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#31 |
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Thanks again Steve. That did seem a more measured and definitely more positive review.
I think those incidents you mention are not so convincing because Chang brushes through them quickly and without detail, presumably because they are black marks against Cixi. On the other hand, she does at least mention them, where someone trying to do a complete whitewash would omit them or somehow blame someone else for those actions. |
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#32 | |
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I finally had a block of time to read today and am catching up. I just finished reading about "Wild Fox Kang," the 100 days of reform, and subsequent imprisonment of the Quangxu Emperor. Fascinating!
Wikipedia says: Quote:
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#33 |
o saeclum infacetum
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This book was very much a mixed bag for me. It was an engaging and entertaining read, it covered a broad sweep of Chinese history about which I knew nothing, and the details of court life in imperial China were riveting. I’m also amenable to the notion that powerful women suffer in the accounts of contemporary chroniclers and historians and also that in this particular case, an anti-Manchu backlash contributed to the anathematization of Cixi.
That said, Chang still lost me. Part of this was her fangirlish style. It didn’t read like serious history, but more like a high school theme with all the passion and blindness to alternative theories that implies. Ultimately, it was just silly. In overselling her case, she undermined it. Given the popular impression of Cixi endorsed by many historians, she needed to examine the evidence against her case. Instead, she was fond of sweeping judgments such as, “This was wrong.” Evidence, please? Making a character like Kang both the villain and responsible for much of the popular perception of Cixi only made him a proto-Cixi. Nuance is a concept seemingly foreign to Chang. Worse, and this was a point made in the review linked to by bfisher which I didn’t read until after I had made up my own mind, is that Chang’s assigning all the responsibility for sweeping changes in China, industrial and economic and social, to Cixi’s farsightedness and abilities is flatly ridiculous. Again, I know nothing about Chinese history, but I know enough about economic development to know it just doesn’t happen that way, and especially in a country as large and populous as China. This read like the Book of Genesis, Cixi issuing various dicta from on high and they just happened. She was clearly an adept at palace intrigue, but that doesn’t necessarily translate to managing the intricate webs of national commerce and development. Knowing nothing about the specifics of Chinese development, I still don’t buy it. If it were so, Chang needed to provide supporting material and perhaps spend a little less time on fingernails and jewels, although then the book wouldn’t have been as juicy. Some of the book was unintentionally amusing, as Chang tried to avoid her own entanglements. I loved how it was ok because Cixi didn’t steal a lot of money from the Navy, only a little. And there was no way, given her biases, that Chang could make sense of Cixi’s agency in the Boxer Rebellion. All of this is not to say I didn’t enjoy the book or think it worth reading, it just caused frequent huge eye-rolls. As an aside, because I didn’t want to fall too far behind, I ended up listening to the audiobook and the narration by Jolene Kim was dreadful. Mispronunciations, errors that she corrected rather than rerecording the muffed bit, and worst of all, pacing that made frequent pauses where there was no punctuation. Unfortunately it’s the only version I see available from Audible and OverDrive in the US; obviously sun surfer had a better experience. Finally, I’d like to bring up an issue for possible discussion. I imply no criticism of the book as a choice; I can’t, since not only had I already bought it, I voted for it. But my judgment after reading it is that the book doesn’t qualify as literary biography. It clearly falls into the “popular” category for me. Litfic is relatively easy to judge (although reasonable people may disagree, obviously); I just apply the Justice Potter Stewart litmus test. (For non-Americans, that’s “I know it when I see it.”) But for nonfiction, while seemingly less literary on the face of it, I think it’s easier to define qualifications. For me, non-fiction can be deemed literary because of writing style, the scholarship, ground-breaking theory or methodology. Obviously Chang’s intent was to be ground-breaking, but I think she needed to support her interpretation better than she did. My overall impression was that the book was an interesting and fun read and that I learned a fair amount from it, but that the treatment ultimately was cheesy and it didn’t make the cut as a literary work, for me. |
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#34 | |
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I can see your point about the Empress Cixi being a literary book or not. But on the other hand, I think most non fiction books, well researched or documented are not literature. Sometimes such a book turns in a dry list of facts and where is the literary aspect, the beautiful language or the less beautiful language that stimulates reflection and so on? I found this for example in The Conquest of the Incas (John Hemming), which may be a good book(literary?…) but it didn’t make me think or reflect in any way, except horror for the Spaniards and some surprise at the naivety of the Incas. I found the Empress Cixi an exciting read and am still reading up about the the context. For me, Chang made a very readable book out of it, but I don’t see it per se as ‘The historical book' ‚ or 'The truth’ about the China of that period. I would find it difficult to judge such a book on a professional level and also for this Book Club, as this is too far away from the Literary Book club we’re reading for. In that sense I do agree with Issybird, but perhaps for other reasons. And what is the truth about history? It always is an interpretation after the facts and the big question is by whom. China’s history in any given period is very complex. I always like to critically read several books, historical or otherwise about/around a country/subject and make up my mind afterwards. |
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#35 |
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Yes, I do see the problem that this book was written in too popular and "easy-to-read" a style to be classified as literature, and is also not rigorous enough to be classed as history.
