View Single Post
Old 06-20-2020, 11:06 PM   #29
Catlady
Grand Sorcerer
Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.
 
Catlady's Avatar
 
Posts: 7,421
Karma: 52734361
Join Date: Oct 2010
Device: Kindle Fire, Kindle Paperwhite, AGPTek Bluetooth Clip
What was the map magic even doing in the book? Why introduce that and use it only minimally (and unnecessarily), and then come up with a whole different magic for the finale?

Why include Diego Rivera and Frida Kahlo, for gosh sakes?

Why include the three-garment rule (which, yes, was certainly interesting) and then not make use of it?

Why include so many indistinct characters: Franny, Babs, Polly--why were they there? What did they add to the story?

Why the Cole Porter songs (which, yes, I liked because I like Cole Porter)? But how do they fit the story?

All this stuff--it was generally interesting as local color, but it wasn't well integrated into a novella. In a 500-page book, fine--I like detail and subplots and tangents. But in a novella, I expect everything to serve the story, and here that didn't happen. What little story there was couldn't bear the weight of all these extraneous details.

I'm overgeneralizing, I'm sure. But a week after reading, this is how I remember the book.
Catlady is offline   Reply With Quote