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#166 |
Feral Underclass
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Join Date: Jan 2010
Location: Yorkshire, tha noz
Device: 2nd hand paperback
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#167 | |
Autism Spectrum Disorder
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Join Date: Sep 2011
Location: Coastal Texas
Device: Android Phone
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On the literary side of things, that's also why textbook companies release a new edition every year and give professors kickbacks for requiring students to use the latest edition. What could be a $15 book of text with minimal illustrations is turned into a $100+ tome with too many illustrations and sidebars and a useless CD-ROM, whose colors all change every year. And then these companies have the gall to try and smear the used book market claiming its stealing their sales or something. And that's why self- destructing ebooks exist, too. Pay $100 now, and $100 each semester beyond the first that you want to use it. Shame we can't wring a lot of the excess greed out of the system. I'm pretty sure someone's still publishing the open source version somewhere, but I've had difficulty finding it. |
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#168 | |
Nameless Being
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#169 | ||
Wizard
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Join Date: Oct 2010
Device: PocketBook 903 & 360+
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The second point would be: I remember reading posts by authors who self published through Amazon that said that when other stores had offers that lowered the price of their books Amazon would match those prices and if the price went below a certain value (was it 2.99?) they would go from getting 70% on each book to getting 30%. Since you consider loss of profits to be caused by someone stealing, who is the thief in these cases? I think that the point was that what you described isn't called stealing. |
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#170 | |
Wizard
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Karma: 33602910
Join Date: Oct 2010
Device: PocketBook 903 & 360+
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#171 | ||
Grand Sorcerer
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Karma: 25133758
Join Date: Nov 2008
Location: SF Bay Area, California, USA
Device: Pocketbook Touch HD3 (Past: Kobo Mini, PEZ, PRS-505, Clié)
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With a side order of, "profits are not guaranteed in any business venture." It is not "stealing" an author's profits to convince someone not to buy a particular book. If that were the case, critical reviews would be theft. I mean, aren't reviews theft? You're taking something that doesn't belong to you--the attention people want to give to the original author--and using it for your own benefit, possibly profit. That's use of someone else's creative work, without permission, for personal gain. The issue of what kinds of uses are allowed (review of the book) and what kinds aren't (movie based on the book) without permission has nothing to do with the core ethic of "is it okay to use someone's work w/o their consent?" Quote:
Last edited by Elfwreck; 11-18-2011 at 10:22 AM. |
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#172 | |
Evangelist
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Join Date: Dec 2009
Device: back to x51v
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Yep what you said.
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I'd bet dollars to a hole in a donut that this same argument comes up in relation to dumpster divers as well. |
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#173 |
Grand Sorcerer
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Join Date: Jan 2006
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It's been awhile since I've seen a thread of this subject that, by now, hadn't completely devolved into pure insult and irrationality. Kudos to all. Some points:
I think both of these comments are vital to this discussion, as the first represents a set of "metaphors" that might suit ebooks better than most product/services, and the latter raises an important concept also touched on by cable services. I remember when cable services were rolled out in our area, and right away, consumers were trying to figure out how to "steal" cable signals from neighbors, what rights they had to run lines through their homes and create multiple outlets out of one, and why they were suddenly paying for something they used to get for free (excepting the cost of a television). The customer logic was that the cable companies weren't "losing" anything through cable sharing. It was the same show, whether they got it over the air or from a spliced cable, and they'd never paid for it before. In one sense, it seemed a logical argument. The cable companies didn't see it that way: They were creating infrastructure and providing a customized access to video materials, even if they didn't create the materials themselves; in short, they were providing a service to customers, and customers were free to pay for the service, or get their TV elsewhere. Cable services put a lot of effort into working out problems like that, mostly through massaging laws and offering value-added extras to their services. They have been largely successful over time in satisfying customers that they are getting a valuable commodity for their money (content quality notwithstanding), and getting legislatures to back their assertion that their services could not be "pirated" without prosecution. Today, most customers do not obsess over attempts to "pirate" TV signals... they are more likely to complain about not liking the content on the 500 channels they pay for. "Theft" of ebooks is, in many ways, similar to cable "theft," in that strictly speaking, there is no loss of physical product involved; it is considered a theft of service, the idea that you are legally expected to pay for their services provided, or go without. The discussion about the $1400 software touches on this, as there is no "justification" for unauthorized access to something you don't need to survive; you either pay to use it, or go without. All software, from $1400 CAD programs to $5 MP3 rippers, go by this legal assumption, and it is understood and (mostly) accepted by all parties involved. (The argument that "I need this software for (work, school, whatever)" is not justifiable; if you can't afford the materials needed to follow a vocation, you simply choose another one you can afford. Society has no obligation to let you steal the supplies you need to follow a particular career choice.) Therefore, ebooks should be considered in the context of software and broadcast services, as a digital file created by a service and offered by a provider (and therefore requiring the mutual agreement of the customer to compensate the service/provider for their work as requested), and protected by the same statutes that prevent unauthorized re-broadcast or reuse of broadcasts. This makes much more sense than looking at ebooks specifically and solely as analogues to the physical products that they replace, a model that has proven to be unworkable in the marketplace even if it seems logical on its surface. From that foundation, we ought to be able to make the required adjustments for the realities of the internet and digital devices to ensure the proper adherence to these considerations, and most importantly, establish a way to identify and prevent unauthorized activity. Boy, I have said way too much. Moving on! |
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#174 | |
Grand Master of Flowers
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Join Date: Oct 2010
Location: Naptown
Device: Kindle PW, Kindle 3 (aka Keyboard), iPhone, iPad 3 (not for reading)
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This is Indiana law, but it's based on the Model Penal Code.
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#175 |
Avid Reader
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Device: PocketBook 902, Galaxy Tab 2 7.0, ASUS TF700, and Cybook Gen III
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Downloading the music/ebook/movie does not deprive the other person of any part of its value or use, it still has the exact same value as before. It can still be used exactly as before. Downloading it does not somehow "damage" the original.
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#176 |
Grand Sorcerer
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Join Date: Feb 2009
Device: Kobo Clara 2E
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#177 |
Grand Sorcerer
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Join Date: Jan 2006
Device: none
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#178 |
Grand Sorcerer
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Device: Pocketbook
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#179 | |
Grand Sorcerer
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Karma: 37057604
Join Date: Jan 2008
Device: Pocketbook
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#180 | ||
Grand Sorcerer
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Karma: 25133758
Join Date: Nov 2008
Location: SF Bay Area, California, USA
Device: Pocketbook Touch HD3 (Past: Kobo Mini, PEZ, PRS-505, Clié)
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Publishers don't want to say, "it's like cable," because cable allows a lot of activities they want to prevent. Quote:
If you honestly believe that distributing free e-copies increases physical sales, you're not violating this law. |
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