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#16 |
Fanatic
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Mrmikel's initial reply is correct. To rephrase the succinct points:
![]() EPUB3 does allow fixed layout (i.e. absolute control), but it is not what the format is intended for. For that we have PDF. |
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#17 | |
Digital Amanuensis
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Quote:
Side story. Nearly one year ago, I did some consulting for a small but quite famous Italian publisher who lives in a narrow market (prose) niche. They insisted that the "look-and-feel" of their eBooks should be exactly the same of their printed books. After a long, very detailed discussion of what can be done and what not, they kept insisting on it, to the point I suggested them to produce (relatively inexpensive) PDFs --- preferably in various formats: 5", 6" and 9" screens, A4 --- giving up all the "advantages" of reflowable ebooks. AFAIK, they are still making their minds up. Anyway, w.r.t. to the "is EPUB 3 ready?" question. The DR is right on this: EPUB 3 support is scarce right now. By that, I mean "support for the new features introduced by EPUB 3"; otherwise, pretty much any EPUB 2 reading system is capable of reading what I call "an EPUB 2 ebook in an EPUB 3 container", that is, text + images + toc.ncx. Even worse, even iBooks --- which is the only market-significant platform capable of render (some) EPUB 3 --- is not fully EPUB 3 compliant: for example, no MediaOverlay support for reflowable eBooks, MathML support is good for basic stuff but not for advanced stuff (surprised?), some rendition options are supported only through Apple-specific extensions (instead of standard declarations), etc. On the other had, IMHO, the "is EPUB 3 dead on start?" question is more open to debate. There are two big issues here: 1) aside for the FXL craziness, EPUB 3 is mainly incremental w.r.t. EPUB 2 (the semantic vocabulary is ridiculously tiny and it is essentially ignored by reading systems, support for things like parallel texts is not even taken into consideration, not to mention the annotation stuff, etc.); 2) the "commercial dynamics" behind IDPF are clear: a bunch of non-Amazon (and non-Apple) publishers/vendors, who are more into marketing than into technology, with all the problems already mentioned above (everyone implements as much of EPUB 3 as it thinks good for its business, little investments, very little attention for "real eBook" features, etc.). |
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#18 |
Grand Sorcerer
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Poetry often depends heavily on visual structure where other narrative forms just don't (not as integrally anyway): change the font-size for a straight-forward narrative and the words-per-line just re-adjust to accommodate. Do the same for a poem, and it often visually (and unsatisfactorily) "breaks sh!t." A "Standard" is probably never going to be able to compensate for the fact that all screen- and font-sizes are simply not capable of displaying verse in its optimal visual representation (unless the font is made so tiny as to be virtually unreadable).
The choices are pretty clear: relinquish rigid control over the visual structure of poetry, or accept the fact that structure-dependent poetry is probably not a good candidate for digital conversion -- at least not if the goal is consistency across a range of devices/screen sizes. Last edited by DiapDealer; 05-30-2013 at 07:46 AM. |
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#19 |
Digital Amanuensis
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That's exacly why I asked for the "formatting issues" cited above. In my experience, "classic poetry" can be rendered decently even on 6" eReaders with a reasonable font.
Clearly, if one wants to reproduce exotic typographical effects, she is going to have hard times. |
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#20 |
Grand Sorcerer
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Yes, that's been my experience as well. Make sure the poetry looks OK on a 6" screen with a midrange font-size, and take some minimal steps so it will degrade gracefully (practically at least, if not aesthetically) on smaller screens/larger fonts ... and move on.
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#21 | |
Connoisseur
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#22 |
Grand Sorcerer
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I honestly wouldn't give a second thought as to how FBReader renders anything. The vast majority of your target audience will be using a reader that uses Adobe's RMSDK engine--just like Mantano does.
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#23 | |
frumious Bandersnatch
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The only thing I'm missing (for poetry) is the kind of line alignment where long lines are wrapped and have the second part (often just a few words) right-aligned, preferably with a bracket. Well, that and line numbers, maybe. |
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#24 |
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I'm seeing a huge disadvantage for KF8. It's the line height. It's too big to be comfortable to read. You cannot lower the line height without changing the metrics of the font used. So unless you have a font that's set to display a decent line height, the reading experience is not going to be all that good.
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#25 |
Grand Sorcerer
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I really should have seen you coming a mile away with that one. I must be slipping.
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#26 | |
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Most KF8 are just ePub converted to KF8. I've not yet seen a KF8 eBook (or even read about about one) that uses KF8 features that ePub doesn't have. |
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#27 | ||
Grand Sorcerer
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#28 |
Grand Sorcerer
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Actually the fixed format design of KF8 has many capabilities not on any other reader, particularly for children's books. None of those features are in ePub.
Dale |
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#29 |
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It is easier to change things in either Amazon's or Apple's limited ecosystem.
Standards based formats do have their drawbacks this way. |
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#30 | ||
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