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#121 | |
Maria Schneider
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As someone has said, if you assume the author makes even 40k BEFORE taxes/agent per year, she may have to or want to supplement that income sooner or later and if the contract is too constricting, it might not be the right thing for her depending on what her current sales rate is. You can never depend on a good sales rate continuing, but a writer's main concern is not always "will people read it" -- Rather the concern is: Will enough people buy it and read it. So the traditional stamp is nice, as is the advance of 40k per year. However, that is not the same thing as "getting the word out and actual sales." It's an advance on potential sales that may or may not occur. There's more to it than a simple advance and stamp of approval. There are a lot of people who will not touch an indie work, but the numbers show that there are ENOUGH people who will do so to make a success of several writers. The more popular a book becomes, regardless of who publishes it, the greater the chance that even those who Don't Read Indie works--will sample it or read it. And the fact is, no writer needs to be read by everyone. No one is read by everyone. We just need enough momentum to keep the ball rolling. |
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#122 |
Connoisseur
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#123 |
Grand Sorcerer
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It will most probably not be the same book since the editor is not the same. An editor works with an author and can have a big effect on the finished book.
Last edited by tompe; 01-24-2014 at 08:03 PM. |
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#124 | |
Grand Sorcerer
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#125 | |
Fanatic
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