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#151 | |
Enthusiast
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Karma: 1652686
Join Date: Sep 2015
Location: Oklahoma City, USA
Device: Nook HD
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However the agent came to me rather than vice versa, based on an earlier contact before she established her agency. Once we finished the original project, we worked together on quite a few more -- and I still get a royalty check from her once a year, for about $10 each time. That's pretty good for a computer book first printed in 1995; most go out of print within just a couple of years! All my others had that fate. Before getting the agent, I wrote as "works for hire" for a flat fee upon delivery. The agent negotiated royalty and found new ideas, leaving me free to "just write." However now that I've finally, after more than 60 years trying, learned how to write (possibly) salable fiction, I've chosen the self-publishing route. The only piece I've put on the market, to date, has sold just one copy, and I suspect that was to some friend or relative. However I've done no marketing of it, and the sample size is too small to reach any conclusions. I do, though, plan to continue direct marketing on line and to submit, without an agent, to some of the smaller "micro-press" houses. The odds of getting read by any of the major houses are far too small to justify submission without an agent -- but that isn't the only way of getting into print. My recommendation is to use every method open to you! |
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#152 | |
Enthusiast
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Karma: 1652686
Join Date: Sep 2015
Location: Oklahoma City, USA
Device: Nook HD
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Quote:
While I've discovered a number of authors in their catalog who now number among my favorites, I've also found several that I dislike so strongly that I refuse to even read their blurbs. The traditional publishing houses don't serve as gatekeepers for me. The major advantage I see to dealing with them is that, if you can get accepted and produce acceptable (to them) sales with your first effort, then you have entree to all the major marketplaces with no additional effort on your part. Of course, you approach that with outlets such as Smashwords, but then you suffer from a general belief that all their titles are crap. Sturgeon was right, of course, that this is true of 90% of everything -- but in marketing, perception is critical, and many folk do trust traditional publishers as gatekeepers. As for the original question, I'd agree that an "ebook" is simply any book, of any size, that's available via electronics. Subject matter, format, even the source, are not relevant to the definition. |
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#153 | |
Ex-Helpdesk Junkie
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Karma: 85400180
Join Date: Nov 2012
Location: The Beaten Path, USA, Roundworld, This Side of Infinity
Device: Kindle Touch fw5.3.7 (Wifi only)
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The books that don't have a very good story never make it onto my radar. And the ones that make it onto my radar are usually pretty well edited -- or so I would guess, based on the general lack of spelling and grammar errors. I would say, they tend to have about as many errors as a tradpub book, which is to say, a few. |
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#154 |
eBook Enthusiast
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Karma: 93980341
Join Date: Nov 2006
Location: UK
Device: Kindle Oasis 2, iPad Pro 10.5", iPhone 6
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Whatever works for you is what matters.
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#155 |
Guru
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Karma: 7544528
Join Date: Apr 2013
Location: Berlin
Device: PRS 350, Kobo Aura
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A different view could be, that self-published books could produce for markets, that aren't interesting for traditional publishers. Like sub-sub-genres. It doesn't make much sense, to put a book in every book store, if it is only interesting for a very small percentage of the population. But a very small percentage could be a big enough absolute number, to be profitable for one person, especially without the logistic costs.
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#156 | |
Just a Yellow Smiley.
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Karma: 83862859
Join Date: Jul 2015
Location: Texas
Device: K4, K5, fire, kobo, galaxy
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Several have been on the NYT bestseller list. This is across several genres. I don't for 2 reasons. 1 is I don't want to play favorites. 2 is I don't want Don mad at me. I try very hard not to break the self-promotion rule. |
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#157 |
eBook Enthusiast
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Karma: 93980341
Join Date: Nov 2006
Location: UK
Device: Kindle Oasis 2, iPad Pro 10.5", iPhone 6
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Recommending books that you enjoy is precisely the purpose of the "Reading Recommendations" forum. The rules about self-promotion only apply to authors or publishers promoting their own books. So please feel free to recommend any books that you've read and enjoyed.
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#158 | |
Just a Yellow Smiley.
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Karma: 83862859
Join Date: Jul 2015
Location: Texas
Device: K4, K5, fire, kobo, galaxy
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#159 | |
Grand Sorcerer
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Karma: 128354696
Join Date: May 2009
Location: 26 kly from Sgr A*
Device: T100TA,PW2,PRS-T1,KT,FireHD 8.9,K2, PB360,BeBook One,Axim51v,TC1000
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Indie publishers have access to the same pool of freelance professionals as the BPHs, most of them being veterans "made redundant" by the mergers that have been consolidating tradpub for the last 30 years. Some authors are talented enough to create their own covers, for example, or are able to edit their own work but the majority simply contract out to freelancers. The only unavoidable production difference between going Indie or tradpub is that producing market-ready Indie books only costs the author a fixed, one-time fee, not 75% of net for the life of the copyright. |
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