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#121 | |
Wizard
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No where in Hans' entire post did he/she advocate the traditional model. In other posts he/she clearly states the traditional models need to change. So why claim the idea you quoted is wrong and use as your argument that the traditional ways do not work? No matter how you put it the idea that digital media has zero value can only lead to people wanting to pay zero for it. If people want to pay zero for it then subscriptions, grants or any other new/old idea on how to pay for future creative digital works means nothing because people will see it as having no value and therefore will not give any money for it. Now, yes there will always be some people who create simply for the joy of creating. And yes, not many have ever been able to fully support themselvs on the income from their writing. However, many have been able to work part time and devote much more time to their craft because they made some money from the writing. In many cases their craft has improved too, thus increasing the quantity and quality of the art we as consumers have to choose from. In the brave new digital world where the prevailing mindset is "it's digital so it has no value and so it should be free", the vast majority who could create something of true worth will not because of the need to provide for themselves and their family. Further, the quantity and quality of art to choose from will substantially decrease. And all that isn't even considering how absolutely selfish and childish the idea that "I want it for free so the author should just give it to me for free" really is! If you want to read an authors work, even in digital format, man up and pay a fair price for it.(whatever that is decided to be) Cheers, PKFFW |
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#122 | |
Wizard
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I agree with you that today's artists could look for different sources of income (Beethoven sweaters and mugs, anyone?), but I don't see the battle as lost yet. Why not educate people that paying for a book or piece of music in digital form is just as normal as buying a pbook? Why do you see that as wrong? Sure, some will copy it. Some drive 100 miles past a school with children present. You want an expensive phone, yes you can steal it. But most people will opt to do the right thing, and that is enough. The problem I see now that the idea is taking hold that digital works "should" be free, rather than "I can get it for free illegally." The only reasonable way to go "free" is advertising. So for those who would enjoy an ebook with a half page ad on every page, I am sure Google will accomodate you soon enough. And I don't believe that authors will get a better deal this way. |
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#123 | |||
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Subscriptions wouldn't mean nothing because you would presumably pay up front for content not yet created. If they payments stop, the content stops being made available. Quote:
I doubt quantity will decrease, but quality probably will. Perhaps with so much amateur free content out there people will turn to paying for what they percieve must be better quality. Quote:
Would people buy McDonald's burgers if we all had Star Trek food replicators that could instantly create any food we wanted (including McDonald's burgers) at negligible cost? I doubt it. Regardless of the moral implications, it is impossible to prevent access to free digital content. DRM doesn't work. There is a huge shift in thinking for the upcoming generations. Digital copies are worthless if the original can be reproduced infinitely with no cost to anybody. Our values are rooted in physical items having worth. Intellectual property is harder to regulate; add digital into the mix and it becomes essentially impossible to regulate. So artists and publishers have few choices: 1) Try to transfer the physical supply/demand/control model to the digital age 2) Accept that there is no feasible way of continuing the old model and adapt to the market forces. It may be disasterous for authors, but that is a moral objection, not a fact-based one. When every book/movie/TV show/ album is available at your fingertips at no percieved cost how do you make people pay? That question is for the artists and publishers to answer, and they'd better hurry up. |
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#124 | |
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I think TV/video will go the advertising way. A watermark in the corner of the screen that changes every 10 minutes, product placement, and maybe the occasional ad. And the content will be totally free to access. It's no different to TV now really, and ads can be more accurately targeted. A lot of video podcasts work on advertisements. Maybe we'll buy breakfast cereal with a short story printed on the inside of the box and 'cover art' on the front. Maybe we'll pop a pill and 'dream' a story at night. Most of the comments I've heard about the future of the media still have some level of assumption that the future will look like the past. We may not read novels in 10 years. It may simply be impossible for an author to spend 2 years writing something he can't guarantee getting paid for. We may all listen to books with ads in them. Do you think the pioneers of film foresaw TV (or Star Wars for that matter)? Do you think Alexander Graham Bell foresaw the Internet? The amazing technology coming out has incredible potential, but it also has the potential to change media more radically than anyone can imagine. At the end of the day we are all consumers, but only a handful of people are creators or publishers. Does anybody really think the creators and publishers have the power to override everybody else in the world and force us to consume media on their terms instead of our own? |
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#125 |
Wizard
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No, a few people do not have the power to override everybody else. But we have not made a head count yet! I am a consumer only (no connection to authors, publishers, etc), and I prefer the pay-per-book method. So may many other consumers -- perhaps more than support your point of view. Nothing is free, in the end you always wind up paying in some way. I prefer the easy and transparent way.
