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Old 04-21-2010, 12:19 PM   #17
Greg Anos
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Quote:
Originally Posted by dmaul1114 View Post
I think the "dream" future of publishers, record labels, movie studies etc. is one where super high speed internet is available to all and they can just sell access to all their content in streaming versions and not have many (or any) physical copies for sale.

Pirates would still capture streams etc., but they'd be happy to at least kill off the second hand market, loaning/borrowing etc.

It's seems all bad--but the older I get the more I'd go for it as I look at my shelves of DVDs/blu rays, CDs, books etc. that seldom every get touched as I just watch the latest movie I have from Netflix or listen to streaming music online or ripped MP3 versions of my CDs etc.

If we had super high speed and reliable internet, and Netflix has their entire collection available in streaming, I'd gladly sell/donate my 300+ movies so I could stream them in time I wanted for a monthly subscription fee. Same with my CDs if the internet was global wireless and I could listen to anything, anytime, anywhere.

And same for books since I seldom re-read anything. On that front I wish come company would come up with an e-book rental scheme so I don't have to buy e-books I'll read once etc.

In any case, back on topic, that type of digital streaming world is what I think publishers really salivate over as it gives them what they want--as much control over their content as possible.


You may not be aware but the Google "Orphan Books" initative is going to be a streaming read format, not a download format....
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