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#16 |
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I can see both sides of the argument here.
For whatever reasons (slavery?), the word "nigger" has exceptionally unpleasant cultural overtones in the United States. This book, which is an American classic, makes extensive use of the word, which I can see might cause issues should one wish to have the book in, say, a school library. Would this be a book that you'd be comfortable in giving a child to read? Especially a black child? So, you basically have 4 options as I see it: 1. Allow free and uncontrolled access to the original book. 2. Remove the book from all school libraries. 3. Allow only controlled access to the book, in an environment where its cultural context can be explained. 4. Rewrite the book, thus preserving a good story, but removing the context that is culturally unacceptable. One could argue for and against all these options. I can personally see benefits of a mixture of 3 and 4 for schools: have a "sanitised" version of the book in the library to allow children to read a wonderful story, while preserving the original for English lessons where its cultural context can be properly explained. Of course all adults should have free and unrestricted access to the original. |
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#17 | |
Bookworm
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Besides, rewriting a book is a complete no-no as far as I'm concerned: once something is published, it should become uneditable. If editing was allowed, the very base of our culture would become shaky, as you could never trust what you read. Imagine if a text published a certain year didn't quite match another with the same title, same ISBN and same author but published another year! That's what happens when Winston constantly rewrites historical records to fit the political situation du jour in 1984. My head spins just thinking about it. If I couldn't trust what I read, I think I'd go peculiar. There's actually a perfectly acceptable 5th option: those who insist on cleaning up Huck Finn should create a new edition entitled "Adventures of Huckleberry Finn - the corny edition" or something, add the revisionist's name on the cover alongside Mark Twain's, give the book a new ISBN number and market it to delicate people, the same way Cleanflicks sells sanitized movies, claiming they give added value. That way, it becomes a new literary work - an exegesis of Mark Twain's work as it were - that leave the original work untouched and available to those who want to read it as-is. |
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#18 | |
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You say that removing such books from school libraries is not an option in a free society, but I believe that it has in fact happened in more than one place already, and I have to say that I can understand why. I don't agree with it, but I do understand it. |
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#19 |
NewKindler
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In a book I am reading, Tony Blair told George Bush "In the War of 1812 when the British burned the White House... sorry about that."
So do we need to sanitize every single piece of "bad" history that happened or do we learn from it to prevent it from happening again? Sad part is that so much is already happening again, we are reliving the late 40s all over again. |
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#20 | |
Bookworm
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#21 | |||
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Last edited by rogue_librarian; 01-05-2011 at 02:06 PM. |
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#22 | |
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Children's editions of classics are pretty common, especially when a book contains material that a child may find upsetting. Eg, there's a "Junior Edition" of Verne's "Around the World in 80 Days" here at PG. |
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#23 |
Da'i
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The HP Lovecraft Historical Society's adaptation of the "Call of Cthulhu" did not make the Cthulhu cultists raided by Inspector Legrasse of African descent as described in the story. They recognized that this bit of gratuitous racism only detracted from the power and value of the original story. While I think it would be wrong to go back and censor the original, I have no problem with adaptations that are explicitly identified as such, even if the medium of the adaptation is the same as that of the original (i.e. a novel adaptation of a novel, comic adaptation of a comic, etc.).
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#24 |
Professional Contrarian
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Like it or not, such is the power of the public domain.
Books are not merely "free of charge," they are also "free of control." You can protest textual changes until you are blue in the face, and you may even have excellent points for maintaining the integrity of the original (and should continue to express them openly). Unfortunately, if the rewriters do not accept your arguments or respond to your pressure, you can't stop them from issuing it. Further, this is not always such a straight-forward issue. Some people hate the idea of Pride and Prejudice and Zombies. Some think it's hilarious. Who's right? And surely if someone rewrote the book from scratch and set it in the year 2010, you would not require the rewriter to use terms we would now call racist or derogatory? |
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#25 | |
Grand Sorcerer
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#26 | ||
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There is absolutely no question that anyone can commercialize or sell a copy of a public domain work, for any price, for any reason. That's how PD works. It's only with digital distribution that anyone can afford to give away digital copies at no cost. Similarly, anyone can create a derivative work of a public domain book for commercial purposes -- e.g. Wicked was derived from The Wizard of Oz, which is in the public domain. |
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#27 | ||
Grand Sorcerer
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#28 | |
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They do. But these are "just" moral rights. |
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#29 |
Manic Do Fuse
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I am looking forward to reading Moby Richard.
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#30 | ||
Grand Sorcerer
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2 & 3) aren't going to happen in the US. However, it can be *limited* to those school libraries that either are comfortable with bigotry (it's a big country; there are many), or those that are ready to explain its history and discuss the ramifications thereof. 4) Rewriting the book implies that the bigotry is in the past, and no longer happens today, which is why those terms are so offensive today. It's implying that the story, if translated to today, wouldn't be laden with bigotry and stereotypes. It's a way of saying, "it USED to be okay to say those awful things, but it's not now, so we've removed them"--which would be reasonable, if it weren't now. Since plenty of people, including elected officials, celebrities, comedians, and teachers, still promote those stereotypes, removing them from the book says "this is about an icky time in the past; it's not about issues people face today." And, aside from the ethics of that, if it's not about issues people face today, the book loses pretty much all relevance as an educational tool. It's just another boy's-adventure, coming-of-age story, and any school should be able to find some of those that don't need to be "rewritten" to be useful. |
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