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#1 |
Wizard
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When do you climax?
OK! Get your mind out of the gutter
![]() Anyways I am studying how stories were written long time ago where they put the climax of the conflict/action/etc near the MIDDLE of the book. Modern books it read put it near , or at , the end. Where do you put it and why? |
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#2 |
Grand Sorcerer
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Hey I resemble that remark.
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#4 |
Grand Sorcerer
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Well there is a climax of a sort at the start of such stories. I mean the villain doesn't set out usually to kill someone. They are driven to it by whatever impulse and it is a flip on the traditional detective story in that we know who did it from the start. I guess in a way it could be said to have two climax points.
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The "how to write" books suggest the climax at the end followed closely by the resolution.
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#6 |
Scholar
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A climax means you've built up tension over a periode, or just kick the story into gear as with the detective story above.
Either you need to make sure that your story has gotten some increasing momentum prior to the climax, or you need to make sure that the story keeps the high gear following the climax. If you can't do that, then you'd need a resolution shortly after. |
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#7 | |
Dyslexic Count
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I wouldn't use old books as an example, unless you're writing pastiche. Modern readers wouldn't put up with the exposition and reliance on telling over showing the story. IMO. EDIT: Actually I've changed my mind completely about this in the last thirty seconds. I'm now going to write a book where the heroine successfully drives Lucifer back from Hell, fights off the alien invasion and frees the President from the terrorists in the first chapter (by cleverly playing one group against the other... genius, I know...) then spends the rest of the book working her way through Beauty College. I am so onto a winner here. Last edited by dadioflex; 10-07-2011 at 06:10 AM. |
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#8 | |
Wizard
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#9 | |
Wizard
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Just made me wonder if any of that kind of thing still happens today. |
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#10 |
The Grand Mouse 高貴的老鼠
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#11 |
Currently without a title
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To be honest, I don't like the climax at the end. I feel like it cheapens the ending and ends the story too abruptly. I think somewhere around 3/4th to be the best place for a climax. As mentioned above: LotR
Spoiler:
There can still be a lot to write about in the aftermath, how some characters deal with what ever happened, how they fix something else, how they changed, etc.
For me, it doesn't even need to be the end. At times, climax could easily fit in the middle as being the action responsible for making the protagonist to try and resolve the problem instead of making the climax the part where it is resolved. Imagine a person responsible for a war gets stuck in some huge battle in the middle of the book. It would be the climax, but not the end, as that battle will make him realize how pointless or bad the war he started is, and spend the second half of the story trying to fix it. Yes, the end might not be as grand as the middle, but it can still be interesting and not have the reader go "what? this is it?" after 3-4 chapters of this huge battle reaching its peak, then have a small last chapter going "With all the action over, he sat down in his comfy chair, sipping on a cup of his favorite cheap tea. THE END" Last edited by ekster; 10-07-2011 at 08:45 AM. |
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#12 | |
Grand Sorcerer
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To answer the OP, I guess I've gotten comfortable with the traditional climax towards the end, followed by a brief moment of closure to "catch our breath"... nothing long and involved, in literary terms, a short chapter. OTOH, I also like the "you thought this was the climax" story, where the climax is literally at the end (think M. Night's movies), and you're done... if the climax is satisfying enough as it is. Last edited by Steven Lyle Jordan; 10-07-2011 at 09:33 AM. |
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#14 |
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I think Lord of the Rings is an example of the resolution being delayed too long after the climax.
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#15 |
Chasing Butterflies
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My current book I'm working is 20 chapters. The climax as I see it is in Chapter 18, and then there's a mini-extra-climax in Chapter 20.
Mom called me up the other day, and said "Don't drag your book out after the reader is done!" She reads cozy mysteries and she HATES long chapters after the whodunit is revealed. ![]() The early Sherlock Holmes were huge suckers for this. The whodunit would be revealed in the middle and now let's have a whole half a book devoted to their motivation. Great when the motivation was interesting, not when not. |
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