03-31-2021, 02:11 PM | #121 | |
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03-31-2021, 02:53 PM | #122 |
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I liked the big book of GRR Martin short stories well enough. "Dreamsongs".
So I was bought the Book 1 of the series as a present, before it was put on TV. I finished it and resolved to never read another in the series. Perhaps I'm squeamish, but I thought too much gratuitous violence, sex and sadism, especially against women. The TV series sounds worse. |
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03-31-2021, 03:36 PM | #123 |
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I actually think one of the few things GRRM succeeded at was making sure men and women were pretty fairly represented as being both victims AND inflicters of gratuitous violence, sex and sadism.
I also think people tend to remember the books as being a lot more graphic than they really were after they watched the show. The books only hinted at many of the things that the show made ridiculously explicit. I hated the show for that. The books were definitely not the Game of Gore and Boobs that the show turned out to be. I quit watching sometime in season 2. I stopped reading after book four. The one that left out nearly every single character a reader might actually give a crap about. I wish I'd stopped after three. Last edited by DiapDealer; 03-31-2021 at 03:52 PM. |
03-31-2021, 03:49 PM | #124 | |
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03-31-2021, 03:52 PM | #125 | |
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As to the show, it could have toned down on sex and violence. It bothered me a little bit, but not so much I stopped watching. I'm not a particularly squeamish gal, unless it's violence toward other beings than humans. That I can't stand even in small amounts, I feel immediately sick. |
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03-31-2021, 04:05 PM | #126 |
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I'm not really squeamish at all. Gore and gratuitous sex/nudity just aren't my cup of tea. I find them pointless and sophomoric.
The curb stomp scene in American History X is one of the most harrowing and effective displays of violence I have ever seen on a screen. And it was done without a single bit of gore. Millions of people looked away in horror and cringed because they didn't want to see something that was never actually shown. Last edited by DiapDealer; 03-31-2021 at 04:14 PM. |
04-01-2021, 02:09 AM | #127 |
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I would really love to know why it's taken soooooo long to finish this series, he's had chapters of book 6 published for years already.
The shear scope and complexity of the series ( what I loves about it) I think is also his downfall, with so many threads to tie up, I think he is batteling to make it work. Selling out to the tv producers has probably made his task even more difficult. I don't have a problem with books 4 and 5, it adds to the part of the 3 theme in the series. You don't need an English degree to read it and he doesn't keep on repeating things like some other authors. Yes it is a series for adults. If he can finish and tie everything up it would make one amazing and unequalled series ever written. I offer a challenge, name a fantasy series that comes close to this. Malazan book of the fallen come close and please don't name WOT, it's a children's book compared. And no, I am not a GRRM Fanatic I think he's a bit of a dick. |
04-01-2021, 03:43 AM | #128 | ||
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I'll probably buy and read the next one, if it comes, but I'm not holding my breath. Quote:
If we're also willing to go to other genres, I'd say:
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04-01-2021, 06:30 AM | #129 | |
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The WoT is far from perfect and not on the ASOIAF level (at least the first 3 books of the ASOIAF), but its characters, childish as they often are, are certainly better written and more sympathetic than Erikson's. Note I say characters, not the world-building (even though I like Jordan's world and writing far more than Erikson's). Erikson just doesn't know how to write interesting characters, with a few exceptions. Again, imho. Of course GRRM's characters and writing skill are head and shoulders above Jordan and Erikson's. Pity that he lost his momentum after the third book and never regained it. |
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04-01-2021, 06:37 AM | #130 | |
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I'm not really going to acknowledge "adult" (as it's being used in this thread) as a particularly positive attribute of ASoIaF. It's extremely subjective to the point of near meaningless in my opinion. Nor do I choose to conflate word-count with scope, or character-count with complexity. But still, I found the first three books in this series to be very compelling reading. So how many fantasy series have I read that I found equally compelling? Quite a few actually. Off the top of my head: Robin Hobb's Realm of the Elderlings Daniel Abraham's Long Price Quartet Neal Stephenson's Baroque Cycle Jaqueline Carey's Kushiel's Legacy Greg Keyes' Kingdoms of Thorn and Bone Greg Keyes' Age of Unreason Paul Kearney's Monarchies of God N. K. Jemisin's Inheritance Trilogy I'm sure I'll think of more later. EDIT - later: Joe Abercrombie's First Law trilogy KJ Parker's Fencer trilogy Brian Ruckley's Godless Word trilogy R.F. Kuang's Poppy War trilogy (what I've read of it so far). Peter V Brett's Demon Cycle Last edited by DiapDealer; 04-01-2021 at 01:12 PM. |
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04-01-2021, 07:24 AM | #131 |
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It's been a while since I've read it, but as I recall, Lord of the Rings comes close.
