Jane Austen’s Fiction Manuscripts Digital Edition

[Madam Broshkina]

This may be of some interest to aspiring writers and readers alike.

http://www.janeausten.ac.uk/index.html

(From the Website)

The Jane Austen’s Fiction Manuscripts Digital Edition gathers together in the virtual space of the web some 1100 pages of fiction written in Jane Austen’s own hand. Through digital reunification, it is now possible to access, read, and compare high quality images of original manuscripts whose material forms are scattered around the world in libraries and private collections. Unlike the famous printed novels, all published in a short span between 1811 and 1818, these manuscripts trace Jane Austen’s development as a writer from childhood to the year of her death; that is, from 1787 (aged 11 or 12) to 1817 (aged 41). Not only do they provide a unique visual record of her imagination from her teenage experiments to her last unfinished writings, these pages represent one of the earliest collections of creative writings in the author’s hand to survive for a British novelist.



Some more background can be found here:

http://www.ox.ac.uk/media/news_stories/2010/102310.html

Professor Sutherland said: ‘It’s widely assumed that Austen was a perfect stylist – her brother Henry famously said in 1818 that “Everything came finished from her pen” and commentators continue to share this view today. The reputation of no other English novelist rests so firmly on this issue of style, on the poise and emphasis of sentence and phrase, captured in precisely weighed punctuation. But in reading the manuscripts it quickly becomes clear that this delicate precision is missing. Austen’s unpublished manuscripts unpick her reputation for perfection in various ways: we see blots, crossings out, messiness; we see creation as it happens; and in Austen’s case, we discover a powerful counter-grammatical way of writing. She broke most of the rules for writing good English. In particular, the high degree of polished punctuation and epigrammatic style we see in Emma and Persuasion is simply not there.’