View Single Post
Old 06-14-2018, 02:53 PM   #41
Catlady
Grand Sorcerer
Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.Catlady ought to be getting tired of karma fortunes by now.
 
Catlady's Avatar
 
Posts: 7,419
Karma: 52613881
Join Date: Oct 2010
Device: Kindle Fire, Kindle Paperwhite, AGPTek Bluetooth Clip
Quote:
Originally Posted by BenG View Post
Think of it as a performance like different singers doing the same song. You may have someone doing a straight reading, then with someone “acting” with different voices and maybe they decide to get a celebrity to do a version.

I think some of the earliest recording were done for the blind.
Yeah, but usually it's public domain recordings that are done by different voice artists. For more modern works, don't the authors/publishers negotiate rights with one audio company and narrator, and that's it? Before noticing the Bradbury multiple versions, the only other modern one for which I'd ever seen a multiple was Shirley Jackson's Haunting of Hill House--the second version coincided with the movie remake, so there seemed to be some logic behind it, if not much sense.
Catlady is offline   Reply With Quote