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#226 |
cacoethes scribendi
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So your earlier post that said: "The bigger question is why the mass audience is style and tone deaf, and finds them readable." was not a rejection of their opinion? It sure sounds like one to me.
It is only your claim that it isn't the writing, not mine. Certainly there is a combination of factors going on here, but the writing is part of that combination. It is your prior claim that the mass audience is style and tone deaf that seems to be a total rejection of popularity. |
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#227 | ||
New York Editor
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If we accept that a popular book can be badly written, we have to ask why it's popular despite that. I agree that a combination of factors are involved, and writing quality is only one of them. What are the others? I'll part company with mass audience taste on a badly written book because I require a minimal level of writing quality to find a book readable at all. Obviously I'm not representative, because books I can't read may become very popular indeed. ______ Dennis |
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#228 | |
cacoethes scribendi
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This is not a dig, I think we all feel like that at times, but I think it truly highlights the point made to me earlier: people statement's of what is good taste (good writing) can only ever be their personal opinion, no matter how strongly stated. To me good writing is writing that reaches its audience; almost by definition, this means a popular book is well written whether I happen to like it or not. |
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#229 | ||
New York Editor
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In some cases, I may well think my taste is in fact better, but that's not a blanket statement, either. There are an awful lot of very popular books that are arguably well written that I am unlikely to read because the subject matter is not one that appeals to me. I'm simply not interested, and I'll cheerfully take the word of someone who is that they are good. Quote:
Why didn't you like them? Were they about things of interest to you? Assuming they were the sort of books you would read in the first place, what put you off about them? Artistic judgments are always subjective. The best we can hope to do is define the criteria we are using when we render judgment. ______ Dennis Last edited by DMcCunney; 01-28-2011 at 10:18 PM. |
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#230 |
cacoethes scribendi
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#231 |
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Nicely put. Perhaps a decline in 'writing quality' in popular works, reflects a decline in literacy as a whole.
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#232 |
Wizard
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I think that is true for the mass-market bestsellers, but I also think that we aren't as fussy/snobbish about writing quality anymore. This is true about many things besides writing, such as music, clothes, hairstyles,... People used to think that your aesthetic choices reflected your moral character, but not so much anymore, thankfully.
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#233 |
Resident Curmudgeon
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Yes, lousy books can be very popular. So popular in fact that the author goes on to make that lousy book into a series.
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#234 |
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Yes. Otherwise "well written" is a synonym for "popular", and that doesn't seem like a very useful definition to me.
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#235 | |
cacoethes scribendi
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I would also like to re-emphasize what I indicated in my OP: that I was specifically referring to books popular in and of themselves - as opposed to popular for external reasons (like famous author or famous event), I don't want you to think that I am including every football player's memoirs in this ![]() |
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#236 |
Writer
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Of course they can, just look at the huge number of franchise thrillers thrown together by ghost writers. Idiotic shallow characters hurtling through unbelievable and ill researched plots. There are hundreds of them out there
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#237 |
Wizard
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For me, personal opinion is what counts, because I'm reading for my enjoyment, not others'. So yes, popular opinion is worse in that case; it's useless.
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#238 | |
Connoisseur
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A good writer is one who does most things right and only hits a few sour notes. A bad, popular writer is often doing one thing really well and everything else incredibly badly. Daniel Steel. Dan Brown. David Weber. And others whose names don't even begin with "D". Maeve Binchy. Ken Follet. Often the only thing they're doing right is inducing you to keep turning pages. I think that may be the only trick you need to create a bestseller. |
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#239 |
Connoisseur
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Well - I think that there is no perfect book, so a popular book might very well have consistent flaws that are really noticeable. I've read incredibly long series that didn't make a lot of sense - but I continued reading them because I was really enthralled by one feature of theirs.
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#240 |
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Yes, just like Little Fockers can be number one at the box office.
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