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#271 |
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#272 |
monkey on the fringe
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#273 |
Wizard
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ok, here's a question. My uncle wrote a book on his experiences in WWII, plus wrote lots of letters home. His book wasn't published in his lifetime, but is being published now by a military history publisher. My cousin, his daughter, is publishing his letters through Amazon. Who should own the copyright on these items? is it years after my uncle's death, or years after my cousin's death?
(quick answer: on the copyright page of both is my cousin's name. She did extensive editing and formatting on both documents, and she deserves it for all the work she's done on them. I'm just putting the situation out there for conversation.) |
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#274 |
Wizard
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That part of the argument was if the folklore tales were copyrighted by who ever created it. Back then, wasn't a big deal if someone retold your story, and due to that, the creators have been lost to history.
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#275 | |
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Quote:
I'd like to think that if they were copyrighted, the creators of folklore, folk music, and the like, would have released their stuff under a Creative Commons-like license..... Last edited by ApK; 07-16-2012 at 01:45 PM. |
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#276 | |
eBook Enthusiast
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Quote:
Within the EU, copyright on posthumous works extends for the lifetime of the original author plus 70 years. However, the INITIAL publisher of a previously-unpublished work which would otherwise be in the public domain gets a one-time 25-year copyright on it. This is to encourage publication of old but unpublished works. |
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#277 | |
Maria Schneider
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Quote:
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#278 |
Philosopher
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But you're advocating for people like Walt Disney to be unable to mine the public domain. If copyright had been eternal, no Disney movies. No Shakespeare in the park. Dig up some 2,000 year old texts, can't copy them.
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#279 |
Philosopher
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The public domain is not taking anything away from authors. The public domain is the default state, everything was public domain until copyright was invented. Copyright is a government granted monopoly on copying for a limited period of time. In exchange, the works eventually enter the public domain. It is no different than patents. If you don't like the deal that patents give, you're free to keep your technology a trade secret, it's the then up to you to keep it secret, if it gets out you have no protection. If you don't like the deal that copyright gives you, feel free not to accept it. Maybe you'll come up with an unbreakable DRM, right about the time a square circle is created.
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#280 |
monkey on the fringe
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I'm not advocating undoing current public domain works. That genie is out of the bottle and impossible to undo. I'm advocating a change to current copyright law.
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#281 | |
Philosopher
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Quote:
I'm against eternal copyright for the same reason I'm against book burning. Eternal copyright is the biggest bonfire of them all. |
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#282 |
monkey on the fringe
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#283 |
Philosopher
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Wrong. Physical property exists without government. To say otherwise is to deny that the lock exists.
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#284 | |||
Professional Contrarian
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Quote:
If the content creator signs a bad deal, that's their own damned fault. They should hire a better lawyer next time. And again: In the US, if your work was published after 1978, you can get your rights back. The content creator doesn't have to compensate the publisher, they basically fill out a form and voila, they have the rights back. There is no way that aspect of US copyright law can be viewed as "in favor of the middle man," because it explicitly gives the content creator a legal means by which to regain copyright just by filling out a form. Quote:
Quote:
Content creators should have the right to transfer their copyrights as they see fit. And no one, I repeat no one, is forcing them to fork over their rights. |
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#285 | |
monkey on the fringe
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Quote:
Which of these copyrighted books was never made into a movie?
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