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#121 | |
Guru
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But I would be quite happy if there was a way to prevent a work that was once on sale and available to the public from becoming unavailable, or from restricting its availability to only some form (paper books/e-books/audiobooks). Currently there are so many books that are available on paper, and as e-books - just not for me, because I happen to live in a country where no one who has the copyright wants to sell those things to me. Why should piracy be my only option? |
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#122 | |
Banned
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The rise of the American guilds on the back of modern IP law should not escape notice, either. It is very much a return to the old guilds. Last edited by DawnFalcon; 12-28-2009 at 05:19 AM. |
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#123 | |
Wizard
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Issues of geographic restrictions are ultimately issues of pricing, and slightly thornier, since they involve squeezing out inefficient local markets in favour of global ones. |
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#124 |
Space Cadet
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The publishing industry are creating the problems for themselves. They are putting various obstacles in the way of willing buyers, which then have to resort to other means to obtain what they can't get legally.
The true pirates are people that would never have bought the product in any case, so they don't represent a market for sales in any case. Remove the barriers for legitimate buyers and piracy will be a minor problem. |
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#125 | |
The Dank Side of the Moon
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I tend to disagree. It's better to let nature take it's course rather than die struggling in our own garbage. Those works that are relevant and important will remain so of their own accord, those that have little relevance will fade away. This is how it should be. |
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#126 | |
Enthusiast
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If I - as a newcomer here - might make a couple of points? (AKA rambles...)
It seems to me that the question is basically how one wishes to - to use the modern idiom - consume one's media. (I hate that phrase). I own perhaps four or five thousand books. I buy - currently - around fifty or a hundred a year, almost all new, but the collection goes back in rare cases to the sixteen hundreds and in a large proportion to the first quarter or half of the last century. When I buy a book, I am buying the thoughts of the author, and I am buying a physical product which I can keep, burn (heresy!), lend, or give away. As a result of that purchase, the author (hopefully) gets some money, the retailer gets rather more, and the publisher likely gets most of all. Which is fair enough; the retailer has to pay for bricks and mortar (even in the case of someone like Amazon) and the publisher takes the risk that I won't buy the book in the first place. However, when I buy an ebook, what am I getting? In my opinion, if it's not in a form which can be easily transcribed to other formats, so it can be displayed without issue on *any* viewer I happen to own now or in the future, then it's nothing more than an ephemera. Any technology which prohibits how I may use, or store, or modify material is basically assuming that I am a criminal before. The presumption of innocence unless proven guilty may still inform a court of law, but it certainly doesn't appear to hold in the case of a retailer. If a product is available only with some form of DRM infection, I will not purchase it - with a single provisio I will discuss later. As it happens, many of the books I own are increasingly fragile - consider an eighty-year collection of science-fiction magazines, printed on pulp paper. Copyright law in the UK does not allow me to copy them - full stop. There is no 'fair use' term - see paragraphs seven and eight here: http://www.copyrightservice.co.uk/co..._copyright_law - and indeed there is a blanket prohibition: Quote:
So there's no way it's legal for me to scan, OCR, proofread, and format the vast majority of those books. But I intend to continue doing so - since many of them are unobtainable as replacements and suffer irreparable damage simply from being read (pulp paper from the twenties and thirties is often so fragile now that turning a page can crumble it; glue used in paperback spines from the seventies and eighties (or later!) cracks simply from opening the book). Before you ask: these are not for distribution. These are for *me*, not for anyone else. They will not appear in anyone else's ebook readers, nor be available from any download site. Nor will I dispose of the original book; if I do, then it is incumbent on me to dispose also of the electronic copies. (I operate a similar policy with CDs). A question arises: is it moral for me to download a scan of a book of which I already own a paper copy? I am torn between the saving of the effort of scanning, and the implicit support of a pirate site - and I don't yet have a definitive answer. A second question: with a new book, I see no reason why I should pay (as a book purchaser) a price equivalent to a paper copy for an electronic version, particularly if I already own a paper version. If the author were to get a bigger cut, perhaps, but there is no bricks and mortar retailer to take his cut, and there is no issue of sale or return, and there is *no physical product* - the cost of delivering a high-speed data line to a server centre is a damn sight less than shipping paper around a country. An electronic book needs to pay the author and the editor, and a modicum of profit for the publisher - but I suspect that publishers are keen to increase their profits to exorbitant levels. A thought: this is a situation where DRM *might* just be acceptable. One registers an ID with a publisher (or indeed, this could be cross-publisher) which need contain nothing more than a valid encryption key - perhaps on a token. When one purchases a paper copy of a book, one receives a voucher allowing the further purchase - at a very low price, under a pound, at most - of an electronic version. Your token and the voucher authorise the sale... Sorry, I've rambled too long. One last thing though: I'm currently working on a master's thesis looking at ways to improve the fidelity of scanned texts after the OCR process has finished with them - identifying and correcting common errors of spelling, syntax, and semantics. The aim is to produce a system which will output a much cleaner copy of a scanned text without reference to the scanned images. While the main aim of this is for my own use, it is ideal for someone like googlebooks or gutenberg (or similar) or indeed any organisation with a quantity of paper documents that must be both preserved and computer-searchable. It will also make life simpler for pirates - does that make me a pirate? Neil |
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#127 |
Addict
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Now I've thought about this but am not able to draw my own conclusions, I thought that this would be a fitting place to post it. I own paper books. I would like those paper books on my e-reader. I could of course scan and OCR them but it's a process that I could skip by torrenting them, and achieve the same end product. Obviously the uploader has committed an illegal activity by uploading copyrighted work without the permission of the copyright holder. What about me? Should have I repurchased the titles? What if those titles are as of yet unavailable in eBook format?
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#128 | |
The Dank Side of the Moon
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![]() As far as price/pricing. I agree. Because of this historical technology required to publish books the system is in place and works. It does not work for the new digital world and needs to be changed. This really involves a complete revamping from top to bottom and currently publishers are doing everything they can to stop change from happening, including pricing, drm, geographic restrictions, etc. etc. The format thing is another issue. If you purchase the paper back does that entitle you to a hardback at reduced pricing? what the trade edition? For me the various formats must be addressed separately with respective and appropriate pricing for each. If you choose to purchase the digital version that does not necessarily entitle you to a paper version or vice versa. Some publishers might package these together and I do think it's a good idea (Manning Press does this already). Welcome and Enjoy! |
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#129 |
Addict
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Thanks for that, must have missed it!
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#130 | |
Wizard
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Then a few years ago Amazon (of all places) started offering DRM free, high bit rate MP3's. Guess what? I never bought another one from the Russian site again. I buy all my music from Amazon, and feel much better about it. In the end DRM hurts the publisher/vender as well as the consumer. It will take a while, but the ebook industry will find this out as well. Companies are run with old business models, and change comes slowly. |
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#131 |
eBook Enthusiast
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#132 | |
Addict
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#133 | |
Grand Sorcerer
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My point is that copyright does not distinguish between how it was created so from that follows that copyright limits what you do with ideas and from that follows from your statement that ideas are property. |
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#134 |
Grand Sorcerer
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No, they will not. Since the author or survivors of the author can prohibit publishing for whatever reason they choose (and that has happened). So there is no mechanism that guarantee that work remains available. Also orphaned works seems not to be re-published since people are afraid of committing copyright infringement.
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#135 | |
The Dank Side of the Moon
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You're missing the point. This has nothing to with whether the laws are right or wrong. If the law says they can do that then that's the way it is until the law changes. Instead of arguing here, go work with the legal entities to get it changed. As I said there should be no guarantee that a work is available, it should follow the natural processes just as in evolution. |
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