Quote:
Originally Posted by issybird
As a tangential issue, I didn't think Larsen's McGuffin, having Jack Bellew recognizing the black woman he bumped into on a winter street in New York as the same as the white woman he met in his wife's sitting room in summer Chicago, was entirely persuasive.
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I agree. The man she had painted earlier would, it seems to me, have been in a great hurry to disengage himself from the situation, and very unlikely to look closely and either of the women.