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#31 | |
Wizard
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I would love it if only the remixes of songs that are an improvement on the original would make it to the public. |
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#32 | |
Wizard
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#33 | |
DRM hater
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Exactly how I feel. The concept was put into the Constitution not for the enrichment of the individual, but for the benefit of all of society - to be enriched by it. I think modern folks forget this. Sure the free market is the best thing for economic growth and the welfare of all - but it's not the right way to resolve every single problem. The Public Domain concept is for the good of us all. Imagine if every song, ever piece of writing, every bit of media required you to pay someone. That's not the best thing for the People as a whole. |
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#34 | |
Guru
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That's too far the other way, as while the creator could make money off of it, it would require a lot of effort and that would be timer better off creating. The old US system worked really well, IMHO. Having to renew copyright meant that only the really valuable commercially stuff was... |
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#35 |
6 teams have the 8 wins
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This is just in time for The Beatles, no doubt.
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#36 |
Publishers are evil!
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I think that played a major roll. Just like protecting the interests of Disney played a major role in the U.S. extending copyrights several years ago.
Unfortunately, it also locks into obscurity millions of other works. Even well known authors like Isaac Asimov have the majority of their work unavailable except on the used book market (his non-fiction is really good). Now imagine all the books written by authors who aren't famous. We are losing this heritage in an effort to protect the commercial profits of large corporations. |
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#37 |
Wizard
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I personally think there should be copyrights with some longer length, but I think it should be limited to the creator's life span some how. I mean, how many copyrights are still in effect where the creator, their kids, and even their grandkids have grown old and died? Look at Disney. He's got his great grandkids around, and he's been dead for 45 years, and his copyrights still have years left on the copyright (2023 for Steamboat Willie, unless gets extended again).
One of the worst things an artist can experience, is having others use your works without permission, and especially if for a profit. It makes you feel a loss of control, because you've spent all this time creating something and making it exactly how you want it, only to then have your desires ignored. Also, as been mentioned many times before around here, is to promote further creations by giving the creator exclusive rights to their past works so they can profit and afford to make more. Ok, if the creator is dead, will whoever inherits the copyright use them to further creation, or will they continue on with their life as is, and use what ever money they get to further their established life path? In my mind, Life + 10 or Life + 20, would be sufficient, since that would give enough time for the person who inherits the works to respect the wishes of the creator, such as if the creator was attempting to do something when they died (which is a common thing, most creators keep on until death). By having it a relatively short time after death, others still get the benefit of the work in the public domain. Last edited by Hellmark; 09-15-2011 at 10:19 AM. |
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#38 | |
monkey on the fringe
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#39 |
Chasing Butterflies
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Like all rights, there is a tension between two sides.
I do believe that authors and creators have rights and should benefit from their works. This is a good thing and helps promote further creation by supporting the artists in their work. However, society has rights too. Society provided safety nets and support for the artist. We have public schools so that artists can be educated, we have public grants so that artists can survive while practicing their art, we have public charities to catch artists when they fall, we have public roads and a mail system and a communications infrastructure so that people can send money to the artist in order to partake of their art. Society invests ALL these things into ALL artists, regardless of whether the artist is successful or not. It stands to (my) reason that therefore society has some claim on the fruit of the artist's labor. We usually do this by taxing some portion of the artist's work and then "reclaiming" the artist's work after a certain time period so that ALL people -- including poor struggling artists -- can benefit from the artist's work. Just as, you know, the artist in question benefited when THEY were looking for inspiration and living on a prayer and a nickel. Incidentally, nearly everyone in America is living on land that once belonged to someone else and which -- in most cases -- was not legally purchased from the actual owners. Just throwing that out there to the people who believe that property rights should last forever -- you probably wouldn't be super thrilled if you got thrown out of your house with zero compensation because someone with longer rights than yours showed up. And, indeed, imminent domain means that you CAN in fact be thrown out of your house (with some compensation) because (in theory) society needs the land more than you do. I've actually had this happen to me, as a matter of fact. It's not fun, but it's the price we pay for living in a functioning society instead of Deathlands. And this is a point: in order to have a functioning society, there are very few "rights" which are sacrosanct over all other considerations. We place limits on free speech. We place limits on property rights. We should also place limits on intellectual property rights. In my opinion. |
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#40 |
Grand Sorcerer
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If nothing else, it ought to be taxed like real property.
You want to keep a copyright forever, you get taxed on it every year, wther you earn any money on it or not. Land gets taxed that way.... And it has to registered in order for you to have a property right... |
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#41 |
monkey on the fringe
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#42 |
Wizard
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In terms of patents, the goal is to encourage innovation, and the way they do that is through disclosure and limited terms.
We give the patent holder 20 years of protection in return for revealing all of their secrets. A patent must be written such that a practitioner skilled in the art can reproduce the patent. This means that, even when the patent is in force, the concept is published and others can use it to germinate their own ideas, and once the exclusive period ends anyone can make use of the revealed invention on their own. In effect, it protects for a limited time in exchange for an agreement to surrender future rights. IMHO, this is where current patent practice is failing. In theory an invention must be 'non-obvious'. This makes it in the public interest to grant a limited protection in return for sharing the secret. However many of our patents are quite obvious and not really inventive. |
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#43 |
Chasing Butterflies
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![]() I suppose it's ideologically consistent, but that would hurt 95% of artists while basically only benefiting the Beatles and other major names. I'm not in favor of that at all, although if the ALTERNATIVE is "copyright forever", then I'm between Scylla and Charybdis in terms of attractive choices. |
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#44 | |
Da'i
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#45 | |
Da'i
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Luqman |
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