BTW, not all the Doc Savage novels are work for hire in the US. I know of at least once that Conde Nast, the copyright holder, bought the copyright from an author's widow. I don't think any of the books are work for hire. |
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06-24-2008, 11:02 AM | #42 | |
Grand Sorcerer
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Which loops me back to where I started. If a Doc Savage novel was written by author X, what controls the public domain date in a life + 50 country. (I looked at the Canadian law web site, which implied either 50 years after the publication (Psuedonemus works) or author's life + 50 years. Laurence Donovan died in 1950, Harold A. Davis died in 1955, and Lester Dent died in 1959. The others died much later or are currently undetermined.) Are there overriding treaty agreements with the US? |
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06-24-2008, 11:19 AM | #43 | |
Sir Penguin of Edinburgh
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Since Canada is a strict death+50, so the first two are out of copyright in Canada right now. We can host their works here at MobileRead if someone will upload it. The third author's work will become pd on 1 January, 2010. Australia is the same except for the thirds author. The Dent works have a copyright of death+70 because of a 2006 treaty signed with the USA. P.S. Just because the work is still in copyright in the US doesn't mean it is in other countries. |
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06-24-2008, 11:29 AM | #44 | |
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Thanks, Nate. I can't do the work, as I live in the land of the Mouse, but my list of Coming Soon is still valid. |
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06-24-2008, 12:22 PM | #45 | |
New York Editor
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You live in the US, where a work is still in copyright. It's out of copyright elsewhere, and you find an electronic copy, which you massage into a form usable by MobileRead visitors. You upload it for posting, and it gets stored on a server where the copyright has expired and it's a legal download. How much trouble can you be in for having done the conversion? And who would be likely to go after you for having done it? I'd be more worried about possible dangers to MobileRead for accepting work from from me in that case than I'd be about getting in trouble for doing it. Copyright infringement suits presume damage in the form of lost revenues from the infringement, and take time and cost money to prosecute. Someone would have to see real potential losses to bother. I'm not sure I'd let living in the US deter me from doing the work. ______ Dennis |
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