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View Poll Results: What would be a good copyright duration? | |||
Current duration is fine (Death+70 years) |
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4 | 3.81% |
Death + 25 years |
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24 | 22.86% |
Death |
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14 | 13.33% |
50 years |
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26 | 24.76% |
30 years |
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12 | 11.43% |
15 years |
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15 | 14.29% |
Copyright has become irrelevant and should be canceled |
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10 | 9.52% |
Voters: 105. You may not vote on this poll |
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#121 |
Grand Sorcerer
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It is not possible to own an idea but copyright and patent are about implementation not ideas. Copyright is about a particular manifestation of an idea generally regarded as art or expression of an idea. Patents are about an implementation of an idea.
Dale |
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#122 | ||
Groupie
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Supposedly, laws in our modern world reflect what is considered acceptable behavior. An argument could be made against such a statement but I think most will agree that it at least applies to laws that have existed for a long time (and are still in use - let's forget leftovers that haven't been repelled but are considered crazy nowadays). From the official definition (Webster online): Copyright: Pronunciation: \-ˌrīt\ Function: noun Date: 1735 The exclusive legal right to reproduce, publish, sell, or distribute the matter and form of something (as a literary, musical, or artistic work) You'll note that neither "property" nor "ownership" are used. As for the control... By the way, there's a reason why the original law makers didn't describe it as property Property Pronunciation: \ˈprä-pər-tē\ Function: noun Inflected Form(s): plural prop·er·ties Etymology: Middle English proprete, from Anglo-French propreté, from Latin proprietat-, proprietas, from proprius own Date: 14th century The exclusive right to possess, enjoy, and dispose of a thing Notwithstanding the "thing" part (using it would be playing semantics), you'll especially pay attention to the "enjoy" part. If you keep that in mind, you'll have to conclude the only way for you to have an idea as your property is to keep it a secret, else anybody else can enjoy it. Which is pretty much the point of books, I believe. It's also the reason why patent and copyrights are two very different things, covered by very distinct laws. Please don't mix the up in the discussion, as patent are irrelevant here. The topic is already getting out of hand as is. Quote:
Last edited by Trenien; 07-19-2008 at 10:28 AM. |
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#123 | ||||
New York Editor
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My first postulate is that the concept of property rights is a social construct. Different societies may define it differently, and have different concepts of what may be considered individual property and what rights the property holder is granted over the use of the property. The second is that copyright can largely be treated as property for the duration of the rights. Property implies ownership and control. Copyrights provide some measure of both over the work they protect for the duration of the copyright. Quote:
The rules change as the society changes, and new rules get made to cover situations that didn't previously exist. Old rules do tend to stick around, but generally don't matter because they don't get enforced. If it makes you happier, I'll drop the use of the word "property" from my comments. It's a loaded word and it's getting in the way. Quote:
What's at issue is control. If I create a copyrighted work, the copyright assigns me control over the use of that work for a defined period. Let's say I write a book. I can attempt to place the book to a publisher, granting the publisher the right to produce and sell an edition of it, in exchange for an agreed upon advance and continuing royalties. I can attempt to sell the book myself. I can choose to make it freely available with restrictions on what the people who get it may do with it. I can explicitly waive all rights and make it available to anyone to do with as they choose. I can choose not to release the book at all. The key is that I control it, and I can place legal restrictions on what you may do with it. What is being debated here is how long that control should last. Quote:
Is life+25 years my idea of "short term"? No. I never said it was. I said "shorter term" as in "shorter than the one used now". Is it something I can live with? Yes. How long do you feel it should be, and why? What is the negative effect on you because it isn't the way you would prefer? ______ Dennis |
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#124 | ||||
Groupie
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As to the second question. That one will take a bit longer to answer to. On a personnal level, I'm very offended at the way privacy rights are being slowly destroyed to satisfy the greed of a few copyrights owners. As a linux user, I'm pissed to have to periodically jump through hoops to access content simply because the same bastards want to get a level of control over copyrighted works that has never been intended when the laws were written in the first place ("We'll decide when, where, how, how long and how many time you'll be able to access whatever"). On a more general level, I recognise that no intellectual creation emerges in a vacuum: it always is the result of a bit of creativity mixed with a lot of tinkering of things the author(s) have been exposed to. What the copyright laws as they are have done is to attack the public domain - when the laws were created, a middle age guy such as myself could expect works contemporary to him become public domain before his death. As it is, I'm not even sure anything written in the last 20 years will become public domain before my yet to be born kids death - and that's with current durations! Ideas - especially when you're talking about stories - are meant to be shared. This is a natural occurence in human society, from the ghost stories told around a campfire to the tape of a movie I handed to someone I knew because I thought it was cool. I could live with long term copyright duration if they officially were of a Creative Common nature; i.e. if they recognized the inherently social nature of sharing. I'm not only talking of p2p here. As it is written, if you have a few friends over to watch a DVD, you're violating copyright as written in the preliminary disclaimer (they're not members of your family). Right now, these laws are used to slowly rob us of the public domain as it was meant and everything it implies. That is something I'm very vocal against. |
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#125 |
Fanatic
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About the duraton... Does more than 20 years make any real sense *if* we are looking on the individuals instead of "protecting" companies like Disney.