And you are forgetting something. For physical goods the situation often is the same. You make a sample, then a mold. After that the production costs for each following piece may even be next to nothing, if the material is inexpensive. But because of the design and marketing costs they still sell each piece for 100 times or more of production costs. Is that first sample the only piece holding real value? In the end, what is monetary value? What you can get for it. Why is a knockoff worth less than the real thing for a physical good? Even if the quality is the same? |
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#126 | |||||||||
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Just because they can get it for free doesn't mean it is valueless to them. Why should they not be required to pay some fair price for the priviledge? Quote:
That is why I say subscriptions would mean nothing. Quote:
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It is no different to writing. If we could all write our own fantastic stories, stories that delight and amaze us even though we were the ones who wrote them, then would we ever pay someone else to write one we could read? But we can't can we? So why should we expect someone else to take the time to write that story for us and give it to us for free? Quote:
What we can prevent is the idea that because it is digital it has no value. As Hans said, value is what we make it. We can spread the idea that an author has rights too. We can spread the idea that if we wish to get the value of reading a digital copy of a book then we should do the honourable thing, respect the authors rights and pay a fair and equitable price for said value. Or we can keep going with the idea that "I can get it for free therefore I have the right to do so and to heck with the author". Quote:
1: Keep going with the idea that our rights trump the creators rights. That we are entitled to free access to all digital media for no other reason than we want it. 2: Decide that the creators rights should be respected, that a creative work(even a digital copy of one) does have value if we choose to assign it a value and work with authors in seeking out a balance which allows for a fair and equitable exchange to take place. I know which I think is the way to go, which do you think is? Quote:
Why is it not also the consumers to answer? Why should consumers just merrily go on their way believing the have every right to access a creative work for free just because they deem the digital copy to be valueless?(disregarding the fact that that whole concept is a fallacy used to support their belief and nothing else) Cheers, PKFFW |
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#127 |
Wizard
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Djgreedo claims all consumers stand behind him. Do they really??? Last I heard Itunes is doing very well selling digital downloads. My guess is he is representing a small minority. See the vote count of the socalled pirate parties.
Last edited by HansTWN; 07-23-2009 at 03:11 AM. |
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#128 | ||
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In a digital economy the current way is not a viable way to conduct business. It is based on supply and demand of physical objects. Younger generations already don't place value in most media because so much of it is available free, and what isn't free is easy to copy and distribute. The younger generations don't even consider copying content to be stealing. This is not necessarily bad morals but a paradigm shift. Is copying a file without damaging the original or costing the owner anything a bad thing? The easy answer is 'yes', and I would agree. But that answer comes from a completely different mind set of physical property. It may be that people will still buy digital media the way we do now on iTunes or Fictionwise in 10 years, but I doubt it. And I don't doubt it because I don't value the content, I doubt it because it's already happening. Musicians are turning away from making money on CDs and focusing their efforts on other things. Bands are increasingly experimenting with giving music away. This won't work exactly the same way for authors, but something similar will have to. Quote:
You may prefer the easy and transparent way of paying, and so do I, but that doesn't change the fact that people won't pay the prices necessary for easily reproducible digital content in this fashion. In a world where people can get whatever digital content they want easily and quickly and at no cost, do you see the digital content industries thriving by charging what they charge now? How can publishers make money when they have no control over supply and demand? Our entire economy is built on supply and demand. I don't claim to have the answer to that. I seriously doubt that acting as though supply and demand was still relevant (e.g. DRM) is going to be the answer. This is a very complex and interesting topic. |
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#129 | |
