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#61 | |
Snoozing in the sun
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In many ways, I think reading translations of literature might work better for high school/university students in conjunction with studying the history of the particular country or area, rather than studying it in an English class. It seems to me that literature, art and history are so inextricably entwined that for the outsider to the culture, each helps with the understanding of the others. Sorry, this is going away from the original topic, but it's a really interesting discussion! |
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#62 |
Wizard
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#63 | |
Sith Wannabe
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I like Bram Stoker's Dracula. Hated it when I had wrote write an essay on the thing. ![]() |
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#64 |
Connoisseur
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I only remember one book I really disliked, 1919, John Dos Passos, I believe. Before college teachers rarely choose the books assigned. They pick from an approved list. One of the issues is schools in many areas, due to lawsuits students cannot be ability grouped. I remember my mother demanding the library issue me an adult card in second grade because I had read the allowed 6-8 childrens books in the car on the way home. The library had refused to let me check out Lord of the Rings and Waystation. Fortunately I was OK at sports so I wasn't picked on to much.
Last edited by allinhi/; 10-25-2011 at 09:24 PM. Reason: typo |
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#65 | |
Old Git
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#66 |
Junior Member
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HA! I love that Ethan Frome was mentioned. I'd barely gotten through the first paragraph when I thought of all the ways I wanted to destroy that book. My English teacher fawning all over it didn't help. "It's boring," I said.
She looked at me in horror. "This is fine literature." No wonder I ended up reading zombie novels... |
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#67 | |
Junior Member
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My school started us on Shakespeare with The Midsummer's Night Dream in 6th grade (we were all about 11 ish ) and most of us loved it and for most of us, that experience cemented the Shakespeare-is-awesome idea in us pretty young (as a show of hands, about 75% of the class professed to like Shakespeare's writings even after we finished King Lear in 11th grade, even though most of us hated King Lear itself.) We also got started on George Bernard Shaw with Pygmalion which had a similar effect. Of course, there was a lot of stuff about it we didn't understand as kids, but it felt so good that I've always carried the idea that I love Shaw which makes me read more of the stuff he wrote. Where I come from, they ease us into reading. And we never start with classics. Like by 2rd grade, we were reading Enid Blyton (it was a ex-British colony country) and collections of popular local fables and then we did some popular stuff like Agatha Christie and commercial fiction before we started Dickens in like 4th grade or something. We need to teach kids to read first before we teach them to handle the heavy stuff. This theory has worked with a friend who didn't know any english too. She never read much in her original language, but then when she learnt english, I suggested she read popular fiction until she was hooked onto reading and then I rolled in the heavy guns. She even made it through Vanity Fair! (Vanity Fair is probably my --our-- least favourite book in the universe...but we never give up reading a book midway even if we hate it) |
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#68 | |
Zealot
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Purple prose is a good way of putting it. Serialized novel that was paid for by the word is another. It's a whole lot longer than anything written by a modern author would be. |
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#69 | |||
Wizard
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This paragraph in particular made me laugh: Quote:
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#70 |
Zealot
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That's the reason why I won't re-read, re-watch certain things now. I know it would kill the memories.
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#71 |
Enthusiast
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No book should be banned.
Closed minds should be banned. I happened to really books like "The Grapes of Wrath", "Catcher in the Rye", "The Great Gatsby" and of course "Lord of the Flies". Then again I am one of those people who like to read books and articles that are more than 1 page long. |
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#72 | |
The Dank Side of the Moon
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#73 | |
Addict
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I've gone back and re-read a few of the books we were required to read in high school, and have been pleasantly surprised to find I liked them much more as an adult. (And how much I missed in the first reading!): Of Human Bondage, Moll Flanders, and the Mayor of Casterbridge. But I swear I will never touch Ethan Frome - not with a barge pole. My memories of it are just too negative. |
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#74 | |
Old Git
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#75 | ||
Grand Master of Flowers
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I read extensively in German, but I don't think that translations are inherently bad or *necessarily* significantly worse than the original (although, obviously, there is some loss). But, for reasons I don't really understand, translations don't seem to age well. I can read a 19th century work in the original and it never strikes me as being particularly archaic or stilted - but if I read a 19th C translation of the same work, it often strikes me as being stilted and murky, in a way the original isn't. But newer translations - say, Kaufmann's excellent translation of "Faust" - don't seem to have this problem.
Relatedly, there are translations of Shakespeare into modern English available, mostly as study aids. And while I really don't like the idea for various reasons, I have to admit that I usually pick up something I didn't catch in the original - and I've read a lot of Shakespeare. Here's an example of a translation from Macbeth: Quote:
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