Quote:
Originally Posted by jbjb
Most recording studios work this way - much higher sampling rate for recording and mixing, then a decimation filter to reduce the sampling rate.
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Not really "much" that I'm aware of: 24 bits at 48KHz. Provides plenty of room to accommodate any mistakes or errors in the original recordings. Unless a customer insists on something absurd like 32-bit/96KHz or higher -- because "jargon hi-res audio jargon jargon." But maybe that's more rant than discussion.
