Quote:
Originally Posted by xibalban
A guide on choosing a more interesting metrical pattern would be nice. Do you have any guide ebooks to suggest?
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Guidebooks? No. Just look at other poetry and see what other poets do. One of my favourite poets is Rudyard Kipling, and he uses all sorts of different rhyming patterns. Eg:
Code:
God of our fathers, known of old,
Lord of our far-flung battle-line,
Beneath whose awful Hand we hold
Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!
Here we have line 1 and line 3 rhyming, and line 2 and line 4 rhyming, with a final rhyming couplet.
Or:
Code:
You may talk o' gin and beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But when it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it.
Here lines 1 and 2 rhyme, and lines 4 and 5 rhyme, but line 3 rhymes with line 6.
Both of these are much more interesting to read than a simple succession of rhyming couplets.