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#121 | |
Chasing Butterflies
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I feel like we're spiraling into a similar black hole as the Extended Warranties discussion and that anything further will be just an endless repetition of yes it is no it isn't back and forth. My request would be to put the people whose opinions you don't feel are valid in this thread on mental killfire instead of continuing to argue about how you don't think they should be posting in this thread. --- Back on topic, DMB, I disagree with your assertion that you learn a lot about women and slaves through the eyes of the Greek classics. There are glimpses in some places, but for the most part I do not think the view of the disenfranchised is well-represented. I would very much like to read (or write) a version of the Clytemnestra story where her murder of Agamemnon is presented more sympathetically than it is in The Odyssey. I mean, the man murders her daughter, goes off to war for years leaving her to fend for herself, and brings home a concubine when he finally decides to show back up. Not a jury in the world would convict that poor woman, but when Agamemnon's ghost relates all this to Odysseus, her POV is so completely obscured that the only way we can get to it at all is basically through fan fiction rewrites. Sure, you can call that "modern analysis" or whatever, but it's still basically up to the reader to find something of value in that, which is fine if that's what you're going for, but my recommendation to the OP is to actually read something that portrays the plight of the disenfranchised more overtly than that -- Hence my suggestion of American short story classics. We've got lots of really good ones written by women and African Americans that can really hit home and which I consider to be more stirring and emotionally touching than the average classic. Since we're offering our subjective opinions and all. ![]() Last edited by anamardoll; 06-10-2011 at 10:25 PM. |
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#122 |
Maratus speciosus butt
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#123 | |
Chasing Butterflies
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I can't stand how Shakespeare is taught in schools these days. I hate reading Shakespeare (unless I'm "following along" with a production). The plays -- well, most of them -- are sublime when acted, but truly terrible when read. Well, that's my opinion. ![]() |
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#124 | |
Grand Sorcerer
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#125 |
Grand Sorcerer
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My mom would agree with you. She had to read Julius Caesar when in high school and found it boring, but then years later she saw a movie adaptation of the play and it made a lot better impression on her.
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#126 |
Kate
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#127 | |
SQUIRREL!!
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![]() I'm not sure what the purpose of Jane Austen's works was, other than to annoy Twain! ![]() |
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#128 | |
Grand Sorcerer
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#129 | ||
Old Git
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Shakespeare certainly thought his sonnets would last:
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#130 |
Old Git
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Anamardoll, I think you misunderstood what I meant about the Greeks. There's was a very different culture from ours; one might call it alien. But we live in a multicultural world and I think it's a good thing to be able to take in the cultural details and differences while also seeing the common humanity. If our world is to pull though its many problems, we need to find that common humanity.
Reading the classics introduces us to different ways of looking at the world and dealing with life's problems. I don't think we should be so confident about our own culture as to suppose that if humans are still around in a couple of thousand years' time they won't look back on us with some misgivings and even contempt. Of course I agree about Clytemnestra. Our 21st-century take on her story can provide an interesting basis for a modern novel. Have you come across the Canongate Myth Series? I really enjoyed Margaret Atwood's Penelopiad, which was part of the series. Our take on that story is one of the many reasons for reading the stories. Reading this sort of thing isn't like reading a piece of modern genre fiction; it's a bit more gritty than that. It surprises, horrifies and challenges us. The Iliad, in particular, is definitely strange. By the time we come to read it, we may have a sketchy idea of the myth and would expect it to start with Paris, the three goddesses and Helen. Instead, it plunges into the middle of the Trojan War and is about Achilles' monstrous sulk. I think it's an interesting question to consider whether an ancient Greek audience would have sympathised with Achilles, the greatest Greek hero, or thought he was behaving badly. That raises the whole question of men's "honour" and what it means. This is still a live question today, with so many so-called "honour killings". |
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#131 | |
Chasing Butterflies
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![]() I think I only harped on the Greeks because someone suggested tongue-in-cheek that the Greeks represented a fairly full sum of the human experience. (I'm too lazy to check back in the thread to see what was actually said.) ![]() So, yes, if the recommendation is to toss some Greek literature onto the pile along with some more modern stuff that clearly accentuates the pov of the more disenfranchised, then I heartily endorse this plan. ![]() |
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#132 | |
Chasing Butterflies
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#133 |
Old Git
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And, of course, Conan Doyle famously got fed up with Holmes and killed him. only to have to resuscitate him by popular demand.
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#134 |
Chasing Butterflies
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#135 |
Old Git
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Reverting to (fairly) modern takes on the Greeks, has anyone read Mary Renault's two Theseus books: The King must die and The Bull from the Sea? Unfortunately, I can't find them as ebooks.
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