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#31 |
Grand Sorcerer
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more comments by the founding fathers on copyright.
Here is another quote from the founding fathers (from The Federalist Papers)
FEDERALIST No. 43 The Same Subject Continued (The Powers Conferred by the Constitution Further Considered) For the Independent Journal. MADISON To the People of the State of New York: THE FOURTH class comprises the following miscellaneous powers:1. A power ``to promote the progress of science and useful arts, by securing, for a limited time, to authors and inventors, the exclusive right to their respective writings and discoveries. ''The utility of this power will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims of individuals. The States cannot separately make effectual provisions for either of the cases, and most of them have anticipated the decision of this point, by laws passed at the instance of Congress. |
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#32 | |
Grand Sorcerer
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And it does place a big burden on sellers/buyers to make sure product is not illegally reproduced or distibuted. That will be a b***h to pull off, in this digital era, but no one said life was easy. Otherwise, it makes perfect sense. Clearly, the Founding Fathers recognized that, although copyright and patent are "contrary to nature," in terms of the existence of Men who must live in cooperation to survive and thrive, copyright was in the best interests of the public as it encouraged more and faster innovation than they would have without it. Can anyone argue that copyright and patent systems do not produce more and faster creation and innovation... or that we would be better off without such increased creation and innovation? |
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#33 | |
Grand Sorcerer
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One exception, maybe: If the survivors are not yet adults, and have no other legal guardians, extension could conceivably be granted until they are considered to be of adult age. |
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#34 | ||
Grand Sorcerer
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into the IP system who turn to piracy thru frustration with the current reality. And that would dramatically marginalize the remainder of pirates, cutting off their moral standing to the rest of IP consumers. But this can only be done in a context that acknowledges consumers needs, not by just pounding them with a bigger club, because they now have a club of their own to pound back with. (Sort of like the 1850's comment - The Lord God made men big and small, but Mr. Colt made them all equal.) Quote:
Unforunately, there are too many big power blocks hopelessly tied to the status quo, with too much to lose, for me to be optimistic anything will change. |
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#35 | |
Grand Sorcerer
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#36 | |
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But most interestingly, there are people with far better credentials that do. It's a bit long, but this book/thesis argues against IP makes you look back upon very many things we usually just assume to be true: Against Intellectual Monopoly, by Michele Boldrin and David K. Levine http://www.dklevine.com/general/inte...al/against.htm Last edited by Trenien; 02-02-2008 at 06:59 AM. |
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#37 |
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Most people consider that China has so far lagged behind the rest of the industrialized world, in terms of creation and innovation... with the exception of the areas where it has openly ignored the IP restrictions of other countries to clone and sell cheap copies of others' products. Copying isn't quite the same as innovating.
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#38 |
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It's kinda funny that Hollywood industry began from massive patent infrigement.
http://www.makeindependentfilms.com/history.htm |
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#39 |
Grand Sorcerer
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Personally, I think it's even funnier that a group that started out by fighting patents and copyrights, now maintain themselves by staunchly defending those patents and copyrights, and having the laws rewritten to uphold their copyrights beyond their original limits.
Hollywood isn't the only commercial entity that started out as independent, fighting the system in order to create what they wanted, and eventually ended up as closed and commercial as the entities they originally fought against. In fact, a number of the publishers that are mentioned around these parts have a similar history. It might be arguable how much copyright hindered the early independents, but to an extent, it was doing exactly what it was designed to do, which was to keep others from profiting from some one else's ideas. Let's face it, everyone would like to be able to sell a great product, but it should not be fair for Citizen A to simply steal the idea from Citizen B who spent a lot of time and effort developing something unique and valuable. Restricting access to Citizen A, or requiring Citizen A to compensate Citizen B, for a limited period of time, is a fair practice. That's in theory, obviously. As the article pointed out, the courts decided against the standing copyright laws later, and changed the status quo in early cinema (a sign that our present copyright state isn't carved in stone), opening more opportunities for commerce and competition. The laws should always be balanced to allow early compensation, then encourage competition, without allowing a perpetual monopoly to dominate the market. And most importantly, the laws have to be written with the understanding that times change, needs change, technology changes, and the laws must be capable of changing to keep up. |
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#40 |
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Here's another one who thinks the copyright model is obsolete:
Kevin Kelly It's a much shorter read than the previous link I posted. Interestingly enough, I find I often work according to the principles Embodiment and Patronage, as described in the article. Case in point: I'm a roleplayer. I often download books that I have no desire neither of buying nor of using - it's only idle curiosity. However, I did download, a couple of months ago, the pdf of a rulebook of a game that sounded interesting. After checking it up, yes it was as good as the hype said, so I bought myself a Hardcover version of it. So here you have it: - Patronage: I like what that company makes, and I'm going to use it, so I bought one. - Embodiment: the same book is available as a pdf ($12), a softcover ($25) or a harcover ($40). Of course, I bought myself a harcover. |
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#41 | |
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All children (I hope) I taught that it is "wrong" to take something from a shop without paying for it; they need to be taught that it is equally wrong to take something from the Internet without paying for it. There is a voluntary agreement being discussed at present among European ISPs to deal with persistent copyright infringers. It woud be a three stage process - first a warning letter, then a temporary sessation of service, and then a permanent ban. The idea is that persistent offenders would not be able to get access from any ISP. |
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#42 |
New York Editor
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Harry: There is, IMHO, absolutely nothing wrong with existing copyright laws.
Dennis: Given the current trends of copyright law in the US, where nothing will ever go out of copyright, I question the assumption that there's nothing wrong with the laws. Harry: Yes, I agree with you that "perpetual copyright" is clearly not a good thing, and must act to stiffle creativity. In the rest of the world, however, new material is continuing to enter the public domain year upon year, so you're describing a problem that's specific to the US, rather than being a problem with copyright in general. As I've mentioned before, our (UK) government recently rejected a proposal to extend copyright terms, and I've seen no mention anywhere of any proposals in the EU to extend copyright beyond "life + 70", which appears to be very much becoming accepted as the "global standard". Dennis: The current trend in the states can be largely laid at the feet of DisneyCo, who wants to make sure Mickey Mouse and friends never become Public Domain. The simple solution would be a legal distinction between rights held by individuals and rights held by business entities. Rights can be "author's life + X years", but if the "author" is a business concern like Disney, "author's life" can be indefinite. Harry: That sounds good to me, certainly. |
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#43 |
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Sorry Dennis - I accidentally pressed the "edit" button on your post instead of replying to it - my answer is mixed up above with your original post. I've gone back and tried to make it clear "who said what".
My apologies! |
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#44 | |
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![]() You did a good job of fixup. _______ Dennis Last edited by DMcCunney; 02-03-2008 at 01:35 PM. |
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#45 | |||
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The simple solution would be a legal distinction between rights held by individuals and rights held by business entities. Rights can be "author's life + X years", but if the "author" is a business concern like Disney, "author's life" can be indefinite. Quote:
Walt simply wanted to tell stories, did so brilliantly, and made a bundle as a side effect. Current management simply wants to make a bundle, and has forgotten that making money happens as a result of doing something else well that people want to buy. The bean counters have wrested power from the creative folks, and it shows. ______ Dennis |
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