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#91 |
The Grand Mouse 高貴的老鼠
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Eternal copyright would be the death of creativity.
Corporations would buy up old copyrights, and then so-one would be able produce anything new without being sued for infringing the copyright of something in the corporations' vast repositories. "Oh", you say, "but if it's new then it can't be infringing". But how much money is a new author going to be able to spend defending themselves against copyright trolls? It's already getting pretty dire in the music industry, with people being sued, not for direct copying, but because a song has a similar feel to a previous song. |
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#92 | ||
monkey on the fringe
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#93 |
Wizard
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#94 |
monkey on the fringe
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#95 | |
Wizard
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#96 |
Wizard
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A question to those of you who are in favour of eternal copyright:
Do you think it would be a good thing if Mobileread library and Gutenberg would have to delete almost all its works? (This would, obviously, happen if copyright law was changed the way you want.) Or do you think that it would be regrettable, but that the upsides (which are still pretty unclear to me) make it worth it? |
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#97 | |
monkey on the fringe
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#98 | |
monkey on the fringe
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Unless it can be done in an equitable manner, I'm not in favor of re-establishing copyright for past works. |
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#99 |
Unicycle Daredevil
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So you're an après moi le déluge kind of monkey. Nice. Let the death of creativity hit the folks in a hundred years.
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#100 | |
monkey on the fringe
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In a hundred years, kids will be enjoying The Continuing Adventures of Cosmic Mouse ![]() |
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#101 | |
Unicycle Daredevil
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As I said in an earlier post, if it was only the Mouse and the Marvel frigging cinematic effing universe, they can choke on eternal copyright for all that I care. But their eternal copyright would drag everything down with it. |
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#102 | ||
monkey on the fringe
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FTR, I'd support partial eternal copyright as a partial victory only. |
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#103 | |
Unicycle Daredevil
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But think of something like Jasper Fforde's Thursday Next novels. They wouldn't make any sense at all if they couldn't use fictional characters that everybody knows. There are so many allusions and jokes that wouldn't work. Or, also mentioned before, Tom Stoppard's Rosencrantz and Guildenstern are Dead. The whole play lives from the use of Shakespeare's characters. Or think of how much modernist literature lives from incorporating quotes from older works. Or take Bob Dylan: For over twenty years, basically everything he has written has been stitched together from quotes taken from everybody: from Ovid to Time magazine, and digging into the sources can give the writing new dimensions. (Of course Dylan is rich enough to blithely ignore copyright; he just goes ahead and uses anything, and if somebody sues, he settles with them. Not an MO everybody can afford, but the way he works with other texts should be open to every writer at least for PD stuff.) Good luck with that. So who should get eternal copyright and why? I don't see that as a workable proposition at all. |
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#104 |
monkey on the fringe
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#105 | |
monkey on the fringe
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The human imagination is not limited. |
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