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#76 |
Bah, humbug!
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I loved Pride and Prejudice. I loved the interplay between Elizabeth and Mr. Darcy. Didn't care too much for the recent re-work, Pride and Prejudice and Zombies, however. The addition of the undead to the mix wasn't an improvement; although the confrontation scene -- where Mr. Darcy first proposes marriage -- was a hoot. In the original, Elizabeth pretty much tells him where to get off. In the Zombies version, she Kung-Fu kicks him into the fireplace, and then they engage in a martial arts battle.
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#77 | |
Bookaholic
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#78 | |
High Priestess
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#79 |
Bah, humbug!
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#80 | |
Wizard
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Indubitably! - Ahi |
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#81 |
Nameless Being
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With a long book the translation is very important. I had also tried a few times before finally succeeding with the Garnett translation. Highly recommended.
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#82 | ||
Bah, humbug!
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Here are a couple of quotes to help explain the shaping of my feelings on the subject. The first comes from the late John Howard Griffin, a white reporter who, during the 1950’s, chemically and physically altered his appearance to appear black, then went “underground” in an effort to discover what life was like in the African American community: I learned a strange thing—that in a jumble of unintelligible talk, the word “nigger” leaps out with electric clarity. You always hear it and always it stings. And always it casts the person using it into a category of brute ignorance. — John H. Griffin. Black Like Me. And here's Muhammad Ali, explaining why he chose jail rather than military service during the Vietnam war: No Viet Cong ever called me “nigger.” — Muhammad Ali. Quoted in Lies My Teacher Told Me by James W. Loewen. Last edited by WT Sharpe; 02-21-2010 at 03:28 PM. |
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#83 |
Bah, humbug!
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#84 | |
Wizard
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I find now and then discussions around this subject tend to become dominated by over-intellectualized lack of insight... often painting the X hundred million black people (coming from a bewildering range of ethnocultural backgrounds) with a single very broad brush. Discussions like that, I always felt, would be best concluded with a statement like, "White people like to eat cheese." - Ahi |
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#85 | |
Bah, humbug!
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Of course, he also wrote that masterpiece. ![]() |
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#86 |
Wizard
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Deleted original post - wandering off topic. Apologies to OP.
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#87 | |
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I tried reading Emma and just couldn't get into it at all. Several years later I came across Pride and Prejudice and absolutely loved it. I thought it was funny and witty. It didn't feel like I was reading a nearly 200 year old book, some words were unfamiliar but human behavior is unchanged. I cringed at the embarrasment Mrs. Bennet caused her daughters, dispaired when Lydia ran off with the the disreputable Mr. Wickham and rejoiced when Elizabeth and Darcy finally got together. I went back and tried Emma again and this time really enjoyed it and have ended up rereading most of Austen's work every few years. If it doesn't grab your attention within the first chapter it doesn't, but it's worth a second look. |
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#88 |
Publishers are evil!
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I don't care for a lot of classic literature -- old or modern. Much of the older classic literature is written in a style of English I don't care to read. I really have no desire to struggle with Elizabethan English in order to decipher a story by Shakespreare. The same applies older classic authors such as Jane Austen and Charles Dickens. I just like my sentences short, and older authors had a tendency to ramble on with sentences of a hundred words or more. I find this style of writing to be a constant struggle that gets in the way of the story. I really enjoy these author's stories, but I'd rather see them in film than read them in a book. For example, I loved watching Kiera Knightly in Pride and Prejudice but I had to force myself to finish the book.
I don't care for a lot of the more modern classics either. Stream of consciousness, long windy and flowery sentences full of metaphors and similes, experimental techniques where time doesn't flow from the past to present -- just give me a good story in which I can lose myself. Therefore, I'm not a big fan of James Joyce, Virginia Woolf, and William Faulkner. I enjoy Hemingway and Steinbeck. Simple sentences that don't get in the way of the story. Then again, when it comes to other forms of art, such as painting, I prefer illustrators like Norman Rockwell and Jack Rackham over modern artists such as Jackson Pollock and Andy Warhol. I'm just simple minded I guess. Last edited by Daithi; 09-21-2009 at 04:06 PM. |
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#89 | |
Nameless Being
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#90 | |
Reader
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Previously, people enjoyed (or tolerated) a slow beginning in which the characters and their situation were established in a leisurely way, with a lot of telling detail. Now, many readers have a shorter attention span, perhaps due to the influence of television or other media, and demand a structure which is faster-paced from the opening, and where chaprers are short and end with either cliff-hangers or hooks to pull you into the next section. Also, we read in shorter periods: to while away a quarter of an hour while commuting, or to fill in a gap at the dentist's waiting room. Our ancestors would read as their main leisure activity, so a long winter evening's read was a more leisurely activity to be savoured more slowly than our reading. I think that the moral is that we need to give classic texts more time than the latest Dan Brown. |
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