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#46 | |
Grand Sorcerer
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#47 |
Resident Curmudgeon
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Last edited by JSWolf; 08-18-2020 at 02:49 PM. |
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#48 |
She / Her
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#49 |
o saeclum infacetum
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Classics.
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#50 |
Gentleman and scholar
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I have found using an ereader has gotten me to read more classics. Partly because they are usually free, partly because it's fun to look at the different editions available here, at Amazon, Gutenberg and Standard Ebooks.
Spending that much time looking at them keeps them in my mind more than the paper editions ever did. My ereader showed me that I love Nathaniel Hawthorne (The Scarlet Letter and House of the Seven Gables, at any rate). In school, the only Nathaniel Hawthorne we read was Dr. Heidegger's Experiment (which I do remember liking). |
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#51 |
Grand Sorcerer
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My "classics" period was late teens and early twenties. I read lots of classics then (not because of school, but because I was interested). When I got older, I lost interest in that kind of literature and it never returned. I don't expect it will. OTOH, my love of fantasy, science fiction and (to an extent) historical fiction has never waned since childhood.
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#52 | |
Gentleman and scholar
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I do think you're missing out on something when you dismiss 'classics' as a genre. Poe's stories and The Grapes of Wrath are both classics. But that's about all they have in common. |
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#53 | |
Grand Sorcerer
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Btw, I didn't like Hemingway either. Don't really remember Steinbeck or Fitzgerald, although I certainly read a book from both, at the very least. Probably just felt meh. I tended to like romantics more than realists. Victor Hugo, Dumas, George Sand, sisters Bronte etc. |
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#54 |
Bibliophagist
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#55 |
Diligent dilettante
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#56 |
Wizard
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I would really love it if one day my brain went click and I developed a love of classics written by Gaskell, Wharton, the Bronte sisters and Austen. But I'm not holding my breath.
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#57 | |
o saeclum infacetum
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However, I did essentially mean older books. In part, because that’s what people usually mean or infer by the word and in part because classic by definition is something that’s stood the test of time. But also because “modern classic” is a term that’s used much too loosely, to apply to almost anything. It’s akin to those blurbs that say, “in the style of Courtney Milan and Cormac McCarthy” which were anathematized in the other thread. I also think that as I get older, I keep increasing the number of years necessary for something to be a classic, even a modern one. I think fifty years, but then I think 1970 seems pretty contemporary. So I push it back to 1960 but then I realize that’s more an acknowledgment of a line when society started a cosmic shift and that’s why it appeals to me. Sixty years is roughly two generations, so maybe it works at that. Ask me in ten years if I’ve moved the marker to 1970. TL;DR: Classic is mostly a “I know it when I see it” judgment. The Victorians, of course. Hemingway, ditto. Rowling, nope. |
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#58 |
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#59 | |
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#60 | |
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