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View Poll Results: How do you edit your work? | |||
I edit it all by myself with little/no outside input |
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11 | 44.00% |
I have a friend/relative read it over |
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4 | 16.00% |
I hire a freelance editor |
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4 | 16.00% |
I'm in a writing group and we edit each others work |
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2 | 8.00% |
Other, I do it a different way entirely |
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2 | 8.00% |
My cat or dog do my editing |
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2 | 8.00% |
Voters: 25. You may not vote on this poll |
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#31 |
Wizard
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#32 |
Literacy = Understanding
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Style manuals are overrated by editors and underappreciated by noneditors. Editors too often adhere to a style manual's rules without really thinking about the purpose of a style manual; noneditors dismiss the manuals because of their perceived rigidity.
Style manuals generally are relevant primarily for nonfiction. They serve the purpose of ensuring readers that certain conventions are followed so that a reader can travel from book A to book B and not be diverted by personal preference differences. More importantly, they ensure that bibliographic material is complete and familiar and usable, something that is particularly important in nonfiction. It should be noted that nearly all style manuals focus on scholarly work and need to be viewed from that perspective. The primary nonscholarly focused style manuals, like the Associated Press and the New York Times manuals, are focused on a specific industry and are designed to bring a sense of uniformity that readers expect to the particular product. I discussed some of this in my article Editors & “Professional” Resources: A Questionable Reliance. Although there are a lot of authors who echo Moejoe's loathing of editors for various reason, there actually are some excellent reasons why a professional editor is important. Of course, if you think like Moejoe and price your writing as free, then it makes little sense to invest in professional help. But if you want to switch from a day job to full-time writing as your sole source of income, the balance shifts, I think. For whatever it is worth, I have also written articles on about professional editing, what editors do, what to expect, and why authors need professional editors. I invite you to peruse them at my blog An American Editor (link below in signature). Search for Professional Editors or use the Filed Under tag Professional Editors to view them. One last thing: As another poster mentioned, the biggest problem when self-editing is seeing what is really on the page rather than what you expect to see. I wrote about this in The WYSIWYG Conundrum: The Solid Cloud. You might also find this worthwhile reading. Although this is a particular problem for self-editing, editors, too, suffer from this problem and often see what they expect, which is why few books (admittedly, I've never encountered one) are error-free. |
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#33 |
Great Beach Reads!
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Editing has to be done - over and over again.
After I've edited several drafts myself, I barter for the services of a couple of professional writers and english/lit teachers for each project. After they've gone through the novel, I take all of their corrections, comments and suggestions into account in writing a final draft - or three. |
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#34 |
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Tell me about it...I drive myself to the point of distraction. I'm up to six drafts of something I've been working on at the moment.
As somebody once said, writing a book is never finished! But at some point you have to just say enough and let it be. ...and try to resist the temptation to arrange that tricky paragraph around once more time... |
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#35 | ||
Wizard
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THIS is why I need to re-edit all my work....Wow.
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Apparently, when I get into stream of conscious, all my writing shifts into passive voice as I tell myself the story. Last edited by jaxx6166; 07-07-2010 at 08:25 PM. |
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#36 | |
Addict
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Quote:
I agree with your thoughts re editing. After all, there are good reasons why there are or were people employed to do just that. Many are the times I have polished a piece and thought it without typos or other faults only to revisit it and see a mass of errors. And I love the language and the act of writing. It pains me to get a book that is riddled with errors, and though no specific examples come to me right now. I feel somewhat cheated, or let down. I recall in my youth that I never encountered such issues. I have noticed a number of undesirable traits creeping into published works - often by well-known authors - and this saddens me... as well as annoys. . Perhaps it is just me, but I see any shortcoming in something I produce as a reflection on me, and I strive for perfection. Cheers, |
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#37 |
YA Author
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I did a blog post today with an Editor who still consults with the big publishing houses. Her name is Ally check it out http://lmpreston.blogspot.com/2010/0...ght-party.html She gives her insight on the importance of editing and her time as an editor with the big publishing houses.
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#38 |
Lovin' the e-book life...
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I've found that being part of a writing group has really helped me out. They have caught poor grammar, misspelled words, etc.
They can also point out aspects of the story that may not be clear to the reader. If 8 people in the room are confused by the exact same plot point, then you can bet most others will be as well. I will say that the first critique I got from my writing group a couple of months ago was painful. Very painful. But my second critique went really well. I try to self-edit as much as I can, but sometimes it's better to have a non-biased point of view from several people. You don't always have to agree with the writing group or make the changes, but for the most part, it's helpful for me to step back and hear their opinions. |
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#39 | |
Banned
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#40 | |
Addict
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Strunk and White's Elements of Style is probably the best value book around. It is small and concise (quote: omit needless words!). It is also available online. I too, have a copy of the Chicago Manual of Style, but refer to it pretty much only when I am doing layout work, which is rare nowadays. Mine is from 1993, so might be in need of an update. Although much larger than S&W, the Cambridge Australian English Manual of Style is an outstanding reference work, regardless of your country of residence. Despite the name, it provides sage and often terse advice (with occasional doses of humor) on word usage, grammar, and so forth. It will, for example, comprehensively put to bed usage of the verb "lay" in all its forms. <smile> Cheers, |
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#41 | |
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Quote:
Camille |
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#42 |
Banned
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#43 |
Wizard
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Oh man. Self editing Beyond the Black right now. When they say "all first drafts are shit" they're not lying...its discouraging.
I don't know how I wrote such dreck..or how my alpha readers enjoyed it. =/ Last edited by jaxx6166; 07-08-2010 at 09:27 PM. |
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#44 |
Lovin' the e-book life...
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#45 |
Zealot
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I'm neither a writer nor an editor, just a reader. As a reader, I really, really appreciate an author making the effort to have his/her story presented as professionally as possible.
I'm reading a self-published book right now. The plot and characters are enough to keep me reading but every page may be the last I wade through. I don't know if the author didn't do much review or thought self-editing was sufficient. Maybe sometimes it is but self-editing won't do you any good if you don't know that, for instance, in English the phrase "he was excited about finding it" is correct but "he was excited for finding it" is not. Every instance of something like that jolts me out of the story and back into my middle-aged crankiness about language mutilation. One of those jolts may be the one that makes me just give up and there goes the author's revenue from a potential sale of the rest of the series. |
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