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The publishers would agree with me. They claim their sales are dwindling and the sky is falling. I would wager they know more about their sales figures than you or I do. But it is obvious that sales are down, and it's mostly attributed (whether it's correct or not) to piracy. Piracy is a direct result of the ease of digital copying. We are still at the start of the digital age. CD stores are still packed with customers and so are book shops and video game stores. We haven't switched totally to digital yet. We are already seeing lots of free content pop up. I don't buy newspapers any more because there are countless free online newspapers. It is no coincidence that newspapers around the world are downsizing and/or going out of business. There are already lots of websites offering free books (legally). When similar content is available for free, will people (en masse) be happy to pay $20 for a commercial product that doesn't necessarily offer higher quality? I don't think so. Publishers will be forced to slash their prices to an unsustainable level and find other ways of getting our money. |
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#130 |
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The unstoppable tide? Maybe, I am not convinced yet. I see the same things you do. Bands giving away their music -- mostly startups who want to become known to a wider audience. Many in the younger generation thinking that downloading from the darknet is not stealing -- definitely at the root at the problem. Education is the answer, just like most people obey the law even when they know they could get away with breaking it in a certain situation. The same people that download pirated digital goods do not necessarily steal physical goods. The younger generation has to realize that pirating is wrong, it is stealing. Is it hopeless? I still think there is a chance.
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#131 | ||||||||||
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If you could choose to get that code from McDonald's or download an identical code from the internet for free and your family was really hungry but you need your last $5 to go towards the electricity bill what would you do? That's obviously a ridiculous scenario, but it should point out that people will justify digital theft, and psychologically people will convince themselves it's not wrong when there is no identifiable victim. Since there is no way to stop that theft, would McDonald's bother to invent burgers if their recipe was impossible to protect? Quote:
I believe that the supply and demand of the future will be more along the lines of: "Pay me and I'll give you access to the next great thing that comes out of my head" rather than: "here is a thing I created. While you could easily get it for free, I'd like you to pay me." Quote:
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It just means they have to work out a way to get paid other than the exchange of a digital file for cash directly. It could be a subscription, it could be advertising, it could be something nobody has thought of yet. Quote:
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It seems more realistic to me that authors and publishers will find a new way to make money from their product, which I guess is option 3. Quote:
Again, nobody is claiming that content should be free and that it has no intrinsic value. The fact is that the value cannot be compared directly to a supply and demand model because there is no limit to supply. When there is no limit to supply the percieved value drops (like economy of scale on an infinite progression). This debate is not about the morals of piracy or the value of creative material. It is about the inevitible changes the digital age is bringing to the way people trade in what is increasingly becomming a digital economy. I have not seen anything to convince me that one of the following will not happen in the nearish future: 1) large-scale publishing will all but die as sales fall too much to support the current business models 2) publishers and authors (musicians, etc.) will move away from their current business models to make money indirectly from their otherwise free content. Whether authors suffer or benefit from this is up to them. |
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#132 | |||
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I don't see the alternative as necessarily a bad thing. The alternative is that artists will make money somehow because they will find a way to profit from their skills. In fact, I think the digital age might be a levelling field. We all know that the majority of artists make very little money, and only a small handful make their riches. If good economic models are found, maybe for every 1 JK Rowling we have now we might have 300 hard-working authors making a solid living by selling ads and creating subscription stories. If authors made their money indirectly from ads, subscriptions, etc. they will not need to be paid for the products that they can't prevent theft of anyway. |
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#133 |
Wizard
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maybe we will soon have a special thread in the "flea market" section where authors sell their autographed T-shirts?
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#134 | |
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Cheers, PKFFW |
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#135 | |
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I could imagine getting a book for free, then paying $5 for a personalised note from the author. Or buying an ebook and getting some sort of 'added incentive' in the mail a week later - a signed card or something. |
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