Help us select what the MR Literary Club will read for March.
The nominations will run for four days until 5 March. Then, a separate voting poll will begin where the month's selection will be decided.
The category for this month is:
Contemporary (2001-Present)
In order for a work to be included in the poll it needs four nominations - the original nomination plus three supporting.
Each participant has four nominations to use. You can nominate a new work for consideration or you can support (second, third or fourth) a work that has already been nominated by another person.
To nominate a work just post a message with your nomination. If you are the first to nominate a work, it's always nice to provide an abstract to the work so others may consider their level of interest.
What is literature for the purposes of this club? A superior work of lasting merit that enriches the mind. Often it is important, challenging, critically acclaimed. It may be from ancient times to today; it may be from anywhere in the world; it may be obscure or famous, short or long; it may be a story, a novel, a play, a poem, an essay or another written form. If you are unsure if a work would be considered literature, just ask!
The floor is now open!
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Nominations are closed. Final Nominations:
Half of a Yellow Sun by Chimamanda Ngozi Adichie, 2006 - Fully nominated
Spoiler:
In favour- sun surfer, Bookpossum, Bookworm_Girl, ccowie
4.22 rating on Goodreads
From Goodreads:
In 1960s Nigeria, a country blighted by civil war, three lives intersect. Ugwu, a boy from a poor village, works as a houseboy for a university professor. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. And Richard, a shy English writer, is in thrall to Olanna's enigmatic twin sister. As the horrific Biafran War engulfs them, they are thrown together and pulled apart in ways they had never imagined.
Chimamanda Ngozi Adichie's masterpiece, winner of the Orange Prize for Fiction, is a novel about Africa in a wider sense: about the end of colonialism, ethnic allegiances, class and race - and about the ways in which love can complicate all of these things.
The Orphan Master's Son by Adam Johnson, 2012 - Fully nominated
Spoiler:
In favour- Bookworm_Girl, Bookpossum, sun surfer, Synamon
Amazon Best Book of the Month, January 2012. Winner of the Pulitzer Prize for Fiction (2013). It's available at Overdrive and 3M Cloud Library in the US. Also at Amazon and Kobo globally.
From Goodreads:
An epic novel and a thrilling literary discovery, The Orphan Master’s Son follows a young man’s journey through the icy waters, dark tunnels, and eerie spy chambers of the world’s most mysterious dictatorship, North Korea.
Pak Jun Do is the haunted son of a lost mother—a singer “stolen” to Pyongyang—and an influential father who runs Long Tomorrows, a work camp for orphans. There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.
Considering himself “a humble citizen of the greatest nation in the world,” Jun Do becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”
Part breathless thriller, part story of innocence lost, part story of romantic love, The Orphan Master’s Son is also a riveting portrait of a world heretofore hidden from view: a North Korea rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love. A towering literary achievement, The Orphan Master’s Son ushers Adam Johnson into the small group of today’s greatest writers.
A Mercy by Toni Morrison, 2008 - Fully nominated
Spoiler:
In favour- ccowie, Bookpossum, BelleZore, Bookworm_Girl
From Goodreads:
A powerful tragedy distilled into a jewel of a masterpiece by the Nobel Prize–winning author of Beloved and, almost like a prelude to that story, set two centuries earlier.
In the 1680s the slave trade was still in its infancy. In the Americas, virulent religious and class divisions, prejudice and oppression were rife, providing the fertile soil in which slavery and race hatred were planted and took root.
Jacob is an Anglo-Dutch trader and adventurer, with a small holding in the harsh north. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, “with the hands of a slave and the feet of a Portuguese lady.” Florens looks for love, first from Lina, an older servant woman at her new master’s house, but later from a handsome blacksmith, an African, never enslaved.
There are other voices: Lina, whose tribe was decimated by smallpox; their mistress, Rebekka, herself a victim of religious intolerance back in England; Sorrow, a strange girl who’s spent her early years at sea; and finally the devastating voice of Florens’ mother. These are all men and women inventing themselves in the wilderness.
The Master by Colm Tóibín, 2003 - Fully nominated
The Inheritance of Loss by Kiran Desai, 2006 - 2
Spoiler:
In favour- Bookworm_Girl, Synamon
Winner of 2006 Man Booker Prize. 2007 Orange Prize Nominee for Fiction Shortlist. Available at Oyster in the US, Amazon and Kobo globally.
From Publishers Weekly:
This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is—at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a "better life," when one person's wealth means another's poverty.