I mean 20 years are more than enough to normally make money out of a creation. If in 20 years you havent sold anything worthwhile it is very likely your stuff isnt so worthwhile afterall. If 20 years it sells well, then well you already got quite some summ for it. I mean take Harry Potter books, Rowling made hundrets of millions in a few years. Now she needs to make this til hear death and then her kids for yet another 70 years? @Trenien, even normal property often isn't "complete" control. Altough sometimes it goes as far as allowing me to brattyly destroy it. Its often enough regulated what you may not do with some things, if you own an animal, it doesn't give you complete control over it. Same about things of cultural value (paintings). Or ground (especially e.g. wood where you may not disallow other trespassing). Or houses. Or owning a company. etc And as said death of the author is IMHO always a rather stupid condition. No other "right" I know of is that way based on death. Like the example from above, it should not make a difference if the author is near-death, and his heirs getting all the revenues to the situation somebody turns of the machines to let him die... Last edited by axel77; 07-19-2008 at 01:25 PM. |
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#126 | |||
New York Editor
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But I see two things of significance in your reasons for objecting to copyright. Please tell me if I take your meaning correctly. The first is that your objection doesn't seem to be to copyright per se: it's to the efforts of corporate entities to extend and manipulate copyright to insure exclusive access to and control over creations protected by copyright. Your solution seems to be "abolish copyright" The second seems to be that the current laws prevent your access to works, because they are still under copyright, whereas they wouldn't be if the laws remained as they had been written originally. Do I correctly understand you? ______ Dennis |
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#127 | |||
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My point is that since our computers are under linux, my wife and I have to jump through hoops if we want to buy ebooks for our readers - to the point that it's a chore we delay as long as we may before getting to it. My point is that we, as a society, are being robbed of our collective heritage for the benefit of a few - and that's true even for folktales (just try to make a big SnowWhite or Beauty and the Beast movie. You'd better be reaaally careful in the way you make it). |
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#128 | |||||
New York Editor
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I don't think the model proposed by some of the open source advocates, which works out to "programmers should be paid for writing code, but not for having written it" is applicable to books. Quote:
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(I'd also be tempted to keep a minimal Widows install around and run it under something like VMWare to handle such cases. Poor support for stuff like this under Linux is a reason I don't run it, even though I'm a *nix admin, and can. Too much of what I do is a PITA to do under Linux, if it's doable at all.) Quote:
______ Dennis |
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#129 | |
Guru
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An author makes money during his life just like any other worker do. His heirs have the right to keep that money (if the author didn't spend all of it), just like every other heir in the western world. So, they will have the author's money. In the situation of a comatose kept alive by machines: when those are turned off, the heirs lose the author's disability pension and the old-age one, if any. In the same way they have to lose the Intellectual property rights. Their intellect has nothing to do with the dead author's work. In my dreams, the copyright ends at the very moment a doctor signs a death certificate. |
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#130 | |
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With copyright inherited, it's not at all daddy's money to be passed by: it's the money daddy would earn in the future if he wasn't dead. (I hope I said it correctly... Sorry if not...) About selling titles: of course the publisher still sells them and earn from them, but from that unfortunate day on, every other publisher can reprint the book and give it away for a lower price. Even in Mobipocket for free. The book and the file are from now on sold as physical goods, at any price. But everybody in the world can do it. If the publisher still keeps the same cover price, as long as people agree to pay it, he gets more money. What happens now at the time of death + 70? ![]() ![]() ![]() |
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#131 | |
Guru
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I swear I never tried to ignore posts, and I'm sure I have quoted at least one of yours. Maybe I've answered to other people expressing ideas similar to yours, if not your posts directly. I'll be very happy if you reconsider your intention and stay here. Will you please point out the post you thing I'm ignoring? Thank you. ![]() |
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#132 | |
Guru
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I can live with a Life+1 term... ![]() ![]() ![]() ![]() ![]() ![]() |
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#133 | |
Guru
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But I think there is a huge difference between putting somebody in charge and complete ownership of an apartment (mankind can live without entering my house), and to put him in charge and ownership of an idea (mankind wouldn't be the same if Homer had copyright and prevented everybody from reading the Odyssey....).So the Odyssey is Homer's complete property until he's living, and it's mankind's property at his death. That's fair enough to make Homer live from his work, and the whole mankind to develop civilization and education. ![]() |
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#134 |
Guru
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Once I asked a good friend (a thriller writer):
Will you be happier if millions buy your books without reading them or if hundreds buy those books and millions read them? Guess the answer.... |
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#135 |
fruminous edugeek
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I personally would take option B, but then, I have a day job that pays my bills and that I like well enough.
But if thousands would buy my books and read them, that would be just dandy. ![]() |
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