Happy new year; I hope 2015 harbingers great things for us all!
Help us select what the MR Literary Club will read for January.
The nominations will run for four days until 5 January. Then, a separate voting poll will begin where the month's selection will be decided.
The category for this month is:
Poetry
In order for a work to be included in the poll it needs four nominations - the original nomination plus three supporting.
Each participant has four nominations to use. You can nominate a new work for consideration or you can support (second, third or fourth) a work that has already been nominated by another person.
To nominate a work just post a message with your nomination. If you are the first to nominate a work, it's always nice to provide an abstract to the work so others may consider their level of interest.
What is literature for the purposes of this club? A superior work of lasting merit that enriches the mind. Often it is important, challenging, critically acclaimed. It may be from ancient times to today; it may be from anywhere in the world; it may be obscure or famous, short or long; it may be a story, a novel, a play, a poem, an essay or another written form. If you are unsure if a work would be considered literature, just ask!
The floor is now open!
*
Nominations now closed. Final nominations:
Lyrical Ballads, with a Few Other Poems by Samuel Taylor Coleridge and William Wordsworth - Fully nominated
Four Quartets by T.S. Eliot - Fully nominated
Spoiler:
In favour- Bookpossum, Billi, fantasyfan, Bookworm_Girl
From Kobo:
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
From Bookpossum:
Not very long (about 35 pages in my paper copy) but very deep and immensely rewarding. For those who do not know this work, here is a small sample from The Dry Salvages:
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts.
Birthday Letters by Ted Hughes - Fully nominated
Spoiler:
In favour- paola, Bookpossum, sun surfer, desertblues
From paola:
Ted Hughes
Birthday Letters: these are the letters written "to"
Silvia Plath after her death.
Pass Thru Fire: The Collected Lyrics by Lou Reed - Fully nominated
Spoiler:
In favour- Hamlet53, sun surfer, Billi, desertblues
Kindle edition link.
From Amazon:
Containing a body of work that spans more than three decades, Pass Thru Fire is a stunning collection of the lyrics of an American original. Through his many incarnations-from proto punk to glam rocker to elder statesman of the avant garde-Lou Reed’s work has maintained an undeniable vividness and raw beauty, fueled by precise character studies and rendered with an admirable shot of moral ambiguity. Beginning with his formative days in the Velvet Underground and continuing through his remarkable solo career-albums like Transformer, Berlin, New York, Magic and Loss, and Ecstasy-Pass Thru Fire is crucial to an appreciation of Lou Reed, not only as a consummate underground musician, but as one of the truly significant poets of our time.
Canto General by Pablo Neruda - Fully nominated
The Collected Works of Billy the Kid: Left-Handed Poems by Michael Ondaatje - 3
Spoiler:
In favour- ccowie, sun surfer, Hamlet53
From Amazon:
Michael Ondaatje's sprawling sequence of verse interspersed with poetic prose exposes the persona poem as one of poetry's surest paths to honesty. Through unsettlingly precise detail and unsentimental empathy, the character of Billy the Kid is recreated-and revisited-in all its brutality and splendor. Ondaatje's unflinching commitment to honesty yields a persona that is as vibrant and realized as possible, resulting in a series of confessions that range from disturbing to revelatory.
The image, consistently startling, graphic and discomforting, carries the speaker through the entire sequence. Whereas most imagery depends on the eye for effect, Ondaatje utilizes all five senses throughout the book. We taste wine "so fine/it was like drinking ether," we feel Pat Garret's "oiled rifle" against Maxwell's cheek and hear it fire beside his ear, "leaving a powder scar on Maxwell's face that stayed with him all his life." We smell the smoke in Garret's shirt and taste the nicotine in his mouth. At times, the stunned silence of Ondaatje's unremitting narrative conjures a hush so palpable that we can "listen to deep buried veins in our palms." It doesn't take long for The Collected Works of Billy the Kid to immerse the reader in its own unique world, accessible now only through words and photographs.
Most memorable, though, are the intensely graphic images that sprout from the page throughout the book. The chicken digging for a vein in the dying Gregory's neck, the warts in Billy the Kid's throat "breaking through veins like pieces of long glass tubing," the blood caked in Tom O'Folliard's "hair, arms, shoulders, everywhere." All these paint an unmistakable landscape of a bleak and desolate New Mexico in the 1880's, a scene so haunted that even "the sun turned into a pair of hands" and pulled out hairs from Billy the Kid's head which, we're told later, is "smaller than a rat." Not one potentially enlivening detail is overlooked; not one square inch of landscape or action escapes the reader's view.
Ondaatje's ambitious project demonstrates that the recipe for great writing is precise detail compounded by believable emotion, a recipe he follows to the letter. Ondaatje executes these two devices so effectively at times that a kind of piercing, revelatory insight emerges periodically. Magical disclosures such as the characterization of Pat Garrett as one who "became frightened of flowers because they grew so slowly he couldn't tell what they planned to do," help to fully realize both the character of Billy the Kid and the times in which he lived, and establish Ondaatje's book as perhaps one of the greatest attempts at persona poetry in the 20th century.