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Old 10-17-2023, 10:12 AM   #7303
ZodWallop
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Four Fuminori Nakamura crime thrillers are on sale for $3 a piece. He is most known for The Thief and The Gun. Those were both on sale in the past.

My Annihilation - Amazon, B&N, Kobo
Quote:
Turn this page, and you may forfeit your entire life.

With My Annihilation, Fuminori Nakamura, master of literary noir, has constructed a puzzle box of a narrative in the form of a confessional diary that implicates its reader in a heinous crime.

Delving relentlessly into the darkest corners of human consciousness, My Annihilation interrogates the unspeakable thoughts all humans share that can be monstrous when brought to life, revealing with disturbing honesty the psychological motives of a killer.
Last Winter, We Parted - Amazon, B&N, Kobo
Quote:
Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura’s latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity.
A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from the bizarre and grisly details of the crime to the nature of the man behind it. The suspect, a world-renowned photographer named Kiharazaka, has a deeply unsettling portfolio—lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject.

He stands accused of murdering two women—both burned alive—and will likely face the death penalty. But something isn’t quite right. As the young writer probes further, his doubts about this man as a killer intensify, and he struggles to maintain his sense of reason and justice. Is Kiharazaka truly guilty, or will he die to protect someone else?

Evoking Truman Capote’s In Cold Blood and Ryūnosuke Akutagawa’s “Hell Screen,” Last Winter, We Parted is a twisted tale that asks a deceptively sinister question: Is it possible to truly capture the essence of another human being?
Evil and the Mask - Amazon, B&N, Kobo
Quote:
The second book by prize-winning Japanese novelist Fuminori Nakamura to be available in English translation, a follow-up to 2012's critically acclaimed The Thief─another fantastically creepy, electric literary thriller that explores the limits of human depravity─and the powerful human instinct to resist evil.

When Fumihiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. "I created you to be a cancer on the world," his father tells him. It is a tradition in their wealthy family: a patriarch, when reaching the end of his life, will beget one last child to cause misery in a world that cannot be controlled or saved. From this point on, Fumihiro will be specially educated to learn to create as much destruction and unhappiness in the world around him as a single person can. Between his education in hedonism and his family's resources, Fumihiro's life is one without repercussions. Every door is open to him, for he need obey no laws and may live out any fantasy he might have, no matter how many people are hurt in the process. But as his education progresses, Fumihiro begins to question his father's mandate, and starts to resist.
The Boy in the Earth - Amazon, B&N, Kobo
Quote:
A darkly melancholic tale that combines Scorsese’s Taxi Driver and Camus’s The Fall —Nakamura’s Akutagawa Prize-winning novel is here translated into English for the first time and is another high-water mark in this important writer’s career.

As an unnamed Tokyo taxi driver works a night shift, picking up fares that offer him glimpses into the lives of ordinary people, he can’t escape his own nihilistic thoughts. Almost without meaning to, he puts himself in harm’s way; he can’t stop daydreaming of suicide, envisioning himself returning to the earth in obsessive fantasies that soon become terrifying blackout episodes. The truth is, his long-estranged father has tried to reach out to him, triggering a cascade of traumatic memories. As the cab driver wrestles with the truth about his past and the history of violence in his childhood, he must also confront his present, which is no less complicated or grim.

A precursor to Los Angeles Times Book Prize finalist The Thief, The Boy in the Earth is a closely told character study that poses a difficult question: Are some lives so damaged they are beyond redemption? Is every child worth trying to save? A poignant and thought-provoking tour de force by one of Japan’s leading literary voices.
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