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#91 |
eBook Enthusiast
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You are hardly the target market for it: it's a romance aimed at teenage girls. The fact that you don't like it doesn't mean that it's not enjoyed by the people it's written for.
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#92 |
Well trained by Cats
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Looking at Wolfies list, I read some of those (LRH) when I was younger.
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#93 |
Wizard
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I would strongly disagree with the statement that it's a "romance aimed at teenage girls". It is a story that contains elements of romance, historical fiction and science fiction. The main characters are in their twenties at the start of the series, and in the eighth installment in the series, are now in their sixties. And that eighth novel hit #1 on the NYT bestseller list the week after it was released.
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#94 | ||
Wizard
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Quote:
Quote:
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#95 |
Fledgling Demagogue
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James Franco found time to write a book in the midst of extemporizing, directing and starring in biopics that oversimplify their subjects in inept and embarrassing ways? He truly is a multi-untalented individual. His film about Hart Crane is one of the most awful things I've ever seen. And he has a gift for making unwatchable movies about unfilmable classics.
Last edited by Prestidigitweeze; 06-27-2014 at 02:30 AM. |
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#96 |
Resident Curmudgeon
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#97 |
Fledgling Demagogue
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Location: White Plains
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#98 |
eBook Enthusiast
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"Battlefield Earth" is a wonderful book, in my view. A really fun space opera.
"Mission Earth" (the 10 volume thing) is complete drek, but don't confuse it with "Battlefield Earth". |
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#99 | |
cacoethes scribendi
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Along similar lines, I enjoy quite a lot of Robert Heinlein - but one I wish I hadn't finished was: "The Number of the Beast". It had a great opening and then fizzled and fizzled and eventually, finally, phht! And to continue the theme of books that failed badly for me, from authors whose other work I have often enjoyed... "The Mists of Avalon" by Marion Zimmer Bradley "Tarot" by Piers Anthony "Cradle" by Arthur C. Clarke and Gentry Lee "The Final Programme" and "A Cure for Cancer" by Michael Moorcock |
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#100 |
Wizard
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Nicely put by Peter Lennon in "Getting Away With Murder" (May 24, 1990) in The Guardian, and adaptable to many really good books in any genre, as well as to my anticipatory mourning of AMC-TV's soon-to-end series Mad Men:
The post-coital depression on finishing an Agatha Christie story is severe. With the denouement the book instantly sheds its seduction; life seeps colourlessly from it as from a bicycle tube after passing over a sharp tack. The characters corrugate, crimp and fall to the ground. No fold in the crinkum-crankum of the story (which the detective is first obliged to crankum-crinkum to fit the plot in retrospect) by then holds any interest. You are not shocked that one of the pieces of cardboard has committed a felony nor do you rejoice that a brown paper bag with a perm has not. |
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