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#106 | |
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#107 | |
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The Movie by the way was called No One Knows About Persian Cats, about some 20-something's trying to form an indie rock group in Tehran. |
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#108 | |
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#109 | |
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#110 | |
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Fanfic can be good stuff. Pride and Prejudice and zombies is fan fiction. Read this list of derivative works http://bookshop.livejournal.com/1044495.html (found via boingboing) |
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#111 | |
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Where do you think the files originate from? Someone has to purchase a product to pirate that product (and they would anyway, especially the big groups). If anything, piracy (or sharing as it should be called because that other word is loaded, incorrect and sloppy) is responsible for building interest. It's free advertising. This isn't a chicken and egg situation. There's lots of chickens and lots of eggs and a lot of people are buying both. |
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#112 | |
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#113 |
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That's a somewhat different case, in that the source material is in the public domain. There have been some "derivative works" which have become classics in their own right, of course - one good example is Jean Rhys' "Wide Sargasso Sea", a "prequel" to "Jane Eyre".
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#114 | |
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#115 | |
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#116 | |
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The questions you raise are interesting ones, and have no simple answer. Let's consider the case of "Wide Sargasso Sea" in a little more detail. It is, as I'm sure you know, the story of "The Mad Woman in the Attic" from Charlotte Brontë's "Jane Eyre". Generations of readers of Jane Eyre have wanted to know more about her, and "Wide Sargasso Sea" was probably only a success because of the success of Jane Eyre. We could ask whether it would have been legitimate for another author to write such a novel in Charlotte Brontë's lifetime. Personally I'd say "no", because it would have removed Brontë's right as an author to tell that story herself, and I think that every author has the right to "control" the characters that they create. That's the argument against fan fiction: that it removes from the author the right to tell their characters' stories. Does it matter, in reality, if the author has no intention of telling those stories themselves? Probably not, which is why most authors turn a blind eye to it. Should other authors be allowed to tell those stories for commercial gain? I don't know the answer to that. |
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#117 | |
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To me that sounds like progress of science and the useful arts. To deny it is censorship. Time limited censorship and not without some justification but still enough to make me really uncomfortable. So the question would be does financial interest or even personal interest trump free expression. Satire is already protected, education and criticism are protected. Requiring that non commercial fanfic be considered fair use really only threatens control. |
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#118 |
Chocolate Grasshopper ...
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Making money out of the arts ..... This is worth $1.2million .... http://news.bbc.co.uk/1/hi/entertainment/8749106.stm
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#119 | |
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#120 |
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And now you do something else because you can make more money doing that? There still seems to be lots of people who write software for free, so the lack of opportunity to make vast profits from it doesn't seem to put people off.
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