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#46 | |
The Dank Side of the Moon
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#47 |
Dyslexic Count
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Isn't the great American novelist more likely to be working as a script-writer for premium cable, than as a struggling author these days?
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#48 |
Grand Sorcerer
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#49 |
Philosopher
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I think the Great American Novelist these days is plugging along writing novels. The doomsayers simply haven't yet given their blessing. But good novels will still get written regardless of whether or not the doomsayers approve.
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#50 |
Grand Sorcerer
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I don't think there's any reason to expect an American novelist to be working as a writer in any other medium or profession (though, obviously, if they are already employed as a writer, their writing should be that much more polished). As long as they have the time, almost anyone can write. And if you're working for TV or movies, you may not have enough free time to write your own projects, from what I gather about those mediums.
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#51 | |
Grand Sorcerer
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But you do get paid regularly which is, apparently, no sure thing for lit-fic writers. One thing I've noticed of late: quite a few "bestselling" writers have been doing comics and other media. (Pretty good stuff in some cases.) So there obviously is room for a day job after bestseller-dom. |
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#52 |
Grand Sorcerer
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Yup. That's why I'd take a job writing for Hollywood over writing books for crapshoot sales on Amazon. Though, if the Hollywood writing worked out, it would likely increase your sales of your own books. So: Write one dynamite screenplay, and market it into a successful writing career... that's the American way!
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#53 |
Wizard
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Recently I was at the home of an American writer. He has written about 10 or so books over the last 30 years. One of them hit really big, and was made into a Major Motion Picture. The rest did ok, some died quietly, I think. He also writes for a newspaper.
Here's the thing. This guy lives really well. He has a penthouse apartment in Manhattan, and a really nice art collection. Is that what ONE really big book gets you? If that one book is big enough? Is that what a movie option gets you, if the movie gets made and does ok? eP |
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#54 |
The Dank Side of the Moon
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elemenoP -- it is like the rest of society. The widening economic divide but it has been true in the entertainment field for longer than in the general population. Depending on how big it hit, how much the movie rights were worth....then yes possibly. Look at Harper Lee, she wrote one book, that's it. Not that she is in a Manhattan Penthouse, but I think that is more by choice.
P.S. you have to tell me which author you are talking about? Last edited by kennyc; 05-21-2012 at 05:52 PM. |
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#55 |
Grand Sorcerer
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If it is dead, can somebody give me a ride to the memorial service? I'm not a huge fan but I'd still like to pay my respects.
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#56 |
Wizard
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To me a classic is a book that stays with you. One remembers it based on thoughts depicted, not on the enjoyment supplied. Something in the writing (whether thoughts, actions etc.) affects your view of a segment of the world, makes you challenge your own preconceptions.
Not my favorite reading by any means, but I have pretty plebian tastes. Still I manage to stumble upon at least three or four books a year that stay with me and challenge my perceptions of reality. Classics are still being written, American or not, and I think that most will endure. Helen |
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#57 | |
Philosopher
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#58 |
The Dank Side of the Moon
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I'd like to just make a living and I'm not that expensive a date.
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#59 | |
Grand Sorcerer
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Hopefully after any of that, you can market your popularity with the script/movie, and run from there. |
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#60 |
Guru
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There's a bit of a time span between Dickens and Lawrence. It sounds like he could think of a lot of great books over that 50-year period, but he hasn't seen as many in the past 10 years. Maybe he's seen a fifth as many? It's hard to look back and compare to now because "a long time ago" spans a greater length of time.
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