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#76 |
Wizard
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the problem with the abundance vs scarcity debate is that it focuses on the wrong kind of abundance. For sure, its easier today to produce and publish content than ever before. Unfortunately, creative TALENT is as scarce as it ever was. Also just as the scarce is EDITING talent, which refines the product of creative talent into good books. What this means is that the amount of quality literature is not really much greater than before. Its more easily available, but the AMOUNT of it is not that much more.
As far as the public is concerned, there is no perceived abundance. The general public doesn't know or care that there is a vast pool of free and near free stuff available on the Internet. What the public wants is the professionally curated and produced stuff, written by writers that they are familiar with through exposure in bookstores , traditional marketing, libraries or recommendations by intimates. The public believes that books produced by such writers are much more likely to deliver quality entertainment than unknown " indie" writers-so much so that the general public is not even aware that we are living in an era of "abundance. " Of course, the public's perception may change as we move from the present era- which is still 80 per cent print - to a mostly ebook era. Right now I would say that the era of abundance has not dawned for the general public. Last edited by stonetools; 03-24-2012 at 09:15 PM. |
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#77 | ||
Grand Sorcerer
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#78 | |
Grand Sorcerer
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The "era of abundance" may not have dawned for the public yet, but that's because the ebook industry hasn't provided them with decent searching tools, and the public has yet to learn to use what's out there (beyond going to Amazon, et al, and seeing what they push at the entry page). |
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#79 |
Wizard
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[QUOTE=Elfwreck;2016587]John Locke's first million sales say you're wrong.
I think you have a skewed concept of "the general public." In my mind, that includes the several-million people who spend time reading blogs and hanging out at Reddit and Fark and Livejournal, who are entirely aware that the internet is *clogged* with interesting free stuff. They may default to gatekeeper-selected reading materials most of the time, because it's worth paying someone else to winnow through the selection of what's available... but they aren't averse to other sources, and are actively involved in telling other people that you can find endless free-and-cheap entertainment online.[/] With respect , the general public has never even heard of Fark or Livejournal, much less hung out there. Dont confuse the habits of the " technologists" with those of the general public. Remember that 80 per cent of all book purchases are print and that most people don't have ebook readers. For those people, there really is no " abundance". Another point is that all this applies to genre fiction. For literary fiction and non fiction, there is no huge outflow of interesting new stuff. |
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#80 | |
Wizard
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#81 |
Basculocolpic
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@stonetools
This thread opened with an opinion about the book market from the macro perspective. You are takeing it to the micro perspective and there is always scarcity in micro perspective. When you start with segmentation (editing, well known authors etc) you will by definition create scarcity, but then we are no longer comparing yesterday's apples with today's apples. |
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#82 | |
Blue Captain
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#83 | |
Is that a sandwich?
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#84 | |
Grand Sorcerer
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[QUOTE=stonetools;2016660]
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Also, define "new stuff". There is much "old stuff" that is perfectly valid, in both categories. Are William James, Willa Cather, Joseph Hergesheimer, Booth Tarkenton, Pearl Buck, et al suddenly worthless because they are not part of this year's publisher cycle? Go look at the bestsellers since 1920. Are they all trash? (Some you may consider trash, such as Zane Grey, but all?) I could say that there is not a large amount of "interesting new literary fiction" because there is a very small market for it. 15 Years ago, I read where a fantasy writer (who was successful in her niche), listened to all her literary friends and wrote a very literary historical novel, set in the 12th century. It was well reviewed in top literary sources. It sold 700 copies. Her comment was, "I spend 2 years of my life to sell 700 books? Never again. I'll go back to writing fantasy." Non-fiction is not so clear cut, as certain area are in continual flux, requiring new books. But even there, there are large swatches of information that don't require continual rewriting. I learned comparative vertebrate anatomy from a book first published in 1942. It's still perfectly valid and usable, if you need to learn vertebrate anatomy. Same for learning lots of mathematics. Calculus, Linear Algebra, Differential Equations, and lots of other branches haven't changed in a hundred years. Of course, Physics, Cosmology, Molecular Biology, and lots of other branches change every 5 minutes. They always need new books. Or is your idea of non-fiction novel-length People Magazine books? Stonetools, the world is leaving you behind. In the world today, as opposed to even three years ago, brick-and-mortar bookstores are steadily going broke, and the largest bookseller in the US (Amazon) sell more e-books than it does print book, (they inverted about a year ago). How many people do you see with iphones? Are they all "technologists"? They can, (and more and more do) read books on their iPhone in their spare time. (Or android phones). The world has changed, and it isn't going back. Last edited by Greg Anos; 03-25-2012 at 10:26 AM. |
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#85 | |
Wizard
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I agree that the era of B&M stores is passing and that we are moving from print to electronic in the area of narrative text. We aren't there yet and won't be for quite some time. In the area of illustrated books, we may not move to electronic for an even longer time. All this means is that its not all abundance, unicorns and rainbows out there. Its a time of troubles for the book industry. I'll happily embrace the e-book future but I want some vital categories of books to come into that future with me. |
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#86 | |
Grand Sorcerer
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But the *ebook* business that exists today (and the topic is about *ebooks*, not print) is primarilly narrative text and heavily dependent on the genres. Much as the paperback revolution of the last century started with the genres, the commercial ebook industry of *today* is driven by the economics of genre recreational reading. So yes, traditional publishers and their workflows and overlords still rule! (Glory, glory Hallelujah and all that)... *outside* the genres. Outside ebooks. But in ebooks, the old economics are being superceded by... something new. Just *what* that something new is, is what this thread is about. It isn't about defending the ancien regime but exploring how things are changing in the ebook realms. We're looking at the leading edge of change, not the legacy realms. |
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#87 |
Grand Sorcerer
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I think that when we talk abundance and good books, then we need to break things down a bit. I tend to break authors into three different groups.
