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#16 | |
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At first I wondered why so many translators changed the title when Rizal must have intended it to have a symbolic meaning. Then I found this comprehensive analysis of all the translations, why each translator selected the title that they did and how politics of the time influenced the translations. http://www.philippinestudies.net/fil...-5250-1-PB.pdf I think it's worth noting that Guererro took his title Lost Eden from the poem, Mi Último Adiós (My Last Farewell), written by Rizal on the eve of his execution. There is a fascinating article on Wikipedia about the history and impact of this poem. http://en.m.wikipedia.org/wiki/Mi_%C...imo_adi%C3%B3s |
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#17 |
languorous autodidact ✦
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I'm only 40 pages or so in but am enjoying the extra notes in this edition. I'm also enjoying the book which has a nice brisk pace so far. The pages drip with Rizal's sarcasm and caustic humour.
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#18 |
Grand Sorcerer
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I'm still waiting for my request to show up. Maybe next week I can start.
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#19 |
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I have to admit that I'm not thoroughly enjoying this. About 58% in and I'm stuggling a little.
I'm not hating it and at times it feels a little like The Little World of Don Camillo, but set in the Philippines. However, I do find sections of text are slipping away without making any impression on me. |
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#20 | ||
Nameless Being
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#21 |
Hiding with an ereader
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I'm up and down with this one as well. I enjoy sections, find them funny and interesting and then I'm just bored for a while.
Part of it is that I'm having a harder time than usual getting consistent images in my mind - houses, streets, clothing etc. I just don't have much of a frame of reference. |
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#22 |
Indie Advocate
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I finished it and the the story definitely became more engrossing. I found the light-hearted and sarcastic humour interesting when contrasted with the brutal injustice prevalent throughout.
The revelation of the big mystery - why Chrisostomo and his father were set upon by Damaso - tied in well to the overall display of Spanish/Religious tyranny in the Philippines. The family itself were not historically innocent either, with wealth and a dark past, the story remained a demonstration of the turning of tides for the Filipino rich; the shakey ground on which they ruled over their inferiors. Overall I liked the dark nature of the story, which is not surprising if you know me well, but the reading experience wasn't quite what I was hoping for. |
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#23 | |
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http://www.philippine-history.org/pi...old-manila.htm Here are some old maps of Manila and its suburbs. http://www.lib.utexas.edu/maps/histo...burbs_1898.jpg http://www.greatwhitefleet.info/A%20...old-Manila.jpg |
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#24 | |
Nameless Being
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#25 | |
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#26 |
Home for the moment
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Well, I have started at last.
I find the introduction(Penguin edition) by Harold Augenbraum very enlightening, but a good foreword is as far/as much as I want to know about any book before I read it. I will save the excellent links of Bookworm_girl (thanks!) for later, when I've finished the book. ![]() ![]() ![]() edit: the book reminds me of some of the naturalist writers I read; perhaps it is the style or the description of the protagonists.....I don't know, as I'm only at chapter 3. Last edited by desertblues; 11-23-2014 at 07:08 AM. |
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#27 | |
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#28 |
o saeclum infacetum
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I've been flipping between the Guerrero and Augenbraum translations and Ii prefer Guerrero. It's got a better flow than Augenbraum; I have more of the feeling of total immersion that's a hallmark of nineteenth century novels. In his notes on his translation, Guerroro cites Matthew Arnold's insight that a translation should affect the current reader in the same way the original affected contemporary readers and I think Guerrero is superior in that sense, which makes it a better read for me.
I do like Augenbraum's notes, but I'll add that at times Guerrero incorporates an explanation into his text that Augenbraum doesn't annotate, so there's something of a toss-up between the two in that respect. Perhaps Lacson-Locsin is a synthesis of the best of both approaches and I look forward to Hamlet53's comments. |
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#29 | ||
languorous autodidact ✦
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I have to say, though I'm quite enjoying Augenbraum's translation I'm finding the notes rather dry, as you allude to. I was hoping for more contextual notes, especially as this text is so foreign, and instead I find many more definition and reference notes. Back when pbooks were the norm I'd still find this extremely useful, and I still do to an extent, but nowadays when I can easily google a tagalog word I don't understand for a quick definition or even photo, having such a large percentage of the notes being of this sort isn't exactly what I would hope for. Especially as there have been quite a few instances as I read and have a question where I find myself thinking, "This would've been the perfect thing to annotate and explain!" and yet it's left alone. |
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#30 |
Snoozing in the sun
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I am just getting into it too - only as far as Chapter 8 at this stage. It hasn't really grabbed me so far, but to be fair I am only reading it in snippets in between various other things, so I need to settle down and read a decent chunk of it at a time.
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