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04-01-2021, 07:37 AM | #132 | |
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Last edited by Luffy; 04-01-2021 at 07:44 AM. |
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04-01-2021, 02:08 PM | #133 |
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It sometimes feels like people take the "gritty realism" of GRR Martin or Joe Abercrombie or Steven Erikson and say "adult books need to have these elements" when really they don't. That's a style choice by the author.
Brandon Sanderson's Cosmere should be in that discussion. It's not done yet (and won't be for a while) but his world, or universe really, has the scope and complexity. It's not "adult" in that he doesn't have the graphic sex and violence but it's not children's literature either; especially the Stormlight Archive. |
04-01-2021, 02:32 PM | #134 |
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Agreed. I like a lot of that "grit" in my books (some, but not all), but I don't mistake it for being any more "adult" than the output of any other author who chooses to forego profanity and/or decides not to dwell on every nuance of their character's baser instincts. My mention of Daniel Abraham's Long Price Quartet is an example of fantasy that I consider written with adults in mind. Just not necessarily adults looking to get their cussy killy smut fix. Not that there's anything necessarily wrong with that, mind you.
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04-02-2021, 01:45 AM | #135 | |
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I would rather never have an ending than to have endure the agony of the television show's eighth (and seventh) season again. That was, I think, the biggest downfall of a tv show that I've ever seen. The showrunners proved that while they're superb adapters of dense and complex material (the books, which correlates up to around the fifth/sixth season of the show for those unaware), they're atrocious at writing their own material based on a very vague outline (the last two seasons, which were entirely based on the very broadest of beats of what Martin had told them of his idea of an ending and everything else made up by the showrunners). It went from more of a Da Vinci or Michelangelo sort of complex quality to a child's paint-by-numbers, colour-in-the-outlines blunt force trauma. Like, do you guys know the old lady in Spain who thought she was improving that church fresco of Jesus and instead turned it into a cartoonish horror? That's what happened to the show. She swooped in for the last couple of seasons and did her magic. I don't think Martin lost the plot in the fourth and fifth books per se; the world and story aren't chaotic or disorganised, they've just grown so large and complex. He can't even figure out how to get you-know-who out of you-know-where (the 'knot')! It's a testament to how much he cares about wanting the characters and story to develop naturally and realistically (despite the fantasy elements). I think he still knows where he wants to go but he's just set himself up about a thousand detours to write through them all, and his plan is to do just that (whether he will succeed is another matter entirely). He may have lost the plot in real life since who knows when he'll ever publish the next book, let alone the last book, but I don't think he has in the story itself. Books 4 and 5 were really one book split in two, and I think they're on par with the quality of book 2. Books 1 and 3 were a bit better, but I think that's because they both had some excellent earned twists. I think, based on what happens in the tv show, he has another big twist coming in book 6 that will start to end some of the detours and coalesce things more. Spoiler:
I'm actually not a huge fan of the books - they can be a bit wooden and plodding - but I respect Martin's ridiculous imagination, his commitment to natural progression and his ambition with the series, and the series does have some great characters and especially some great twists, which work so well because he does make sure they're earned and not just randomly thrown in or deus ex machinas. I do plan on reading the last books if they ever come out. I was a fan of the television series though... at least the first six seasons. |
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