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#31 | |
Wizard
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I have read some books that (in my subjective opinion) were stinkers, and would subsequently see posts from them on various places, complaining that their books weren't selling well "after all their hard work". The customer has to like the fruits of their labours. Working hard in and of itself doesn't guarantee anything when it comes to fiction. So yes, she is right, and she said it bluntly. |
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#32 | |
Bookaholic
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#33 | |
Wizard
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I most certainly don't think self-published authors are lazy. I have a tidy collection in calibre of Smashwords books that I've quite enjoyed on that front. |
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#34 | |
Bookaholic
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#35 |
Wizard
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No worries.
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#36 |
Bookaholic
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Seems to me this shows that a lot of self pubbed authors do a better job of marketing themselves than trad pubbed authors and their publishers are doing. We have no way of knowing how much time and energy any author spends improving their skills.
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#37 | |
Philosopher
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Her calling self-published authors lazy is idiotic. Both the author who sumbits their work to a publisher and the author self-publishes have both done work, we can't assume the latter did not put time and effort into it. But the self-published author has to do the marketing themselves, and that's not for the lazy. |
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#38 | |
Connoisseur
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Publication is fully dependent on people. People are imperfect, unreliable, and not prone to making the "best" choices when their paychecks are on the line. Her statement implies that the absolute worst scrap of "professionally" published material is better than the absolute best manuscript sitting in a trunk in a dead man's storage locker. She ignores the fact that at some point the writer focused on improving themselves and getting professionally published will be forced to spend quite a bit of time writing query letters, licking stamps, and managing the whole process of submitting a manuscript to a publisher. How is that different than a writer focused on improving themselves and then taking the steps to publish their own work? Like major movie studios, publishing houses exist to make money. What she is saying is no different than advising the creators of the Blair Witch Project that their time would have been better spent polishing the script and putting its future in the hands of a movie studio that just released a remake of Herbie Goes Bananas. The Universe is just as fickle as the Humans inhabiting it and I certainly won't spend my whole life waiting on something so notoriously unreliable and unpunctual. |
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#39 |
Addict
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Publishing (indy, trad, or otherwise) has become so marketing-driven that writers on all sides can, and some have, become lazy. As long as there's enough of a hook to sell it, it seems to go out there, regardless of quality.
I think we would all like to see authors hone their craft, improve it, and put out the best stories possible. This is not always the case, regardless of publishing channel. I think there is a tendency in self-pub to rush product out without covering the basics, both in terms of writing and production. In years past, the traditional route may have provided enough challenges and feedback to help authors improve before finding publication. I doubt this is any longer the case, if it ever was more than an isolated practice. I think there are good and bad writers out there in all channels. I don't think many publishers act as arbiters of quality, but are more focused on calculated marketing decisions. The takeaway on this, despite Grafton being a little off-kilter in her views on self-publishing, is that just because the tools of publishing are more easily and affordably available, it doesn't mean you are ready to publish. Writing is hard work. It is work to just do it. It is work to make it good. It is work to make it better. With self-pub, add on all the tasks of design, publishing, and marketing. And just because technology has made them easier to do, doesn't mean they are easy to do. I think Grafton is off on much of her point. But when you are a hard-working professional at something, I bet it can be annoying to see others take the lazy way out and claim their work has equal merit. (And I am not saying self-pub is being lazy. Not at all.) So to see all these "published authors" flitting about with sub-standard books must be a little grating. Any author who puts in the time, work, and effort to be a true professional should be proud of themselves, no matter how they are published. I could name a few "professional" writers who are hardly worthy of the name, too. |
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#40 |
Seriously?
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.....
Last edited by david_e; 09-05-2012 at 05:16 PM. |
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#41 | |
Grand Sorcerer
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The Pig That Wants to Be Eaten: 100 Experiments for the Armchair Philosopher A Field Guide to Radiation Unknown Quantity: A Real and Imaginary History of Algebra Yes, they are non-fiction. It's in the nature of fiction that almost any publishable book could be a surprise best-seller. An exception would be new translations of old literature. Here's one from Random House I just found and now plan to read: Doctor Zhivago It could be correct that advances and massive rewrites are the past, and copy-edited-only solitary authors are the future. If so, from where I read, that's bad. If those big publishers really are dinosaurs, it may just be that I'll be reading more books from university publishing houses. Last edited by SteveEisenberg; 08-14-2012 at 07:53 PM. |
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#42 |
Wizard
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actually, that book about the history of algebra sounds interesting...
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#43 |
Grand Sorcerer
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Last edited by SteveEisenberg; 08-14-2012 at 07:58 PM. |
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#44 |
Wizard
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#45 | |||
Geographically Restricted
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For those authors who are rejected as non money making assets, self publishing is the new and better option. Quote:
Did you follow the link below at all? Sums up pretty much mine and apparently other members thoughts about the matter. http://www.hughhowey.com/my-favorite...rafton-novels/ Quote:
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