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#46 | |
Fanatic
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The Steam sales on games have game authors reporting things like a 50% reduction in the end-user price results in 10 to 20 times as many sales as during the same time period when the game is not on sale. Since the game has already been written, that means that the author puts 5x as much money in their pocket as before. Music is the same...at $0.99/track, Apple sold 2-3 times as much as when the track was priced at $1.29. That has to do with one of those weird things in human behavior...the price threshold. As for ebooks, have you looked at the Amazon "best seller" lists lately? The top 100 is now dominated by sub-$5 books, and that is all because they sell far more than twice as many copies as the $10 ebooks. Again, part of that is because of the price thresholds that everyone sets in their own mind, but $5 is a big one for a lot of people. |
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#47 |
Fanatic
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Of course, part of the reason they never get past their advances is the same reason that movies like Star Wars never "made a profit"...creative accounting.
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#48 | |
Wizard
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The purpose of copyright, and there's much discussion about this in the writings of the founding fathers, was simply to give creators a head start at profiting from their creations. It was never to establish ownership. Still, it is the law and it gets a lot of respect among law-abiding people, right or wrong. The fact is that most people pay for their books even if they know how to get them free. === When I was a teenager, around 1954 or 55, I began buying paperback books to read. Prior to that I'd just read my parents books. My typical cost was 10 cents for a new paperback. Some cost 15 cents and a really big one might cost 25 cents. If we adjust that for inflation, using Wolfram's inflation calculator, that new 15 cent paperback in 1955 should cost $1.38 today. I think we can all agree that it doesn't. ![]() I'm a reasonably law abiding person. I don't speed much when I drive unless the other traffic makes me go faster to stay safe. I stop completely for stop signs. I pay for the books I read as long as I can find them for sale. I think most people are about as honest as I am. And I think if publishers were as honest as most people are piracy would be a far smaller problem. It's really hard to feel good about paying my money into a system that's lobbying to change copyright further and further to their advantages, charging outrageous prices for books and then doing a sloppy job of editing and preparing them. I find far more mistakes now than I used to when I was younger. I'll keep paying for my books because I'm not going to let people who do the things publishers do decide how I should conduct myself. But it rankles at times. And it's hard not to feel a lot of sympathy for those people who make books freely available on the internet. I'm not convinced they're doing something immoral. Illegal yes. Questionably moral, yes. But it's hard to say more than that. Barry |
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#49 | |
Gnu
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A race to the bottom is never a race you want to win. |
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#50 |
The Grand Mouse 高貴的老鼠
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It's worth remembering that an ebook with ADE DRM has a minimum $0.22 reproduction cost, as that's the fee Adobe charge for use of their DRM.
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#51 |
Grand Sorcerer
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#52 |
Grand Sorcerer
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#53 | |
Wizard
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In fact, if there was a choice between a lower price for a version with DRM and a higher for one without, provided the price differential was not too much and the difference was paid to the author in addition to any royalties, then I would probably go for it. |
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#54 | |
Grand Sorcerer
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#55 |
Grand Sorcerer
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Well, this all has gone in a very different direction than I expect when I posted the link. Interesting to be sure, but different.
One thing that I would point out is that different countries have very different traditions when it comes to copyright. The US tradition is very, very different than the English or European model which is different than other parts of the world, much of which has little tradition with regards to the idea of copyright, one of the reasons that what the West views as piracy is rampant in Asia and Africa. The US did not implement the Berne Convention (sometimes known as the Victor Hugo Convention since he and his desire to prevent others from copying his works was the driving force behind it) until 1989. Pretty much the biggest reason that the US signed it was to protect the movie and music (remember the Sonny Bono Act?) industry. Prior to 1976, when it was greatly expanded, US copyright law was fairly static. Initially, it was 14 years, plus 14 year if the author was still alive and request the extension. In addition, copyright only applied to books that were formally registered and the vast majority of books from the time period were never registered. The requirement for registration was removed in 1831 and that was the last major change to copyright prior to 1976. So for most of US history, copyright was very much a limited concept that was balanced with the public good. When I was in college, teachers still had the right to make copies of articles for class use under the fair use doctrine. The US view of copyright was heavily influenced by Ben Franklin and the various other founding fathers such as Thomas Jefferson who were prolific writers and inventors. It should also be noted that Ben Franklin was the driving force behind the first public libraries in the US as well as a well known writer and publisher, so he was very much aware of the competing interests with regards to authors making money and making books widely available to the public. One can get an idea of how copyright and patents were viewed when the Constitution was written by reading Thomas Jefferson's famous letter to Isaac McPherson giving his views on what we now call intellectual property. http://press-pubs.uchicago.edu/found...a1_8_8s12.html This has greatly influenced the legal views of copyright in the US, even today. There is a tremendous pressure to move to a more European model since many business models are now built on the concept of intellectual property, which is why current copyright and patent law in the US is a bit of a mess and somewhat contradictory at times. The European view of copyright started out more as a combination of Royal grants of privilege as well as attempt to control the flow of ideas than it did with the idea of a work being the property of it's author. As such, it doesn't really have the same tradition of balancing privilege with responsibility. Europe doesn't really have the concept of fair use like the US does. Last edited by pwalker8; 03-30-2017 at 08:21 AM. |
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#56 | |
Bookaholic
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There are the per book fees, plus the fees to licence the Content Server ($6,500+), yearly "maintenance fees" ($1,500+), and the fees to license RMSDK for the actual reading apps and devices. A lot of support calls to stores and libraries are DRM related too. DRM may be snake oil, but it's expensive snake oil. |
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#57 | |
Guru
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Personally when a particular book is more then I'm willing to pay, I check my library and if it's not there I'll find another book. This is has been true even if it's a book I particularly want to read and the waiting time is long (I've waited months for a particularly popular book). However, if it's what I deem to be a fair price then the desirability of owning a new book (or at least as close as I can get) will trump a free read. I agree that it is possible to charge too little as well as too much and my experience as a buyer indicates that the sweet point will differ for different types of books. |
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#58 | |
The Grand Mouse 高貴的老鼠
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I did find a company that provides DRM to small ebook sellers using Adobe Content Server. Their 'enterprise' level service costs $300/month plus $0.30 per download. This fee to Adobe is why it's worth it to Amazon to maintain their own DRM, even apart from the tie-in factors. |
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#59 | |
Grand Sorcerer
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#60 |
Groupie
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