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View Poll Results: What do you think of this/these proposal(s)? | |||
Excellent proposition |
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2 | 4.76% |
Completely insane |
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30 | 71.43% |
Somewhere inbetween |
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5 | 11.90% |
Spartacus! (comedy option) |
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5 | 11.90% |
Voters: 42. You may not vote on this poll |
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#91 | |
Wizard
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Quote:
1. Long copyrights are fine as long as it's the author who benefits most from the copyrights - but we all know that the real case is that some publishing corporation is reaping most of the rewards. And these days, they do their best to secure every single possible venue - book, movie, play, ebook, reprint... 2. Long copyrights also tend to allow a one-book (what I call "lazy") authors to bask in the "glory" without producing other works. I hate it when an author gets bored and leaves me hanging in the middle of the series. ![]() ![]() Derek |
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#92 |
Retired & reading more!
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Question of moral ownership of IP
I would like to propose a question of moral (not necessarily legal) ownership of intellectual property through an example.
Suppose:
Who "morally" owns what intellectual property? Me, Joe, Times magazine? Although US copyright laws would say that Joe owned the copyright of the picture and could legally sell it to Times magazine, it all started with my creative design and therefore "my" IP (IMHO). However under the current laws, I could be prosecuted for violation of copyright. TANJ! |
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#93 |
Retired & reading more!
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Personal experience with patents
Some years ago I worked for a year for a chemical company. My entire work consisted of trying to find a formula that would be enough like a patented formula to achieve the same results but would be enough different to "not violate" their patent.
The question here is could the same be done with copyright & if so how different? ![]() |
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#94 | |
Wizard
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Claiming that your creative expression is valid, yet his creative expression is not defies logic. So you *can* use the image, but if you do so, you must clearly state that the image is copyrighted to Joe and Time magazine. The house, of course, still remains yours. ![]() Derek |
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#95 | |
Wizard
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![]() Morally, I think he was wrong to photograph the house without permission. Subsequent use of the image would therefore be morally wrong imho. |
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#96 | |
Wizard
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Derek |
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#97 | |
Wizard
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#98 |
Guru
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As far as I can understand the original Macaulay speech, when a person writes a book, the property is the manuscript - but not the text. Text cannot be anyone's property, no idea can.
Copyright is a privilege given to the author of the book by the state, to have control over making copies of the text, which become the property of copies' owners, except for the right to copy them further. If they want to copy them further, they still have to have the permission of the original author, or break the state law. Intellectual property is a misleading term, because it implies that author has some right to the text itself. I don't know of any studies of the influence of the length of given copyright on the value of works created under it - I doubt it would be possible to extract any hard knowledge about such complicated process as creating books in a big area, across many years. Personally I'm for copyright no longer than until author's death, because the society would not benefit at all from making it longer. Below that limit, if it's shorter, some authors might consider the returns not worth the effort, some others would create anyway until their death and for those the shorter copyright would mean less time until their ideas can be shared freely in the society, so I don't see a way to find an optimal period. To stay on topic, I consider the matter of the state not gaining more control over peoples' affairs than it already has more important for the society than copyright law. Without copyright people would still, many works of art are already in existence - and I know the life under USSR well enough not to want to make any steps in that direction. |
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#99 | |
Resident Curmudgeon
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#100 |
friendly lurker
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Hummm… An odd proposal--going back to the original post I mean. It seems like artists have hardly ever found it conductive to the creative process having government rifle through their private correspondence.
Surely Mr. Sarkozy’s proposed search for weapons of mass cultural destruction will reveal something. These searches always do. Reveal something I mean. Still. It seems an odd way to promote the arts, searching through everyone's correspondance. Don’t you think? |
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#101 | |
Grand Sorcerer
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#102 |
Retired & reading more!
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But Joe just made a copy, albeit in a different medium, of my IP. So based on your (aptly legal opinion) I should therefore logically be able to make a copy of a pbook in an electronic medium and even sell it for profit as Joe sold his picture. (Of course I admit that logic and legality don't necessarily have any thing in common and legality often defies logic.)
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#103 | |
Resident Curmudgeon
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#104 |
Resident Curmudgeon
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The owner of the house owns the rights to the photo regardless of who took it. You cannot photograph my place of residence and then make money from it without my permission.
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#105 |
Sir Penguin of Edinburgh
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No, actually. The person who takes the photo owns the rights to the photo. At some point in the past, this issue came up in relation to Harry's avatar.
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copyright, law, privacy |
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