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#46 | ||
Wizard
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Device: PocketBook Era
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#47 |
Zealot
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Join Date: Oct 2006
Location: Greensboro, NC
Device: Sony Librie / Sony Clie / Sony Reader
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Don't rule out publishers so quickly. Publishers provide editors, illustrators, layout designers, aid in distribution, etc. They help turn an amateurish product into a professional one. Sure, the bookbinder and the shippers (UPS/FedEx) are no longer needed, but almost everyone in the pbook production pipeline has an analogue in the ebook pipeline. I would hate to see the professional aspects of pbook publishing be eliminated. Don't replace my New York Times with the Weekly World News.
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#48 | ||
Wizard
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Device: PocketBook Era
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Yes, ultimately we the consumers will end up paying for those services, but authors who use those services will compete with authors who don't, so the costs will be kept as low as possible. Quote:
And distribution for eBooks is simple and cheap, so no aid is needed (not by a publisher anyway). Today, publishers bring value in that they can get the book from the author's head to the consumer's hands in a cost-efficient way. That value disappears with eBooks. |
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#49 | |
Jah Blessed
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#50 |
Zealot
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Location: Greensboro, NC
Device: Sony Librie / Sony Clie / Sony Reader
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One of the reasons I appreciate editors (and proofreaders, who I forgot to mention), is that they make text more readible. I do admit to a bit of the grammarian in me, but it's out of a desire for quality. Whenever I read a sentence containing a spelling or grammatical error, it's like driving over a pothole. A truly malformed sentence can derail a train of reasoning. Proofreaders eliminate this garbage, making the text smoother. Editors make corrections, too, but at the conceptual level, to help the author state their ideas more clearly. In the end, they both provide a valuable service.
However, there are other reasons to get rid of the publishers: to let new talent shine through. We all have heard the tales of the musician who couldn't get signed on a major record label, so they tried to distribute CDs (or LPs) on their own, and couldn't get anywhere. Now, the Internet has MySpace, where musicians can post their own music for anyone in the world to listen to, giving them a chance to be heard. One could argue that the popularity of the iPod has helped independent musicians to get noticed, and a similarly popular e-reader could help independent authors get noticed. But to do that, someone would have to create a MySpace for authors, a "MySay". (Ok, I just realized that blogs fit this need.) Still, budding authors need assistance to move from amateur to professional level, and until there is a web-based resource of proofreaders, editors, and the like, publishers (and magazines and journals), will be the best option for producing quality. Of course, if you're not interested in quality, why are you buying books? There must be hundreds of amateur authors out on the Internet. Just wander around, and you find someone writing about anything, without regards to quality or standards. Don't like what you read in the standard news? Then read the Drudge Report, where fact-checking is optional. Can't wait for the next Harry Potter book? Then download the Chinese knockoffs--but don't complain to Rowling when her next novel blatantly contradicts what happened in the knockoff. When will folks realize that you get what you pay for? If what you get is free, then you're lucky if it's good. I'm going to shut up now, because I'm starting to rant, and I really don't want to get into an ad hominem flame war. |
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#51 |
UK Enthusiast
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Device: Sony Reader/treo 650 (Hanlin V2/ REB/Librie)
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It's probably worth noting that the average cost of a paperback book to produce is about 50p (UK money) or about $1. Distribution costs also have to be taken into consideration
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#52 | |
Gizmologist
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Location: Republic of Texas Embassy at Jackson, TN
Device: Pocketbook Touch HD3
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Quote:
![]() Something missing in all that "new costs" list is electricity to run all that equipment. That's got to be a bite. Even spread out over all the books, it's a 24/7 expense, and it never stops adding up. I tend to agree more with William about the value of Publishers than with rlauzon -- I think they do add (quite a lot of) value, both intext quality, and in being able to have some sort of expectation as a starting place. For example, I read a number of Baen's offerrings, I know what sort of quality that publisher generally turns out, I know what sorts of genre's they carry. When I see a Baen logo on a book, I know that there's a better than average possibility that I might be interested in that book, even if I've never heard of the author. It makes me more likely to take a look at the thing. There are, of course, other ways to do the same thing, the ranking/reccomender system discussed elsewhere on M.R. for instance, but this is one we have now, and it is a help. I do think that the present arrangement has concentrated too much control/power into the hands of the Pubs. Baen isn't a good example here, because they seem to be more enlightened in this regard than other pubs, but just the same. I'd like to see a system that provides the services that Pubs provide, without giving them such a strangle-hold on the industry. ![]() Compared to the readers and the authors, the Pubs are the minority, why should they have most of the power in the equation, even with the value they add? In the paper world, it makes more sense, with the investment needed to publish a book there, but in the e world, the costs aren't significantly different to publish 10 copies than they are for 1000. With a reduction in assumed risk, it seems to me that they should see a reduction in control. Last edited by NatCh; 11-05-2006 at 01:42 PM. |
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#53 | |
eBookin' Fool
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Location: Vancouver, BC
Device: Kindle Paperwhite, KK, iPad (Ex Prs 505, 500, Reb1100-2150, Rocket)
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All totalled, the marginal cost for ebooks is perhaps a couple of dollars less than pbook, so it should balance out if the ebooks are sold for a dollar or two less - and, surprise!, a lot of them are. ![]() |
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#54 |
Technologist
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Join Date: Oct 2006
Location: I'm between Cities
Device: SONY Reader PRS-500
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To add my two cents, I believe that both William & RLauzon are correct.
The distinction I see is that RLauzon is arguing that the...post production services of a publisher are unnecessary in the e-book world, and so those costs should go away. We close the binderies, lay off or transfer the workers who set type, load paper, and actually *make* the physical book. No big factories creating physical content, less payroll, less overhead. William Moates is concerned that the...pre-production services of a publisher are not lost. Publishing house gets lots of unsolicited stuff, and I wager that a good number of bidding authors need help to hone their skill, and the rest mostly stink. An editor, a proofreader, and a fact checker need not, I think, work just for the big scary 800 pound publishing company. They could incorporate as a small consulting group, working free lance for authors. Hire an IT manager, and they can start getting content out. I think that the latter is a perfectly cromulent business model, and I believe that there is a link of this forum to a situation like that happening. A software company here in Chicago became their own online publisher. There are any number of professionals who were faced with obsolesence(sp), and had to adapt or more elsewhere. This is a fact of life, especially in business. Unless people acquire new skills or try new methods, they fail. Getting back to the debate, it seems that every one agrees that e-books are cheaper to produce. If this is the case, it is quite infuriating to be saddled with the cost of another product when I want to buy something, and to receive less of a product or less quality because of the form I want it in. If I buy a Ferrari, mine should not cost $19,000 more because I want it in white, not red. |
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#55 | |
Wizard
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#56 | |
Wizard
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That's not what the people in the publishing industry are telling us. They are saying that of that $7.95 paperback, the author gets about $0.70. So, if it only costs $1 to print a paperback, costs for the publishers are up to $1.70. That means that the retailer and the publisher are splitting $6.25 per book. That doesn't seem correct. |
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#57 | |
Jah Blessed
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#58 | |
Jah Blessed
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#59 |
Retired & reading more!
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A few things to remember;
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#60 |
Addict
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Do any of us really understand the economies here? I certainly don't. I'm not even sure _they_ know!
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