Group one is the great writers, the ones with that special spark, the natural story tellers, the authors who write books that people read, can't put it down and then read it over and over again. There will never be an abundance in this group, since it's a pretty small group of authors. I don't know if there are more than a handful at any one time in a specific genre [I would also say that there are some writers who start in this group and fall back down to the good category after a time for various reasons]. These are the best sellers, the J.K. Rowlings of the world. The next group are the good writers, those writers who produce quality work, yet lack that special something that separates the great from the good. The majority of writers who make a living at writing fall in the group. Yes, there is an abundance here. For the average reader, there isn't a big difference between name writers in a specific genre. They tend to have a pretty good backlist built up, and there is a known quality about their books, but you aren't going to wait in line to buy their latest. The last group is the hacks. This is the 90% who fill the slush piles of publishers everywhere and threaten to overwhelm the internet with free ebooks. They may have the talent to be good, but not the discipline, or they may simply not have the talent for writing a good story. Ultimately, I do think that some filtering mechanism will come into play in the ebook world. Most people don't have the time or desire to wade through masses of dreck to find good books. They want someone else to do that and tell them "hey, try this out, this is a good book". I also think that good ebooks will always sale. What price they will sale at is a different question, but I do think that people are willing to pay for quality. |
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#88 | |
Grand Sorcerer
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Frankly, most of those catagories I have no great need for. Travel books? I can read a 50 year old travel book and get a feel for the land (as opposed to the people). The land isn't going to change. People, roads, things to do/see? I can get that better on the internet, with a swath of different people's opinions, as well, for free. (and more current). Most biography today are publicity pieces for meaningless celebreties (or corrupt politicians or both combined). And so on. I buy such books that either entertain me or tell me something I don't already know, and that has meaning to me. I like history, but most history today consists of making the past fit the "politically correct" mores of the current times. (I know, that has always been the case. So why is today's attitudes more relevant to historical events than the opinions of 50 or 100 years ago?) What is happening is that all writing is going to have to stand on it own (sic) two legs. If a large number of people value it, there'll be a lot of it. If not too many people like, there won't be much. Selah. |
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#89 | |||||
Grand Sorcerer
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There is no easy "flip through the cookbook and look for a picture that catches the eye." There is no easy "flip back and forth between page 24 with the engine diagram and page 187 with the wiring diagram." There is no "bookmark some pages with yellow for quotes to use in the dissertation, and other pages with blue for comparison with the other major source of info." Nonfic that works as linear reading--celebrity memoirs, "how to improve your resume skills"--work fine, and are selling. (At least, from the reports I see.) Nonfic that's meant to be a permanent reference has problems. Quote:
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Some types of nonfic will go well into ebooks; other types will need other media. Finding out that genre fiction is exploding in ebooks is hardly surprising; it was *always* looking for the cheapest medium and widest reach. Some of us are entirely unsurprised that the books that were literally sold by the bagful at rummage sales have a widespread appeal, and that many people actually want to read dozens (or hundreds!) of them a year. It's only the traditional publishers who thought that they had reached the entire market with paperbacks and the 50% return rate showed a lack of interest rather than poor business planning. |
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#90 | |||||
Grand Sorcerer
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Thanks for the response. I'd like to volley back a little.
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abundance, ebook, economy, scarcity, steven lyle jordan |
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