I suppose part of the problem is that until we read it, we don't know that. So given that this book received largely positive reviews and I seem to remember was short-listed for a prize (not necessarily proof positive I know!), how are we to judge whether the book should be chosen or not? It's a tricky problem and I'm not sure we can find the solution to it, short of not having non-fiction works unless they are by a recognised writer of literature. For example, Robert Graves' Goodbye to All That I think would qualify. On the other hand, such a writer might be much better at fiction than non-fiction! Thanks for keeping us on our toes, issybird and desertblues. |
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#36 |
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We seem to really struggle with defining non-fiction literature, and we've had similar debates in the past. I'm not sure which side I fall on after finishing this book. In this case, I think it may be a case of not living up to expectations which we can't know until we read it. Would we be having this same discussion if we had read her other books Wild Swans or Mao co-written with her historian husband? Perhaps or perhaps not.
I would hate to set our criteria so rigid that it limits the diversity of our choices or prevents us from taking risks on our choices. I thought the book had the appearance of meeting literature when I nominated it: an award-winning author, an author whose books are seen as influential and therefore banned in her home country, a potentially ground-breaking record of an historical figure based on previously unused/uninterpreted sources, positive book reviews from recognized places. I enjoyed it, and it has promoted some interesting discussion as well as new contributors and inspired me to want to know more about Chinese history. I did like the writing style overall. It was exciting and engaging. I also think I'll retain the information longer in my memory. I really enjoy history books as an adult (didn't care for it as a subject in school), and I wish more were written in an accessible tone and not dryly academic. On the other hand, there were a few times when I thought word choices to be sophomoric and not what I would have used. I felt at times her writing was too "fan-girlish," although I wished I knew more about history to have a valid, informed opinion. In this regard, I was disappointed that she did not present more detailed evidence of the "other side." |
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#37 |
o saeclum infacetum
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I tried to be explicit that I didn't criticize Cixi as a choice (I voted for it; moreover, I enjoyed it), but that having read it, I was again interested in trying to define parameters for literary non-fiction, since I didn't think it made the grade. As has been pointed out and I absolutely agree, you take your best shot when nominating, but you can't tell until you've read a book - and even then people can disagree.
In considering some of our choices, I think we all agree (and I could be wrong) that the beautifully-written A Time of Gifts qualifies as a literary work. But then Conquest of the Incas didn't qualify for desrtblues. For me, it did; the rigor of the scholarship and the quality of the writing that rendered the world of the Incas virtually palpable to me put it in the literary class. On the other hand, even when I nominated Testament of Youth, I had reservations about its status as literary. An important and well-written book, yes, but I still don't know that it hits the literary mark. I'm not trying to limit our choices! I think we all agree that we do aspire to a certain standard of literariness or quality (which seems to me an easier distinction when it comes to non-fiction), that's the point of the club. So I think a discussion, to the extent people want to discuss it, can be interesting even though we've been there before. I also think it's a reasonable point of discussion for any book that's chosen, even if we don't care to take it outside a particular work. |
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#38 |
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No worries. I didn't think you were being critical of the choice and thought it a valid discussion point.
![]() I know I struggle with what kind of criteria works for non-fiction. Although I also struggle with the issue that I don't feel like I necessarily know even after I read it. I download samples, seek out reviews and still don't necessarily know. My analytical mind tries to bound it by a set of questions but that doesn't help either. So then I think the most indicative criteria is if the author is recognized as literary or has won particular awards. But then I feel like that is too restrictive and might not have worked in this case anyway. |
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#39 |
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Overall I think I enjoyed the book more that you did Issybird, but I'm in complete agreement with you regarding its literariness (not sure that's a word). I had the same thought many times as I read the book.
I certainly have read many non-fiction books and biographies that to me would qualify as literary. My criteria edges more toward the writing style than how ground-breaking the material is. I would also classify many spiritual works as literary including the writings of Thomas Merton, Henri Nouwen and even Jean Vanier. Good point from Bookpossum: how can we actually know whether or not the criteria has been met when we haven't read the book. |
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#40 | ||
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#41 | |
languorous autodidact ✦
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#42 | |||
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So finally I've managed to finish it - it took me a long time simply because I still find it quite hard this year to find time for reading: the book definitely flows!
Having said that, although I did enjoy it, I also had very many eye-rolling moments: Quote:
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#43 |
Wizard
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and forgot to say, thank you all for the links to the interviews and reviews, extremely helpful!
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