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The biggest deal in "show" is doing it properly. As SL's example indicates, sometimes telling can be better than showing in an awkward way.
I love the moments when a simple described action defines a character so well. In Jurassic Park, Dr. Grant quickly solves the problem of non-matching seat belts in a turbulence-bouncing helicopter by tying two unmatching ends in a granny knot across his waist; that indicates the "man of means" trope, and it was done simply, quickly and effectively.
Many times I deal with show and tell by imagining my story as a screenplay, where you are not privy to characters' thoughts or narrative voiceovers: You want to show; but you want to do it economically, the way Jurassic Park did with Dr. Grant. I prefer this much more than long, drawn-out narrative or exposition.
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