View Single Post
Old 08-10-2009, 01:56 PM   #99
yekim54
What the Dog Saw
yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.yekim54 ought to be getting tired of karma fortunes by now.
 
yekim54's Avatar
 
Posts: 311
Karma: 981684
Join Date: Jul 2008
Location: Dunn Loring
Device: Sony PRS-650, Surface3
Quote:
Originally Posted by sircastor View Post
Wow, I'm absolutely surprised at the Author's response. Apparently she's more interested in the format than the writing, and I don't mean that casually. I liken it to how some poets use indentation and layout to alter the perception of their work.
Based on this blurb about Niffenegger, which appears in The Time Traveler's Wife, perhaps you can understand why she might be more interested in format and visual aesthetics than literary content:

Audrey Niffenegger is a visual artist and a professor in the Interdisciplinary Book Arts MFA Program at the Columbia College Chicago Center for Book and Paper Arts, where she teaches writing, letterpress printing, and fine edition book production. She shows her artwork at Printworks Gallery in Chicago. The Time Traveler’s Wife is her first novel.
yekim54 is offline   Reply With Quote