|
I haven't quite finished yet, but getting close. Adams' fiction, for me, has always been a matter of mood. In the right mood, the whimsical diversions and elaborations all just fit in perfectly ... but in the wrong mood they frustrate. Of course, it can be quite difficult with Adams' work to distinguish what is a whimsical diversion and what is key plot point. I strongly suspect that, very often, the former has evolved into the latter as the book developed.
I've enjoyed the journey so far.
|