Other Fiction Blasco Ibáñez, Vicente: The Shadow of the Cathedral. V1. 10-Jul-2011-

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Vicente Blasco Ibáñez (29 January 1867 – 28 January 1928) was a Spanish realist novelist writing in Spanish, a screenwriter and occasional film director.
Born in Valencia, today he is best known in the English-speaking world for his World War I novel Los cuatro jinetes del apocalipsis. Filmed in 1921 as The Four Horsemen of the Apocalypse, it was filmed again in 1962, reset in World War II. However, in his time he was a best-selling author inside and outside of Spain, and also known for his controversial political activities. While Sangre y arena (Blood and Sand) and Los cuatro jinetes del apocalipsis are his most popular novels, particularly outside of Spain, his Valencian novels such as La barraca and Cañas y barro are the ones most valued by scholars.

From the Introduction:
There are three cathedrals which I think will remain chief of the Spanish cathedrals in the remembrance of the traveller, namely the Cathedral at Burgos, the Cathedral at Toledo, and the Cathedral at Seville; and first of these for reasons hitherto of history and art, and now of fiction, will be the Cathedral at Toledo, which the most commanding talent among the contemporary Spanish novelists has made the protagonist of the romance following. I do not mean that Vincent Blasco Ibañez is greater than Perez Galdós, or Armando Palacio Valdés or even the Countess Pardo-Bazan; but he belongs to their realistic order of imagination, and he is easily the first of living European novelists outside of Spain, with the advantage of superior youth, freshness of invention and force of characterization. The Russians have ceased to be actively the masters, and there is no Frenchman, Englishman, or Scandinavian who counts with Ibañez, and of course no Italian, American, and, unspeakably, no German.

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